On February 15, 2012, the song "Hari Hara Suthude" was released by N. Jayaram. With this song being around four minutes long, at 3:43, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 11 in the song's album "Sri Ayyappa Bhakthi Maala - Telugu Devotional Songs". In this album, this song's track order is #7. Furthermore, we believe that the track originated from India. Hari Hara Suthude is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Hari Hara Suthude by N. Jayaram having a BPM of 84 with a half-time of 42 BPM and a double-time of 168 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Mahalakshmi Stotram | T. S. Ranganathan | F Major | 5 | 7B | 160 BPM | ||
| Om Namashiva Bholo | Anjana Sowmya | F Minor | 2 | 4A | 88 BPM | ||
| Jaya Jaya Jaya Sri Venkatesha | Pradeep, Pondhuri, Sivaprasad | F Major | 6 | 7B | 136 BPM | ||
| Veedhula Veedhula | G Balakrishna Prasad | C Major | 5 | 8B | 95 BPM | ||
| Bhagavan Saranam | K.S.Raju | D Major | 3 | 10B | 84 BPM | ||
| Sri Lakshmi Ashtothara Shathanama Sthothram | Bangalore Sisters | D Minor | 7 | 7A | 151 BPM | ||
| Ninu Maruvalemuraa | Satyadev Janga | D Major | 7 | 10B | 80 BPM | ||
| Sumanasa Vandhita(Ashta Laxmi Stotram) | Nithya Santhoshini | A♭ Minor | 6 | 1A | 170 BPM | ||
| Nannelaraava | B. Vasantha | C Major | 4 | 8B | 176 BPM | ||
| Sri Venkateshwara | Krishna Prasad, Vani Jairam | F Minor | 5 | 4A | 88 BPM | ||
| Sapthagiri Sundhara | Agni Raj, Somayajula Murty, Usha Raj | F Major | 6 | 7B | 136 BPM | ||
| Ayya Nee Maala Vesinanundi | Gangaputhra Narsing Rao | G Major | 9 | 9B | 160 BPM | ||
| Kandarpa Janaka | Mrs Y. V. S. Padmavathi | D♭ Major | 5 | 3B | 147 BPM | ||
| Thirumala | Sriraman, Somayajula Murty, Poornima Srinivasan | A♭ Minor | 3 | 1A | 163 BPM | ||
| Hari Harula Puthrudanta | Narsing Rao | A♭ Major | 7 | 4B | 105 BPM | ||
| Ramayya Kalyanam | Anil Kumar | G Major | 8 | 9B | 116 BPM | ||
| Hari Hara Suthude | N. Jayaram | D♭ Major | 6 | 3B | 84 BPM | ||
| Mohinee Tanayuni | Sreenivasa Raju | B♭ Minor | 7 | 3A | 152 BPM | ||
| Gokulashtami Vachenandi | Gayatri | A Major | 3 | 11B | 65 BPM | ||
| Metla Paata | Parupalli Sri Ranganath | A Minor | 7 | 8A | 82 BPM | ||
| Vandanalu Vandanalu | Anil Kumar | B Major | 5 | 1B | 99 BPM | ||
| Kalaya Vaishnava Maayayaa | Nihal Konduri | A Minor | 5 | 8A | 85 BPM | ||
| Amitanandam | Simha | F♯ Major | 7 | 2B | 90 BPM | ||
| Nataraja Nithalaksha | Aravind Sriram, Somayajula Murty, Maharajapuram Ramu | F Major | 6 | 7B | 136 BPM | ||
| Mangalamani Mangalamani | Vedavathi Prabhakar | G Major | 2 | 9B | 145 BPM |