Renée Fleming's ' "The Man With The Bag" was released on its scheduled release date, January 1, 2013. The duration of This song is about two minutes long, specifically at 2:40. This song does not appear to have any foul language. The Man With The Bag's duration is considered a little bit shorter than the average duration of a typical track. The song is number 11 out of 14 in Christmas In New York by Renée Fleming. The Man With The Bag is unknown right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
The tempo marking of The Man With The Bag by Renée Fleming is Adagio (slowly with great expression), since this song has a tempo of 76 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Ballad of Baby Doe: The Letter Song | Douglas Moore, Renée Fleming, Metropolitan Opera Orchestra, James Levine | F♯ Minor | 1 | 11A | 84 BPM | ||
| Hebrew Slaves Chorus from Nabucco | The London Symphony Orchestra - The London Symphony Chorus | D♭ Major | 0 | 3B | 69 BPM | ||
| Dido & Aeneas, Z. 626: Dido & Aeneas, Z. 626: Act III, "When I am laid in earth" (Dido's lament) | Henry Purcell, Lynne Dawson, Orchestra of the Age of Enlightenment, René Jacobs | F♯ Minor | 1 | 11A | 134 BPM | ||
| Die tote Stadt / Act I: Marietta's Lied - Live | Erich Wolfgang Korngold, Renée Fleming, The Metropolitan Opera, James Levine | C Minor | 2 | 5A | 83 BPM | ||
| The Kiss (Hubicka) - Opera in 2 Acts: Lullaby | Bedřich Smetana, Renée Fleming, Philharmonia Orchestra, Sebastian Lang-Lessing | A Major | 1 | 11B | 75 BPM | ||
| Les contes d'Hoffmann: Les oiseaux dans la charmille | Jacques Offenbach, Susanne Elmark, Sønderjyllands Symfoniorkester, Robert Reimer | F♯ Minor | 4 | 11A | 86 BPM | ||
| Una Furtiva Lagrima | Luciano Pavarotti | B♭ Minor | 2 | 3A | 88 BPM | ||
| Carmina Burana / 3. Cour d'amours: "In trutina" | Carl Orff, Barbara Bonney, Wiener Philharmoniker, André Previn | B♭ Major | 2 | 6B | 137 BPM | ||
| Ave Maria - Bach Gounod | Hannah Holgersson | G Major | 2 | 9B | 112 BPM | ||
| Delibes: Lakmé, Act 1: "Dôme épais le jasmin à la rose s'assemble" (Lakmé, Mallika) | Léo Delibes, Alain Lombard, Mady Mesple, Choeurs du Théâtre National De l'Opéra-Comique, Paris, Orchestre du Théâtre national de l'Opéra-Comique, Bernadette Antoine, Danielle Millet, Orchestre du Theatre National de IOpera-Comique | B Major | 1 | 1B | 135 BPM | ||
| Lakme: Sous le dome Epais (The Flower Duet) | Lesley Garrett, Philharmonia Orchestra, Andrew Greenwood | E♭ Major | 3 | 5B | 74 BPM | ||
| Carmen, WD 31 / Act 1: "L'amour est un oiseau rebelle" | Georges Bizet, Marilyn Horne, Wiener Opernchor, Wiener Opernorchester, Henry Lewis | D Major | 2 | 10B | 129 BPM | ||
| Manon: 'Adieu, notre petit table' | Jules Massenet, Renée Fleming, Marcelo Álvarez, Jesús López-Cobos | E♭ Major | 1 | 5B | 156 BPM | ||
| Vaga luna che inargenti | Vincenzo Bellini, Cecilia Bartoli, James Levine | A♭ Major | 0 | 4B | 101 BPM | ||
| Il Bacio | Jules Massenet, Anna Netrebko | D Major | 2 | 10B | 68 BPM | ||
| Bizet: Carmen, Act II: No.14 Couplets: Votre toast, je peux vous le rendre...Toréador, en garde! (Escamillo/Carmen/Frasquita/Mercédès/Moralès/Zuniga/Amis d'Escamillo) | Georges Bizet, Thomas Hampson, Michel Plasson, Orchestre National Du Capitole De Toulouse | F Major | 3 | 7B | 175 BPM | ||
| Songs of the Auvergne: "Bailero" | Lesley Garrett, Philharmonia Orchestra, Andrew Greenwood | B♭ Major | 2 | 6B | 132 BPM | ||
| La Bohème / Act I: "Quando Me'n Vò" | Giacomo Puccini, Anna Netrebko, Wiener Philharmoniker, Gianandrea Noseda | F♯ Minor | 2 | 11A | 135 BPM | ||
| Strauss, R: 4 Letzte Lieder: No. 3, Beim Schlafengehen | Richard Strauss, Elisabeth Schwarzkopf, George Szell, Deutsches Symphonie-Orchester Berlin | D♭ Major | 1 | 3B | 90 BPM | ||
| Rachmaninoff: Rhapsody On A Theme Of Paganini | John Barry, John Debney, Royal Scottish National Orchestra | D♭ Major | 1 | 3B | 128 BPM | ||
| Thaïs / Acte Deux: Etranger, te voilà comme tu l'avais dit | Jules Massenet, Renée Fleming, Thomas Hampson, Orchestre National Bordeaux Aquitaine, Yves Abel | D Major | 2 | 10B | 94 BPM | ||
| Bizet: Carmen, WD 31, Act 3, Scene 1: "Je dis que rien ne m'épouvante" (Micaëla) | Georges Bizet, Giuseppe Sinopoli, Angela Gheorghiu, Bavarian State Orchestra | F Major | 1 | 7B | 190 BPM | ||
| Messa da Requiem: 3. Offertorium | Giuseppe Verdi, Renée Fleming, Olga Borodina, Andrea Bocelli, Ildebrando D'Arcangelo, Mariinsky Orchestra, Valery Gergiev | B♭ Major | 1 | 6B | 76 BPM | ||
| Der Rosenkavalier, Op. 59 / Act 1: "Mein lieber Hippolyte" | Richard Strauss, Renée Fleming, Wolfgang Ablinger-Sperrhacke, Franz Hawlata, Jane Henschel, Munich Philharmonic Orchestra, Christian Thielemann | F Major | 1 | 7B | 92 BPM | ||
| La Wally / Act 1: "Ebben? Ne andrò lontana" | Alfredo Catalani, Pumeza Matshikiza, Aarhus Symfoniorkester, Tobias Ringborg | E Major | 2 | 12B | 90 BPM |