W Ward-Higgs, Rudyard Kipling, Michael Halliwell, David Miller's ' "Troopin'" was released on its scheduled release date, August 7, 2005. The duration of This song is about two minutes long, specifically at 2:24. This song does not appear to have any foul language. Troopin''s duration is considered a little bit shorter than the average duration of a typical track. This song is part of When the Empire Calls by David Miller, Michael Halliwell. The song's track number on the album is #5 out of 47 tracks. Based on our data, Australia was the country where this track was produced or recorded. Based on our statistics, Troopin''s popularity is not that popular right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
Since Troopin' by W Ward-Higgs, Rudyard Kipling, Michael Halliwell, David Miller has a tempo of 123 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Troopin' being at 123 BPM, the half-time would be 62 BPM with a double-time of 246 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
The music key of this track is E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Bellini: I puritani: "Sai com’arde in petto mio" (Elvira, Giorgio) | Vincenzo Bellini, Dresdner Philharmonie, Riccardo Frizza | D Major | 5 | 10B | 136 BPM | ||
| La scuola de' gelosi, Act II: Finale secondo - Mia bella Ernestina | Antonio Salieri, Benjamin Holder, Hungarian Studio Orchestra, Hungarian Studio Choir | A Major | 1 | 11B | 52 BPM | ||
| 9. The law is the embodiment | Arthur Sullivan, John Reed, The D'Oyly Carte Opera Chorus, The New Symphony Orchestra Of London, Isidore Godfrey | C Major | 3 | 8B | 104 BPM | ||
| Priceless | Yakubu | E Major | 1 | 12B | 103 BPM | ||
| The Dream of Gerontius, Op. 38, Part I: No. 10, Proficiscere, anima Christiana (The Priest) | Edward Elgar, Edward Gardner, London Philharmonic Orchestra, James Platt | D Major | 2 | 10B | 86 BPM | ||
| Peter and the Wolf, Op. 67: V. Grandfather | Wiener Opernorchester | D♭ Major | 1 | 3B | 77 BPM | ||
| Die Entführung aus dem Serail, K. 384: Durch Zärtlichkeit und Schmeicheln | Wolfgang Amadeus Mozart, Regula Mühlemann, Kammerorchester Basel, Umberto Benedetti Michelangeli | G Major | 4 | 9B | 100 BPM | ||
| Wagner: Lohengrin, Act 1: "Nun höret mich und achtet wohl! (Herald, Lohengrin, Frederick, Henry, Elsa, Ortrud, Chorus) | Richard Wagner, Daniel Barenboim, Emily Magee, Falk Struckmann, Peter Seiffert, René Pape, Roman Trekel, Staatskapelle Berlin | F Major | 1 | 7B | 81 BPM | ||
| Che fiero costume | Giovanni Legrenzi, Holly Bewlay, Sarah Rhee | G Minor | 1 | 6A | 107 BPM | ||
| The Widow's Party | W Ward-Higgs, Rudyard Kipling, Michael Halliwell, David Miller | E♭ Major | 1 | 5B | 123 BPM | ||
| Fem Bellmansånger - Aldrig en Iris | Linköpings Studentsångarförening Lihkören | G Major | 1 | 9B | 171 BPM | ||
| Orphée aux enfers, ACT 2, Troisième tableau: un roi de Béotie - Le boudoir de Pluton: Quand j'étais roi de Béotie (John Styx) | Jacques Offenbach, Steven Cole/Orchestre de l'Opéra National de Lyon/Orchestre de Chambre de Grenoble/Marc Minkowski, Marc Minkowski, Sébastien Rouland, Choeur & Orchestre De L'Opéra National De Lyon, Orchestre de Chambre de Grenoble, Orchestre De L'Opéra National De Lyon | A♭ Major | 1 | 4B | 142 BPM | ||
| Gloria, FP 177: I. Gloria in excelsis Deo | Francis Poulenc, Polyphony, Britten Sinfonia, Stephen Layton, The Choir Of Trinity College, Cambridge | A Minor | 3 | 8A | 95 BPM | ||
| Love blows as the wind blows: III Fill a glass with golden wine | George Butterworth, Jonathan Lemalu, Belcea Quartet | F Major | 0 | 7B | 87 BPM | ||
| Liebeslieder Waltzes, Op. 52: No. 3, O die Frauen, o die Frauen | Johannes Brahms, Peter Schreier, Dietrich Fischer-Dieskau, Karl Engel, Wolfgang Sawallisch | D♭ Major | 1 | 3B | 66 BPM | ||
| Weber: 6 Lieder, Op. 15: No. 6, Er an Sie, J. 57, "Ein Echo kenn' ich" (Andantino) | Carl Maria von Weber, Hermann Prey, Leonard Hokanson | C Major | 0 | 8B | 134 BPM | ||
| Messa di gloria, SC 6: IIe. Gloria. Cum Sancto Spiritu - Live | Giacomo Puccini, Bavarian Radio Chorus, Munich Radio Orchestra, Ivan Repušić | F♯ Minor | 0 | 11A | 109 BPM | ||
| Nicolai: Die lustigen Weiber von Windsor, Act 2: Trinklied. "Als Büblein klein an der Mutter Brust" (Falstaff) | Otto Nicolai, Kurt Graunke, Kurt Moll, Bavarian State Orchestra | E Major | 2 | 12B | 101 BPM | ||
| Missa pro defuncto Archiepiscopo Sigismundo, "Mass for the death of Archbishop Sigismund": Offertorium: Domine Jesu | Michael Haydn, Ibolya Verebics, Judit Nemeth, Martin Kleitmann, József Moldvay, Hungarian Radio and Television Chorus, Franz Liszt Chamber Orchestra, Helmuth Rilling | E♭ Minor | 1 | 2A | 97 BPM | ||
| Die lustige Witwe, Act I: No. 1, Introduction – Verehrteste Damen und Herren | Franz Lehár, Donald Grobe, Zoltan Kelemen, Chor der Deutschen Oper Berlin, Berliner Philharmoniker, Herbert von Karajan | B♭ Major | 0 | 6B | 72 BPM | ||
| Der Frühling: "Ewiger, mächtiger, gütiger Gott" | Joseph Haydn, René Jacobs, Freiburger Barockorchester, Marlis Petersen, Werner Güra, Dietrich Henschel, RIAS Kammerchor | D Major | 1 | 10B | 78 BPM | ||
| Missa in angustiis "Nelson Mass", Hob. XXII:11 in D minor: Gloria: Quoniam | Joseph Haydn, Barbara Hendricks, Marjana Lipovsek, Francisco Araiza, Peter Meven, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Sir Colin Davis | B♭ Minor | 1 | 3A | 85 BPM | ||
| Wagner: Tannhäuser, Act 2: "Gar viel und schön ward hier in dieser Halle" (Landgraf, Ritter, Edelfrauen, Edelknaben) | Richard Wagner, Daniel Barenboim, Chor der Deutschen Staatsoper Berlin, Jane Eaglen, René Pape, Staatskapelle Berlin | A♭ Major | 3 | 4B | 106 BPM | ||
| The Mikado: Act I: Three little maids from school (Yum-Yum, Peep-Bo, Pitti-Sing, Chorus of Girls) | Isidore Godfrey | C Major | 2 | 8B | 122 BPM | ||
| Misatango, Misa a Buenos Aires: IX. Et resurexit | MartÍn Palmeri, Chœur régional Vittoria d'Ile de France, Orchestre Pasdeloup, Michel Piquemal, Sophie Hanne, Gilberto Pereyra | C Minor | 3 | 5A | 203 BPM |