R. Chayadevi's ' "Yahovaa Naa Kapar" was released on its scheduled release date, May 13, 1991. With this song being around four minutes long, at 3:46, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in R. Chayadevi's "Mukthi Margam" album is number 9 out of 9. On top of that, India appears to be the country where this track was created. Based on our statistics, Yahovaa Naa Kapar's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Yahovaa Naa Kapar by R. Chayadevi to be Allegro (fast, quick, and bright) because the track has a tempo of 121 BPM, a half-time of 60BPM, and a double-time of 242 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Bala Ramayanam | R. Chayadevi | D♭ Major | 4 | 3B | 175 BPM | ||
| Santana Prapaitti Vigneshwara Stotram | Bangalore Sisters, Ajey Warrior, M. S. Pareekshita Rao | F Major | 4 | 7B | 147 BPM | ||
| Kannuthalan | Lalgudi Swaminathan | D♭ Major | 3 | 3B | 75 BPM | ||
| Shanmukham Parvathiputram | B.Lakshmi Jogarao | D♭ Major | 3 | 3B | 95 BPM | ||
| Dattatreya Atreya Putra | Sri Ganapathy Sachchidananda Swamiji | E♭ Minor | 6 | 2A | 198 BPM | ||
| Jaanaki Jaane | Naushad, P. Susheela | D♭ Major | 5 | 3B | 155 BPM | ||
| Chandra Sekharashtakam | R. Chayadevi | C Major | 3 | 8B | 112 BPM | ||
| Subramanya Kavacham (Sindoorarana) | M. K. Sankaran Namboothiri | D♭ Major | 4 | 3B | 130 BPM | ||
| Narayana Narayana Jai | Swami Haridhos Giri Guruji | B♭ Major | 4 | 6B | 171 BPM | ||
| Evi Garbi Sampuran Saar | Nargis Balolia | D Major | 4 | 10B | 143 BPM | ||
| Medalekki Ninnujuusi | R. Chayadevi, S. Jayalakshmi, S. S. Babu, ANURADHA | A♭ Major | 6 | 4B | 81 BPM | ||
| Shree Devi Aparadh Kshamapana Stotram ( Durga Saptashati ) | Sadhana Sargam | E♭ Major | 3 | 5B | 128 BPM | ||
| Shri Vaidyanatha Ashtakam | Jaya Vidyasagar | E Major | 3 | 12B | 88 BPM | ||
| Shiva Sankalpa | Sri Hari Atchutha Rama Sastry | B Major | 5 | 1B | 112 BPM | ||
| Sri Matangi Stotra | Prof. Thiagarajan, Scholars | F Major | 4 | 7B | 121 BPM | ||
| Navaratnamala Stothram | T. S. Aswini Sastry, T. S. Rohini Sastry | B Major | 5 | 1B | 112 BPM | ||
| Yedu Kondalasrinivaasa | Ghantasala | F♯ Major | 5 | 2B | 127 BPM | ||
| Bhajan Hamsadhwani - Vatapi Ganapatim | Chhannulal Mishra | B♭ Major | 3 | 6B | 93 BPM | ||
| Sri Sivastottara Catanamastotram | J Bhakthavatsalam | F♯ Major | 5 | 2B | 128 BPM | ||
| Thaniyan | M A Venkata Krishnan | D Minor | 10 | 7A | 108 BPM | ||
| Namo Bhootha Naadha | S. Varalakshmi, Ghantasala | E Major | 4 | 12B | 139 BPM | ||
| Mavaji Muj Par | BAPS Swaminarayan Sanstha | A♭ Major | 4 | 4B | 106 BPM | ||
| Paadana Vani Kalyaniga | M. Balamuralikrishna, Veturi Sundararama Murthy | G Major | 8 | 9B | 98 BPM | ||
| Jaganmohanakaara | G Balakrishna Prasad | F♯ Major | 6 | 2B | 172 BPM | ||
| Mandir Mein Rehte Ho Bhagwan | Acharya Mridul Krishna Goswami | B♭ Major | 4 | 6B | 94 BPM |