- BPM
- 118
- Key
- B Minor
- Camelot
- 10A
The Life: We Gotta Go by Cy Coleman, Kevin Ramsey, Pamela Isaacs, Gordon Lowry Harrell Song Details
Cy Coleman, Kevin Ramsey, Pamela Isaacs, Gordon Lowry Harrell's ' "The Life: We Gotta Go" was released on its scheduled release date, June 3, 1997. With This song being less than two minutes long, at 1:59, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 22 in the song's album "The Life (Original Broadway Cast Recording)". In this album, this song's track order is #21. Furthermore, we believe that the track originated from United States. In terms of popularity, The Life: We Gotta Go is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
BPM and Tempo
With The Life: We Gotta Go by Cy Coleman, Kevin Ramsey, Pamela Isaacs, Gordon Lowry Harrell having a BPM of 118 with a half-time of 59 BPM and a double-time of 236 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
Music Key
B Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 1%
- Loudness
- -8.733 dB
- Acousticness
- 53%
- Danceability
- 72%
- Energy
- 57%
- Instrumentalness
- 0%
- Liveness
- 30%
- Loudness
- 85%
- Speechiness
- 18%
- Valence
- 68%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Much More | Rita Gardner | E Minor | 2 | 9A | 132 BPM | |
 | Her Name Is Aurora | Brent Carver, Keith McDaniel, Robert Montano, Dan O'Grady, Raymond Rodriguez, Aurelio Padron, Jerry Christakos, Gary Schwartz, Joshua Finkel, John Norman Thomas | G Major | 1 | 9B | 79 BPM | |
 | Two Lost Souls | Gwen Verdon, Stephen Douglass | G Major | 2 | 9B | 82 BPM | |
 | I'm Still Here | Elaine Stritch | G Major | 4 | 9B | 113 BPM | |
 | Alto's Lament | Marcy, Zina | C Major | 6 | 8B | 144 BPM | |
 | The World Goes 'Round | Brenda Pressley | B Minor | 1 | 10A | 105 BPM | |
 | Our Favorite Son | Keith Carradine, Cady Huffman | A♭ Major | 7 | 4B | 135 BPM | |
 | Come Follow the Band | Michael Stewart, Cy Coleman | G Major | 3 | 9B | 93 BPM | |
 | Sweet Charity: I'm the Bravest Individual | Cy Coleman, Gwen Verdon, John Mcmartin, Sweet Charity Original Broadway Cast, Fred Werner | B♭ Minor | 2 | 3A | 157 BPM | |
 | The Life: Why Don't They Leave Us Alone | Cy Coleman, Michael Gregory Gong, Mark Bove, Rudy Roberson, Mark Anthony Taylor, Gordon Joseph Weiss, Felicia Finley, Lynn Sterling, Sharon Wilkins, The Life Ensemble, Gordon Lowry Harrell | C Minor | 4 | 5A | 130 BPM | |
 | An Old-Fashioned Love Story | Alix Korey | A Major | 4 | 11B | 187 BPM | |
 | Carousel (La valse à mille temps) | Elly Stone, Jacques Brel Is Alive and Well and Living in Paris Ensemble | A♭ Major | 3 | 4B | 73 BPM | |
| The Life: He's No Good | Cy Coleman, Pamela Isaacs, Gordon Lowry Harrell | C Major | 3 | 8B | 104 BPM | |
 | Hello, Dolly! | Carol Channing, Hello, Dolly! Ensemble | F Major | 2 | 7B | 114 BPM | |
 | Overture | Orchestra - Broadway Cast of Chicago The Musical (1997) | B♭ Major | 4 | 6B | 118 BPM | |
 | With You on My Are | Kelsey Grammer, Douglas Hodge | D Minor | 3 | 7A | 145 BPM | |
 | It's Not Where You Start | Barbara Cook | B♭ Major | 5 | 6B | 78 BPM | |
 | Please Don't Touch Me | Megan Mullally, Ensemble | F Major | 4 | 7B | 142 BPM | |
 | I Can't Be Bothered Now | Kirby Ward, The "Crazy for You" Female Ensemble | D Major | 4 | 10B | 102 BPM | |
 | When Velma Takes The Stand (from "Chicago") | John Kander, Chita Rivera, Chicago Ensemble, Stanley Lebowsky | G Major | 7 | 9B | 114 BPM | |
 | You Can Always Count on Me | Randy Graff, City of Angels Original Broadway Cast | B♭ Major | 2 | 6B | 91 BPM | |
| Willamania | Cady Huffman, The Will Rogers Follies Ensemble | B Minor | 5 | 10A | 105 BPM | |
 | Opening: I Hope I Get It | A Chorus Line Ensemble (2006) | A Major | 4 | 11B | 141 BPM | |
 | My Fair Lady: With a Little Bit of Luck | Frederick Loewe, Stanley Holloway, Alan Dudley, Bob Chisholm, Zena Dare, Original London Cast of My Fair Lady Ensemble, Franz Allers, Cyril Ornadel | C Major | 4 | 8B | 124 BPM | |
| One | A Chorus Line Ensemble (2006) | G Minor | 4 | 6A | 132 BPM |
- ISRC
- USSM19700728
- Label
- L-M Records/RCA Records