Raghunath Manet's ' "Vatapi" was released on its scheduled release date, March 8, 2000. This song appears to be safe for all ages as it is not explicit. The track order of this song in Raghunath Manet's "Karnatik" album is number 3 out of 8. On top of that, France appears to be the country where this track was created. The popularity of Vatapi is currently unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Vatapi by Raghunath Manet to be Vivace (lively and fast) because the track has a tempo of 166 BPM, a half-time of 83BPM, and a double-time of 332 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Shades of Hamsanadam - Kalyana Rama - Tala Adi | Ananth Kumar, IndianRaga, Kamaladeepthi Vempati, Kavitha Jayaraman, Nagaari, Praphul Pemmaraju, Shravan Kumar Ramani, Sindhuja Bhakthavatsalam | F Major | 8 | 7B | 160 BPM | ||
| Kannuthalan | Lalgudi Swaminathan | D♭ Major | 3 | 3B | 75 BPM | ||
| Tarana in Bhupali | Ali Akbar Khan | F Major | 6 | 7B | 109 BPM | ||
| Narayana | Sangeetha Sivakumar | F♯ Major | 4 | 2B | 88 BPM | ||
| Nirguname Nee Gunamu | Sarvepalli Sisters | A♭ Major | 2 | 4B | 82 BPM | ||
| Raghunayaka - Hamsadwani - Adi | Vittal Ramamurthy | E Major | 5 | 12B | 81 BPM | ||
| Tillana - Behag - Adi (Tisra) | Lalgudi G. Jayaraman, Palghat Mani Iyer, T.R. Rajamani, Srimathi Brahmanandam | E♭ Major | 8 | 5B | 115 BPM | ||
| Dwadash Jyotirlingani | Pandit Jasraj, Shruti Sadolikar | D♭ Major | 1 | 3B | 75 BPM | ||
| Sri Ganapathi | A. Kanyakumari | F Major | 8 | 7B | 107 BPM | ||
| Namashivaya Vaazhga | Lalgudi Swaminathan | D♭ Major | 3 | 3B | 81 BPM | ||
| Krishna Nee Begane - Raga Yamuna Kalyani - Tala Misra Chapu | Aruna Sairam, S. Karthick, J. Vaidyanathan, Archana | B♭ Major | 3 | 6B | 139 BPM | ||
| Nannu Brovave | N. Ramani | A♭ Major | 8 | 4B | 149 BPM | ||
| ARUL PERUM JOTHI | Aldo Brizzi, Raghunath Manet | D♭ Major | 2 | 3B | 96 BPM | ||
| Rahuvamsa - Kadana Kuthukalam - Adi | Rajhesh Vaidhya | G Major | 8 | 9B | 100 BPM | ||
| Sri | Raghunath Manet | C Major | 5 | 8B | 152 BPM | ||
| Moh Maaya | Saaz Mode | B♭ Major | 2 | 6B | 134 BPM | ||
| Mallari | Madhav Gopi Nair, Abhimanyu Kamath | E Major | 8 | 12B | 112 BPM | ||
| Kamod | Buddhadev DasGupta | F Major | 5 | 7B | 168 BPM | ||
| Kavadi Chindu - Sindhu - Ekam | Aruna Sairam | F Minor | 6 | 4A | 179 BPM | ||
| Thillana (Raga Paras, Aadi Tala) | Nirmala Rajasekar, Raghavendra Rao, Tanjore K. Murugaboopathi, V. Suresh | B♭ Minor | 5 | 3A | 105 BPM | ||
| Naalvar Thudhi | Pa. Sargurunathan | D♭ Major | 3 | 3B | 114 BPM | ||
| Chitta Chora Yashoda Ke Bal | Sri Sathya Sai Bhajans | D Major | 5 | 10B | 119 BPM | ||
| Kriti: "Mīnākṣi Me Mudam" / Svara Kalpana | Ranganayaki Rajagopalan, Raja Rao | F Minor | 6 | 4A | 164 BPM | ||
| Alaipaayuthe Kannaa | Kadri Gopalnath | D♭ Major | 8 | 3B | 140 BPM | ||
| Munnai Pazham Porul | V2S2, RAGAMALIKATV | A♭ Major | 3 | 4B | 99 BPM |