Bijli Rani, Rekha Rani's ' "Bol Waki Hai" was released on its scheduled release date, May 1, 1995. This song is about six minutes long, preciously at 6:12, making this song fairly long compared to other songs. The song is number 6 out of 9 in Boka Humar Bigdal Ba by Bijli Rani, Rekha Rani. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Based on our statistics, Bol Waki Hai's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Bol Waki Hai by Bijli Rani, Rekha Rani is Allegro (fast, quick, and bright), since this song has a tempo of 137 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| O Bondhu Poran Bondhure | Sanajit Mondal | B Minor | 6 | 10A | 131 BPM | ||
| Tu Tya Kathavar Mi Ya Kathavar | Yuvraj Pradhan | A♭ Major | 8 | 4B | 80 BPM | ||
| Shab e Mahtob شب مهتاب | Ahmad Wali | E Major | 4 | 12B | 90 BPM | ||
| Mola Raipur Shahar | Gorelal Barman, Ratan Sabiha | F♯ Minor | 8 | 11A | 76 BPM | ||
| Haay Re Jiyara | Bijli Rani | A♭ Major | 9 | 4B | 139 BPM | ||
| Lawle Mohabbaat Ke Teblet | Sunil Chhaila Bihari, Tripti Shakya | D♭ Major | 8 | 3B | 135 BPM | ||
| Siya Ke Chuman Janak Ji Ke Angna | Poonam Mishra | F♯ Major | 9 | 2B | 101 BPM | ||
| Ho Rahi Ram Naam Ki | Anjali Jain, Shailendra Jain | B Major | 4 | 1B | 133 BPM | ||
| Chelva Banaal Brijbhaan Ke | Byas Naresh Kumar Yadav, Bijli Rani, Kiran Rani | D Major | 8 | 10B | 134 BPM | ||
| Sarso Fulayi Lagan Uthi Aayi Karal Gauna | Bijli Rani | F♯ Major | 4 | 2B | 112 BPM | ||
| Mazha Danka Chalu Hay | Vijay Sartape | A♭ Minor | 7 | 1A | 104 BPM | ||
| Bhasur Ji Tumko Sunau Re | Bijli Rani | C Minor | 10 | 5A | 125 BPM | ||
| Mil Kaho Garv Se Hindu | Prakash Mali | A Major | 7 | 11B | 145 BPM | ||
| Nitti Nitti Konna Tumi | Polash, Momtaz | D♭ Major | 8 | 3B | 112 BPM | ||
| Maiya Aan Pade Tere Dware | Saksham Goyal | F Minor | 10 | 4A | 192 BPM | ||
| Angna Main Kuiyaan Raja | Deshraj Patairiya, Urmila Pandey | F Minor | 7 | 4A | 76 BPM | ||
| A Ho Jagdambay Maa | Poonam Mishra | D♭ Major | 5 | 3B | 104 BPM | ||
| Hajma Dheere Dheere Katiyhe Bhuya K Kesh | Poonam Mishra | D Major | 7 | 10B | 167 BPM | ||
| Mahakal Bhajan | Nitin Bagwan | F♯ Major | 5 | 2B | 95 BPM | ||
| Dawa Hath Me Bhalo Ramapeer Re | Prakash Mali | C Minor | 6 | 5A | 101 BPM | ||
| Maiya Duware Dukhiya Thari | Poonam Mishra | D♭ Major | 8 | 3B | 100 BPM | ||
| Bolo Dhajaband Dhare | Rafiq Sagar | B Major | 6 | 1B | 103 BPM | ||
| Dilwa Me Ghar Tu Banai Ke | Pankaj Matalbi Yadav, Babita Vandna | A♭ Major | 9 | 4B | 110 BPM | ||
| Ei Dehar Mullo Nai | Basudeb Rajbanshi | D♭ Major | 6 | 3B | 150 BPM | ||
| Jai Ma Dukh Niwarini - Pahadi | Vikram Kaprwan, Usha Pandey | F♯ Minor | 9 | 11A | 96 BPM |