Rani Varma's ' "Haakara Baee Haakara" was released on its scheduled release date, August 9, 2003. With This song being less than two minutes long, at 1:50, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 27 out of 30 in Adam Tadam Tadtad Baaja by Rani Varma. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Haakara Baee Haakara is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Haakara Baee Haakara by Rani Varma is Lento (slowly), since this song has a tempo of 60 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Omakr Anadi Anant | Salil Kulkarni | C Major | 5 | 8B | 114 BPM | ||
| Natha Ghari Nache Maza Sakha Pandurang | Mahesh Kale | F♯ Minor | 8 | 11A | 100 BPM | ||
| Mumbaiche Ganpati | Suryakant Shinde | B♭ Minor | 6 | 3A | 75 BPM | ||
| Aata Tari Deva Mala Pavshil Ka | Pralahad Shinde | D♭ Minor | 5 | 12A | 166 BPM | ||
| Deva Tuzya | Dnyaneshwar Meshram | D♭ Major | 3 | 3B | 100 BPM | ||
| Ganya Ganya Bhingonya | Rani Varma | C Major | 1 | 8B | 60 BPM | ||
| Kiti Tuzi Vatt Pahu Re Vitthala | Vishnubuva Wavanjekar | C Major | 5 | 8B | 83 BPM | ||
| Paus Datalela | Milind Ingle | D Major | 4 | 10B | 96 BPM | ||
| Vadilanche Daivat | Vishnubua Vavnjekar | B♭ Minor | 6 | 3A | 93 BPM | ||
| Sundar Te Dhyan | Baba Maharaj Satarkar | F♯ Minor | 6 | 11A | 90 BPM | ||
| Ghumoo Ghammar Gham | Rani Varma | A Minor | 4 | 8A | 183 BPM | ||
| Je Ka Ranjale Ganjale | Bhimsen Joshi | D Minor | 4 | 7A | 178 BPM | ||
| Shri Datta Stuti - Anusuya Atri Sukumara | Sagar Lele | C Major | 7 | 8B | 90 BPM | ||
| Dev Maza Vithu Sawala | Suman Kalyanpur | A Major | 3 | 11B | 70 BPM | ||
| Tumhavar Keli Mee Marji Bahaal | Usha Mangeshkar | B Minor | 3 | 10A | 115 BPM | ||
| Dnynoba Mauli Tukaram | Jayteerth Mevundi | D Major | 4 | 10B | 180 BPM | ||
| Uth Pandharichya Raaja | Prasad Sawkar, G.D. Madgulkar | F♯ Major | 2 | 2B | 81 BPM | ||
| Nahi Mi Bolat Natha | Manik Varma | G Major | 6 | 9B | 91 BPM | ||
| Natha Ghari Nache Majha Sakha Pandurang - Vitthalachi Gani | Mandar Apte | A Major | 6 | 11B | 91 BPM | ||
| Ashtavinayak Tuza Mahima Kasa | Anuradha, Jaywant Kulkarni, Chanda Shekhar Gadgil, Pt. Sharad Jambhekar, Mallesh | A♭ Major | 4 | 4B | 93 BPM | ||
| Vithhala Tu Veda Kumbhar | Kaustubh Datar | E Major | 7 | 12B | 95 BPM | ||
| Omkar Pradhan Rup | Suman Kalyanpur | G Minor | 3 | 6A | 82 BPM | ||
| Vitthal Bhaktigeet - Awaghe Garaje Pandharpur | Swapnil Bandodkar | E♭ Minor | 7 | 2A | 111 BPM | ||
| Naad Vitthal Vitthal | Vasant Ajgaonkar | F♯ Major | 10 | 2B | 90 BPM | ||
| Omkar Swarupa | Swapnil Bandodkar | F♯ Major | 5 | 2B | 136 BPM |