- BPM
- 170
- Key
- F♯ Major
- Camelot
- 2B
I Was There by Jonathan Atkinson Song Details
Jonathan Atkinson's ' "I Was There" was released on its scheduled release date, June 24, 2016. The duration of This song is about two minutes long, specifically at 2:29. This song does not appear to have any foul language. I Was There's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Jonathan Atkinson,Louise Freeman,Nick Mills's "Groove Café, Vol. 3" album is number 1 out of 25. The popularity of I Was There is currently unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
BPM and Tempo
We consider the tempo marking of I Was There by Jonathan Atkinson to be Vivace (lively and fast) because the track has a tempo of 170 BPM, a half-time of 85BPM, and a double-time of 340 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
Music Key
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 0%
- Loudness
- -7.474 dB
- Acousticness
- 4%
- Danceability
- 51%
- Energy
- 86%
- Instrumentalness
- 82%
- Liveness
- 19%
- Loudness
- 88%
- Speechiness
- 3%
- Valence
- 67%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Riddarfjärden | Adam Nordén | F Major | 2 | 7B | 73 BPM | |
 | Cautionary Tale | Aneek Thapar, Jonathan Atkinson, Nico Dalla Vecchia | D♭ Major | 5 | 3B | 136 BPM | |
 | The Good Liar | Carter Burwell | F Major | 1 | 7B | 88 BPM | |
 | Last Lullaby | The Unthanks | D Major | 2 | 10B | 207 BPM | |
 | Remorse Code | Richard Hawley | D Major | 4 | 10B | 113 BPM | |
 | Face of a Faith | Hanna | C Major | 2 | 8B | 82 BPM | |
 | Nostalgia | Emily Barker, The Red Clay Halo | A♭ Minor | 2 | 1A | 72 BPM | |
 | Here Again: Die Toten vom Bodensee | Michael Kadelbach | E♭ Major | 3 | 5B | 98 BPM | |
 | Impromptu No. 3 in G-Flat Major, Op. 90, D 899 (Excerpt) | George Fenton | F♯ Major | 0 | 2B | 65 BPM | |
 | Ruth and Sylvie | Daniel Hart | G Major | 2 | 9B | 107 BPM | |
 | Looking For Trouble | Electro Absolute Music, Jonathan Atkinson | C Major | 10 | 8B | 140 BPM | |
 | Slow The Time | Olivia Broadfield | C Major | 1 | 8B | 80 BPM | |
 | Holding On to You | Olivia Broadfield | C Major | 2 | 8B | 111 BPM | |
 | On the Nature of Daylight – Written on the Sky (From “The Blue Notebooks” and “Disconnect”) | Angèle Dubeau, La Pietà | B♭ Minor | 1 | 3A | 77 BPM | |
 | Brideshead Revisited Theme | Geoffrey Burgon | F Major | 1 | 7B | 147 BPM | |
 | Twin Peaks | Daniel Caine Orchestra | F Major | 2 | 7B | 151 BPM | |
 | Who Was She? | Nico Muhly | G Minor | 1 | 6A | 95 BPM | |
 | Tidings | Ryan Downey | B♭ Major | 3 | 6B | 120 BPM | |
 | The Straight Story: Rose's Theme - From "The Straight Story" | Angelo Badalamenti | F Major | 1 | 7B | 119 BPM | |
 | Here It Comes | Emeli Sandé, Rick Smith | C Major | 7 | 8B | 100 BPM | |
 | Did I Make The Most Of Loving You | Mary-Jess | F Major | 3 | 7B | 84 BPM | |
 | Mumbo Bliver Stor | Halfdan E, Tallinn's Finest Sinfonietta | E♭ Major | 2 | 5B | 69 BPM | |
 | Research 26.2 | Rob | C Major | 3 | 8B | 80 BPM | |
 | There Is A River... | Jan A.P. Kaczmarek | C Major | 1 | 8B | 56 BPM | |
 | Spiegel im Spiegel, for Violin & Piano | Arvo Pärt, Benjamin Hudson, Jürgen Kruse | F Major | 0 | 7B | 77 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records