On June 9, 2004, the song "Chinni Sishuvu" was released by G Balakrishna Prasad. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 5 out of 8 in Annamayya Srikrishna Padahela by G Balakrishna Prasad. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Based on our statistics, Chinni Sishuvu's popularity is below average in popularity right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Chinni Sishuvu by G Balakrishna Prasad is Allegro (fast, quick, and bright), since this song has a tempo of 128 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Shabiri Girisa Ayyappa | Partha Saradhi | F Minor | 5 | 4A | 102 BPM | ||
| Sri Raamam | Dr. Josyabhatla, Kameswari Charan, Nadapriya | F Minor | 1 | 4A | 104 BPM | ||
| Neenamame | G Balakrishna Prasad | C Minor | 5 | 5A | 156 BPM | ||
| Gururbramha Gururvishnu | Parupalli Sri Ranganath | G Minor | 2 | 6A | 94 BPM | ||
| Ramayya Kalyanam | Anil Kumar | G Major | 8 | 9B | 116 BPM | ||
| Amma Mayamma | Ramana | C Minor | 6 | 5A | 80 BPM | ||
| Visweswaraya | S. P. Balasubrahmanyam, Ramu | F Major | 5 | 7B | 124 BPM | ||
| Paavana Guru | Unnikrishnan | G Major | 5 | 9B | 78 BPM | ||
| Jaya Jagadeeswaraa | Parupalli Ranganath | E♭ Major | 5 | 5B | 132 BPM | ||
| Kanatharama O Hanuma | S. Janaki | D Minor | 4 | 7A | 80 BPM | ||
| కనకధారా స్తోత్రం | Sasidhar Darla | C Major | 7 | 8B | 151 BPM | ||
| Prabho Sri Gananatha | Mano | F♯ Major | 6 | 2B | 115 BPM | ||
| Sabarimalai Konda Meeda | Naarsingi Narsing Rao | B Minor | 9 | 10A | 112 BPM | ||
| Ayya Shivayya | Kaundinya Achutuni | F Major | 7 | 7B | 145 BPM | ||
| Pullum Silambina Kaan | Sikkil Gurucharan | A Minor | 6 | 8A | 172 BPM | ||
| Aadi Paade Choodu | Jasvinder Dhani | A Minor | 6 | 8A | 85 BPM | ||
| Pilichina Paliketi | Karunya | A Major | 6 | 11B | 103 BPM | ||
| Namo Sri Ramaa | Parupalli Ranganath, Ramana | G Major | 6 | 9B | 122 BPM | ||
| Hari Hara Suthude | N. Jayaram | D♭ Major | 6 | 3B | 84 BPM | ||
| Daaridrya Danastuthi | S.P. Balu | F Major | 4 | 7B | 124 BPM | ||
| Pathitha Paavana Naama | S. P. Balasubrahmanyam | C Major | 7 | 8B | 180 BPM | ||
| Ksheerasagara Vihara | Vedavathi Prabhakar | G Major | 6 | 9B | 162 BPM | ||
| Sathulala Choodare | G Balakrishna Prasad | C Major | 6 | 8B | 138 BPM | ||
| Jaya Mangalam | G Balakrishna Prasad | F Major | 7 | 7B | 130 BPM | ||
| Metla Paata | Parupalli Sri Ranganath | A Minor | 7 | 8A | 82 BPM |