Natalie Maines's ' "Come Cryin' To Me - Commentary" was released on its scheduled release date, May 7, 2013. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 10 in the song's album "Spotify Exclusive Commentary". In this album, this song's track order is #8. In terms of popularity, Come Cryin' To Me - Commentary is currently unknown. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With Come Cryin' To Me - Commentary by Natalie Maines having a BPM of 111 with a half-time of 56 BPM and a double-time of 222 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 1/4.
This song has a musical key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Wreck You | Lori McKenna | A Major | 2 | 11B | 134 BPM | ||
| Have You Never Been Mellow | Juliana Hatfield | C Major | 5 | 8B | 122 BPM | ||
| Mother - Commentary | Natalie Maines | G Major | 5 | 9B | 127 BPM | ||
| I Want You to Be My Love | Over the Rhine | G Major | 3 | 9B | 122 BPM | ||
| It's Alright Ma, I'm Only Bleeding | The Duhks | F Major | 5 | 7B | 108 BPM | ||
| Helplessly Hoping | Jamestown Revival | G Major | 3 | 9B | 147 BPM | ||
| Big White Gate | Grace Potter & The Nocturnals | E Major | 7 | 12B | 135 BPM | ||
| To Make You Feel My Love | Mick McAuley, Winifred Horan | E Major | 2 | 12B | 134 BPM | ||
| The War After the War | Mary Gauthier | G Major | 4 | 9B | 132 BPM | ||
| Gentle On My Mind | The Band Perry | D♭ Major | 8 | 3B | 107 BPM | ||
| Mind Games - 2009 Remaster | Sinéad O'Connor | D♭ Major | 8 | 3B | 94 BPM | ||
| Drive All Night | Glen Hansard, Eddie Vedder, Jake Clemons | E Major | 4 | 12B | 136 BPM | ||
| Sad Songs (Say So Much) | Dierks Bentley | G Major | 6 | 9B | 110 BPM | ||
| Paris or Amsterdam | Basia Bulat | F Minor | 8 | 4A | 89 BPM | ||
| The Spark | William Prince | B♭ Major | 3 | 6B | 143 BPM | ||
| For What It's Worth | The Lone Bellow | E Major | 2 | 12B | 175 BPM | ||
| Stars | Grace Potter & The Nocturnals | C Major | 5 | 8B | 140 BPM | ||
| Lover, You Should've Come Over - Commentary | Natalie Maines | E Major | 4 | 12B | 73 BPM | ||
| Till I See You Again | Mary Gauthier | G Major | 4 | 9B | 72 BPM | ||
| The Climb (feat. Chris Stapleton & Morgan Stapleton) | Jessi Alexander, Chris Stapleton, Morgan Stapleton | E♭ Major | 3 | 5B | 144 BPM | ||
| All The Way | Steve Elliot, Kat Edmonson | A♭ Major | 2 | 4B | 77 BPM | ||
| Wayfaring Stranger | Neko Case | A Minor | 4 | 8A | 123 BPM | ||
| Old Men Young Women | Lori McKenna | E♭ Major | 3 | 5B | 73 BPM | ||
| Sisters Of Mercy | Beth Orton | A Major | 2 | 11B | 117 BPM | ||
| Daughter | Loudon Wainwright III | A Major | 5 | 11B | 91 BPM |