Parupalli Ranganath's ' "Sri Chakra Sthitha" was released on its scheduled release date, September 23, 1995. This song appears to be safe for all ages as it is not explicit. The song is number 5 out of 7 in Durgamma Sri Kanakadurgamma by Parupalli Ranganath. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Sri Chakra Sthitha is not that popular right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
The tempo marking of Sri Chakra Sthitha by Parupalli Ranganath is Andante (at a walking pace), since this song has a tempo of 82 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Chooda Chakkani | Prasad | C Minor | 5 | 5A | 100 BPM | ||
| Shabari Girish (From "Abhishekam") | Parupalli Ranganath | D♭ Major | 6 | 3B | 104 BPM | ||
| Selva Thiruve | Mahanadi Shobana | D Major | 6 | 10B | 136 BPM | ||
| Mahalakshmiye | Mahanadi Shobana | G Minor | 7 | 6A | 92 BPM | ||
| Sri Durge | B.K. Sumitra | F Major | 5 | 7B | 142 BPM | ||
| Hari Neeve Antaryami | G. Nageshwara Naidu | G Major | 4 | 9B | 104 BPM | ||
| Sri Hanuman Dandakam | Parupalli Sri Ranganath | A Major | 6 | 11B | 87 BPM | ||
| Yenu Dhanyalo | Dr.Rajkumar | D♭ Major | 6 | 3B | 101 BPM | ||
| Sojjugaada Sooju Mallige | Vasanthi.S, Vijay Ygnanarayana | B♭ Minor | 4 | 3A | 128 BPM | ||
| Ye He Murare Kunjavihare | Unnikrishnan | G Major | 5 | 9B | 78 BPM | ||
| Ganeswarasthakam | G. Anand | C Major | 1 | 8B | 116 BPM | ||
| Chinni Sishuvu | G Balakrishna Prasad | F Major | 4 | 7B | 128 BPM | ||
| Padi Paata | Parupalli Ranganath | B Minor | 5 | 10A | 97 BPM | ||
| Kanipakamulona | A. Ramadevi | A Minor | 8 | 8A | 135 BPM | ||
| Shukravarapu Seva | Sulochana Pattabhi Raman, Sulakshana Rajagopal, Prema Hariharan, Shyamala Venkatesan, Shyamala Jayaraman, Soundaram Krishnan | E♭ Major | 7 | 5B | 177 BPM | ||
| Vizhikidaikkuma | Udaiyalur Kalyanaraman | G Major | 7 | 9B | 120 BPM | ||
| Baba Sayibaba | Parupalli Ranganath, Ramana | F♯ Major | 7 | 2B | 149 BPM | ||
| Daaridrya Danastuthi | S.P. Balu | F Major | 4 | 7B | 124 BPM | ||
| Mangalam Jaya Mangalam | Kasturi Shankar | E♭ Minor | 4 | 2A | 136 BPM | ||
| Sri Anjaneya Dandakam | Sooryagayathri | E♭ Minor | 6 | 2A | 160 BPM | ||
| Paahi Paahimaam | Ganapathi Manthiram 4 | D Major | 3 | 10B | 52 BPM | ||
| Vighna Rajaya Namo Namo | Parupalli Ranganath | C Major | 5 | 8B | 135 BPM | ||
| Swamiyappa Ayyappa | D.V. Ramani, Pondhuri, Murali | F Major | 5 | 7B | 96 BPM | ||
| Vaikuntha Vaasane | Sriraman, Veda Vinayak | A Major | 7 | 11B | 97 BPM | ||
| Lakshmim Ksheera | N Gayathri | D♭ Major | 3 | 3B | 123 BPM |