Pandit Taranath, Zia Mohiuddin Dagar's ' "Introduction" was released on its scheduled release date, September 11, 2015. With This song being less than two minutes long, at 1:17, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Pandit Taranath, Zia Mohiuddin Dagar's "Live in Stockholm 1969" album is number 1 out of 4. On top of that, Sweden appears to be the country where this track was created. Based on our statistics, Introduction's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Introduction by Pandit Taranath, Zia Mohiuddin Dagar to be Allegro (fast, quick, and bright) because the track has a tempo of 144 BPM, a half-time of 72BPM, and a double-time of 288 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Constructions of the Mind | Fred Westra | C Major | 1 | 8B | 76 BPM | ||
| Raga Aberi Track 03 | L. Shankar | B♭ Minor | 6 | 3A | 88 BPM | ||
| Vanajaksha (Behag Varnam) [Veena] | Ramana Balachandhran | D Major | 3 | 10B | 66 BPM | ||
| Cogadt ar Chogai | Koradan | D Minor | 5 | 7A | 115 BPM | ||
| Joy of Jaipur | Subhankar Banerjee | D Major | 7 | 10B | 94 BPM | ||
| Ocean | Mayapuris | A♭ Major | 2 | 4B | 116 BPM | ||
| Raga Madhuvanti: Alap, Jor (Live) | Srdjan Beronja | D Major | 7 | 10B | 110 BPM | ||
| Ahir Lalit | Z. M. Dagar | F♯ Major | 2 | 2B | 137 BPM | ||
| Nijagada Sa | Sindhubhairavi | Instrumental (Veena & Mridangam) | Ramana Balachandhran | B♭ Major | 1 | 6B | 113 BPM | ||
| Raag Nat Bhairav - Gat in Jhaptaal | Mayukh Gangopadhyay | C Major | 3 | 8B | 171 BPM | ||
| Nila Kaigiradhu (Flute) | Flute Siva, Shashank Subramanyam, Patri Satish Kumar | C Major | 3 | 8B | 171 BPM | ||
| Ambala (India) 1987 - Tintal | Zakir Hussain & Sultan Khan | B Minor | 8 | 10A | 160 BPM | ||
| Saibhang - Live | Shivpreet Singh | D Minor | 2 | 7A | 85 BPM | ||
| Drut Teen Taal -16 Beats | Swapan Chaudhuri | F♯ Major | 8 | 2B | 150 BPM | ||
| Khamas Raga | V.S.Narasimhan | E Minor | 1 | 9A | 130 BPM | ||
| Samininne (Raga: Varnam Sri; Tala: Adi) | Chitti Babu | B Major | 3 | 1B | 89 BPM | ||
| Meditation Ragas | Hamnawa | G Major | 1 | 9B | 75 BPM | ||
| Vandanamu Raghunandana (Instrumental) | Peri Thyagaraju | G Minor | 7 | 6A | 100 BPM | ||
| 本尊回向文~朝のおつとめ~ | 曹洞宗大本山永平寺維那, 曹洞宗大本山総持寺維那 | B Major | 0 | 1B | 83 BPM | ||
| Shankara Jeevan Varada | Rajan & Sajan Mishra & Shruti Sadolikar | D♭ Major | 5 | 3B | 158 BPM | ||
| Bilaskhani Todi: Jor | Nikhil Banerjee | A Major | 2 | 11B | 105 BPM | ||
| Raga Bihag Drut | Stian Grimstad & Suvrat Apte | D Major | 5 | 10B | 98 BPM | ||
| Raga Chayanat - Alap | Ken Zuckerman | C Major | 0 | 8B | 105 BPM | ||
| Chandrachooda-Classical Instrumental Concert | Dr. Padmesh Parasuraman | B♭ Minor | 3 | 3A | 154 BPM | ||
| Raga Sumaneesha Ranjani - Madhukauns | A. Kanyakumari, Janardan Mitta | C Major | 5 | 8B | 75 BPM |