Amy London, John Hicks, Lee Musiker, Roni Ben-Hur, Rufus Redi's ' "It Could Be so Nice" was released on its scheduled release date, February 16, 2007. With this song being around four minutes long, at 4:08, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of When I Look in Your Eyes by Amy London. The song's track number on the album is #6 out of 12 tracks. Based on our data, United States was the country where this track was produced or recorded. Based on our statistics, It Could Be so Nice's popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
Since It Could Be so Nice by Amy London, John Hicks, Lee Musiker, Roni Ben-Hur, Rufus Redi has a tempo of 144 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With It Could Be so Nice being at 144 BPM, the half-time would be 72 BPM with a double-time of 288 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, jogging or cycling. The time signature for this track is 4/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Hush, no more | Henry Purcell, Calmus Ensemble | B Minor | 0 | 10A | 79 BPM | ||
| Scarborough Fair | Elektra Women's Choir | D Minor | 1 | 7A | 131 BPM | ||
| Jazz Missa Brevis: Gloria | Will Todd, St Martin's Voices | G Major | 2 | 9B | 113 BPM | ||
| Will there really be a "Morning"? | Craig Hella Johnson, Choral Arts, Anonymous, Robert Bode | F♯ Major | 0 | 2B | 68 BPM | ||
| Marry Me a Little | Cyrille Aimee | C Major | 2 | 8B | 105 BPM | ||
| I Have Never Loved Someone: I Have Never Loved Someone (Arr. for Choir by Nate Thacher) | Shara Nova, Conspirare, Craig Hella Johnson | E Major | 1 | 12B | 175 BPM | ||
| The End of Love | New York Vocal Collective | F♯ Major | 2 | 2B | 92 BPM | ||
| Magnolia | Taylor Eigsti, Becca Stevens | E Minor | 4 | 9A | 76 BPM | ||
| Yo le Canto todo el Dia | David L. Brunner, Sacramento Master Singers, Clifford Shockney, Heidi van Regenmorter, Ralph E. Hughes | E Minor | 4 | 9A | 119 BPM | ||
| 2 Sacred Songs: No. 1, Alleluia | Valentin Silvestrov, Latvian Radio Choir, Sigvards Kļava | D Major | 0 | 10B | 84 BPM | ||
| Ved vatna | Mju Vocal | G Major | 1 | 9B | 95 BPM | ||
| Partita for 8 Singers: 1. Allemande | Caroline Shaw, Roomful of Teeth, Brad Wells | F♯ Minor | 3 | 11A | 138 BPM | ||
| Seven Poems by James Joyce, R. 51: I. Strings in the earth and air | Ernest John Moeran, Roderick Williams, John Talbot | D♭ Major | 0 | 3B | 85 BPM | ||
| Li'l Darling | The Real Group | B♭ Minor | 0 | 3A | 73 BPM | ||
| In Te, Domine, Spreavi | Nordic Chamber Choir - Nicol Matt | D Minor | 0 | 7A | 83 BPM | ||
| A Nightingale Sang In Berkeley Square | The Manhattan Transfer | C Major | 0 | 8B | 77 BPM | ||
| Love Warriors | Tuck & Patti | D♭ Minor | 1 | 12A | 107 BPM | ||
| Bli Blip | New York Voices | A♭ Major | 3 | 4B | 131 BPM | ||
| Considering Matthew Shepard, Passion: No. 16, I Am Like You - We Are All Sons (Part 2) | Craig Hella Johnson, Conspirare | F Major | 0 | 7B | 76 BPM | ||
| The Blue Bird | Charles Villiers Stanford, Cantorum Chamber Choir, Melissa Heath, Steve Durtschi | F♯ Major | 1 | 2B | 124 BPM | ||
| Itken pois | Anna-Mari Kahara, Anna-Mari Kähärä. Based on Kanteletar, Philomela Choir | E Minor | 6 | 9A | 96 BPM | ||
| Considering Matthew Shepard: Prologue, 3. We Tell Each Other Stories | Craig Hella Johnson, Conspirare | A Major | 0 | 11B | 169 BPM | ||
| The World Keeps You Waiting | New York Voices | G Minor | 4 | 6A | 95 BPM | ||
| The Birds' Lullaby - SATB | Sarah Quartel, Oxford University Press, The Oxford Choir, Bob Chilcott | G Major | 1 | 9B | 104 BPM | ||
| 4 Shakespeare Songs: No. 3, Double, double toil and Trouble | Jaakko Mäntyjärvi, Voces Nordicae, Lone Larsen | A♭ Major | 0 | 4B | 90 BPM |