Pictures at an Exhibition: Ballet Of The Chicks In Their Shells by Modest Mussorgsky, Isao Tomita, Nathaniel S. Johnson Song Details

Modest Mussorgsky, Isao Tomita, Nathaniel S. Johnson's ' "Pictures at an Exhibition: Ballet Of The Chicks In Their Shells" was released on its scheduled release date, 1975. With This song being less than two minutes long, at 1:06, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 14 in the song's album "Pictures At An Exhibition". In this album, this song's track order is #9. In terms of popularity, Pictures at an Exhibition: Ballet Of The Chicks In Their Shells is currently not that popular. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.

BPM and Tempo

With Pictures at an Exhibition: Ballet Of The Chicks In Their Shells by Modest Mussorgsky, Isao Tomita, Nathaniel S. Johnson having a BPM of 98 with a half-time of 49 BPM and a double-time of 196 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

Music Key

This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 13%
Loudness: -18.197 dB
Acousticness: 88%
Danceability: 67%
Energy: 51%
Instrumentalness: 86%
Liveness: 57%
Loudness: 70%
Speechiness: 14%
Valence: 58%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Schoenberg: Verklärte Nacht, Op. 4: IV. Adagio (1943 Version)	Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra	D Major	1	10B	82 BPM
Symphony No. 1 in D Major: III. Feierlich und gemessen, ohne zu schleppen - Live	Gustav Mahler, Berliner Philharmoniker, Claudio Abbado	G Minor	0	6A	56 BPM
Donausagen, Walzer, Op. 446	Carl Michael Ziehrer, Wiener Philharmoniker, Yannick Nézet-Séguin	G Major	1	9B	97 BPM
Schoenberg: Verklärte Nacht, Op. 4: I. Grave (1943 Version)	Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra	D Minor	1	7A	174 BPM
Symphony No. 1, Op. 25 in D "Classical": Allegro con brio	Sergei Prokofiev, Yuri Temirkanov	E Minor	0	9A	99 BPM
Pictures at an Exhibition (Orch. Ravel): Promenade I	Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel	F Major	0	7B	88 BPM
Suite No. 3, P. 172: I. Italiana: Andantino	Ottorino Respighi, RTÉ National Symphony Orchestra	B♭ Major	1	6B	94 BPM
Shéhérazade, Op. 35: I. The Sea and Sinbad's Ship	Nikolai Rimsky-Korsakov, Sergej Galaktionov, Gianandrea Noseda, Filarmonica Teatro Regio Torino	E Major	1	12B	136 BPM
Piano Concerto in A Minor, Op. 54: II. Intermezzo (Andantino grazioso)	Robert Schumann, Krystian Zimerman, Berliner Philharmoniker, Herbert von Karajan	D Major	1	10B	70 BPM
Piano Concerto No. 1 in E-Flat Major, S. 124: 1. Allegro maestoso	Franz Liszt, Krystian Zimerman, Boston Symphony Orchestra, Seiji Ozawa	A♭ Minor	1	1A	120 BPM
3 Pieces in Old Style: No. 1, Aria	Krzysztof Penderecki, Warsaw Philharmonic Chamber Orchestra, Antoni Wit	B♭ Major	0	6B	75 BPM
Má vlast, JB 1:112: II. Vltava "The Moldau"	Bedřich Smetana, Chicago Symphony Orchestra, Daniel Barenboim	G Major	1	9B	142 BPM
Symphony No. 7 in A Major, Op. 92: II. Allegretto	Ludwig van Beethoven, Wiener Philharmoniker, Carlos Kleiber	E Minor	0	9A	70 BPM
Spartacus, Act III: Adagio of Spartacus and Phrygia (arr. Y. Grigorovich) [1968 Bolshoi Version]	Aram Khachaturian, RIAS Kammerchor, Deutsches Symphonie-Orchester Berlin, Michail Jurowski	E Major	2	12B	123 BPM
Piano Concerto No. 2 in F Major, Op. 102: I. Allegro	Dmitri Shostakovich, I Musici de Montréal, Maxim Shostakovich	B♭ Major	3	6B	160 BPM
3 Romances, Op. 11: No. 1, Andante	Clara Schumann, Isata Kanneh-Mason	E♭ Minor	0	2A	127 BPM
Serenade for String Orchestra in C Major, Op. 48, TH 48: I. Pezzo in forma di sonatina	Pyotr Ilyich Tchaikovsky, The Russian Virtuosi of Europe, Yuri Zhislin	C Major	2	8B	125 BPM
Polovetsian Dances from Prince Igor: Introduzione	Alexander Borodin, George Szell, The Cleveland Orchestra	A Major	1	11B	83 BPM
Holberg Suite, Op. 40: V. Rigaudon (Allegro con brio)	Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi	G Major	0	9B	85 BPM
Elegy, Op. 58	Edward Elgar, English Northern Philharmonia, David Lloyd-Jones	F Minor	0	4A	84 BPM
Capriol Suite: 5. Pied-en- l'air	Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner	G Major	1	9B	113 BPM
Pictures At An Exhibition: The Market-place At Limoges	Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini	E♭ Major	3	5B	106 BPM
Vaughan Williams: Job, a Masque for Dancing, Scene 9: Epilogue	Ralph Vaughan Williams, Andrew Davis, BBC Symphony Orchestra	G Minor	0	6A	99 BPM
L'Arlésienne Suite No. 1, WD 40: IV. Carillon	Georges Bizet, Daniel Deffayet, Berliner Philharmoniker, Herbert von Karajan	E Major	0	12B	65 BPM
Symphony No. 2 in A Major: II. Andante cantabile	Vasily Kalinnikov, Ukraine National Symphony Orchestra, Theodore Kuchar	F♯ Minor	1	11A	69 BPM