"Wherever You Go (feat. Shelby Merry) - Bonus Track" by Final Space, Shelby Merry had its release date on August 11, 2020. With This song being less than two minutes long, at 1:07, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 26 out of 26 in Final Space: Season 1 (Original Television Soundtrack) by Final Space. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Wherever You Go (feat. Shelby Merry) - Bonus Track's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Wherever You Go (feat. Shelby Merry) - Bonus Track by Final Space, Shelby Merry is Allegro (fast, quick, and bright), since this song has a tempo of 124 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Interstellar: Interstellar Main Theme | 2Hooks | A Minor | 2 | 8A | 81 BPM | ||
| Dillion | David García Díaz, Andy LaPlegua | D Major | 2 | 10B | 138 BPM | ||
| To Find What Was Lost | Niels van der Leest | A Major | 3 | 11B | 134 BPM | ||
| The Parting Glass - The Walking Dead Soundtrack | Emily Kinney, Lauren Cohan | D♭ Minor | 1 | 12A | 153 BPM | ||
| Mass Effect 3: Leaving Earth | Everrune | D♭ Major | 8 | 3B | 173 BPM | ||
| Three Questions | Bear McCreary | C Minor | 1 | 5A | 78 BPM | ||
| Bad Medicine (Original Short Film Soundtrack) | Lars Erik Fjøsne-Eide | C Major | 3 | 8B | 109 BPM | ||
| Samara | Rob | G Minor | 4 | 6A | 84 BPM | ||
| End Credits | Kristofer Eng | C Major | 2 | 8B | 142 BPM | ||
| Lost Ember Main Title | Will Morton, John Broomhall | G Minor | 2 | 6A | 75 BPM | ||
| Finding The Bodies | Luke Richards | D Minor | 1 | 7A | 68 BPM | ||
| The Time of Axe and Sword Is Now | Sonya Belousova, Giona Ostinelli, Declan de Barra, Lindsay Deutsch | D Major | 6 | 10B | 175 BPM | ||
| The Foundation Theme (from Zack Snyder's Justice League) | Junkie XL | G Minor | 3 | 6A | 127 BPM | ||
| Doomsday from "Doctor Who" | The Meridian Studio Ensemble | A♭ Major | 2 | 4B | 200 BPM | ||
| Atticus Gets Changed (It's Okay to Cry) | Infinity Train | A Minor | 3 | 8A | 70 BPM | ||
| Dancing Bones | Shelby Merry | G Minor | 3 | 6A | 116 BPM | ||
| Beside the Dying Fire | Bear McCreary | A♭ Major | 3 | 4B | 100 BPM | ||
| We Fought As a United Galaxy | Sam Hulick | E Minor | 0 | 9A | 75 BPM | ||
| To the Moon | Paul Zimmermann, Scalefin | E Major | 2 | 12B | 96 BPM | ||
| Kindred Creatures | Kári Sigurðsson | G Major | 6 | 9B | 100 BPM | ||
| Blue Lagoon | Ovelis Trent | E♭ Minor | 6 | 2A | 113 BPM | ||
| Feels Like Madness to Me | John Patrick Elliott | D Major | 3 | 10B | 174 BPM | ||
| The Widower's Lament | Must Save Jane | F♯ Minor | 2 | 11A | 87 BPM | ||
| What Happens in Helmand | Ian Arber, Dave Rowntree | D♭ Major | 1 | 3B | 115 BPM | ||
| Lapse | Black Math | F Minor | 2 | 4A | 118 BPM |