- BPM
- 172
- Key
- D Minor
- Camelot
- 7A
Maria Marì by Andiamo Song Details
Andiamo's ' "Maria Marì" was released on its scheduled release date, January 1, 2009. The duration of This song is about 3 minutes long, at 3:16. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Andiamo's "Love, from Italy" album is number 10 out of 13. The popularity of Maria Marì is currently unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
BPM and Tempo
We consider the tempo marking of Maria Marì by Andiamo to be Vivace (lively and fast) because the track has a tempo of 172 BPM, a half-time of 86BPM, and a double-time of 344 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
Music Key
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 0%
- Loudness
- -18.037 dB
- Acousticness
- 83%
- Danceability
- 23%
- Energy
- 21%
- Instrumentalness
- 0%
- Liveness
- 10%
- Loudness
- 70%
- Speechiness
- 3%
- Valence
- 48%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Cherubini: Medea, Act 1: "Taci, Giason" (Medea, Giasone) | Luigi Cherubini, Maria Callas, Mirto Picchi, Tullio Serafin, Orchestra Del Teatro Alla Scala, Milano | D Minor | 0 | 7A | 93 BPM | |
 | Bellini: I puritani: "Credeasi, misera, da me tradita" (Arturo, Elvira, Riccardo, Giorgio, Coro) | Vincenzo Bellini, Dresdner Philharmonie, Riccardo Frizza | D♭ Major | 3 | 3B | 181 BPM | |
 | Gigantes y Cabezudos: Introduccion y Disputa | Manuel Fernandez Caballero, Orfeon Donostiarra, Ataúlfo Argenta | G Major | 5 | 9B | 96 BPM | |
| Bellini: I puritani: "Suoni la tromba" (Giorgio, Riccardo) | Vincenzo Bellini, Dresdner Philharmonie, Riccardo Frizza | D Major | 5 | 10B | 136 BPM | |
 | Dormi | Al Bano | B♭ Major | 6 | 6B | 156 BPM | |
 | Piedra y Eco | Wills Byers | E Minor | 8 | 9A | 168 BPM | |
 | Lecuona: María la O: "Eschucha al ruisenor" | Lisette Oropesa | E♭ Major | 1 | 5B | 93 BPM | |
 | TZM Rework - Boxed Remix | Andiamo | B♭ Minor | 8 | 3A | 126 BPM | |
| Bellini: I puritani: "A festa!" (Coro) | Vincenzo Bellini, Dresdner Philharmonie, Riccardo Frizza | D Major | 5 | 10B | 136 BPM | |
 | La Verbena de la Paloma, Act I: Rita y Julián (Rita, Julián, Guardia 1, Guardia 2, Casta, Susana, Antonia, Hilarión) | Tomás Bretón, Rafael Castejon, Antoni Ros Marbá, Orquesta Sinfónica de Madrid | C Major | 2 | 8B | 96 BPM | |
 | El barberillo de Lavapiés, Acto I: Marquesita, Don Luis, Paloma, Lamparilla y Coro General | Ataúlfo Argenta, Ana Maria Olaria, Teresa Berganza, Gran Orquesta Sinfonica, Carlos Munguia, Francisco Asenjo Barbieri, Coro De Camara Del Orfeon Donostiarra | F Major | 4 | 7B | 122 BPM | |
 | Caro mio ben | Giuseppe Giordani, Ramón Vargas | G Major | 2 | 9B | 91 BPM | |
 | Donizetti: Don Pasquale, Act 3: "Tornami a dir che m'ami" (Norina, Ernesto) | Gaetano Donizetti, Riccardo Muti, Gösta Winbergh, Mirella Freni, Philharmonia Orchestra | A Major | 0 | 11B | 80 BPM | |
 | Cavalleria rusticana: Duet. Ah! lo vedi – Turiddu, ascolta! | Pietro Mascagni, Fiorenza Cossotto, Carlo Bergonzi, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan | F Minor | 3 | 4A | 133 BPM | |
| Cavalleria rusticana: Brindisi. Viva il vino spumeggiante "Drinking Song" | Pietro Mascagni, Adriane Martino, Carlo Bergonzi, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan, Coro Del Teatro Alla Scala Di Milano | A♭ Major | 3 | 4B | 126 BPM | |
 | Erinnerung an Sorrent | Rudolf Schock | C Major | 4 | 8B | 84 BPM | |
 | Ponchielli: La Gioconda, Op. 9, Act 4 Scene 2: "Suicidio! … In questi fieri momenti" (Gioconda) | Amilcare Ponchielli, Maria Callas, Orchestra Del Teatro Alla Scala, Milano, Antonino Votto, Orchestra Del Teatro Alla Scala Di Milan | F♯ Minor | 1 | 11A | 90 BPM | |
 | Norma / Act 1: Introduzione: Ite sul colle, o Druidi | Vincenzo Bellini, Samuel Ramey, Chorus of the Welsh National Opera, Orchestra of the Welsh National Opera, Richard Bonynge | G Major | 2 | 9B | 94 BPM | |
 | Barbieri: El barberillo de Lavapiés: "Canción de Paloma" | Lisette Oropesa | A Major | 2 | 11B | 142 BPM | |
 | La Rosa del Azafrán: "Moniquito, Carmelo y secundarios" | Coros Cantores De Madrid, Gerardo Monreal | F Major | 4 | 7B | 126 BPM | |
 | Non ti scordar di me | Ernesto de Curtis, Jonas Kaufmann, Orchestra del Teatro Massimo di Palermo, Asher Fisch | A♭ Major | 2 | 4B | 74 BPM | |
| Don Pasquale, Act I Seconda Scena: Bella siccome un angelo (Malatesta/Pasquale) | Gaetano Donizetti, Leo Nucci/Sesto Bruscantini/Philharmonia Orchestra/Riccardo Muti, Riccardo Muti, Philharmonia Orchestra | D♭ Major | 2 | 3B | 126 BPM | |
 | Servants' Chorus (Don Pasquale) | Choir and Orchestra of the Budapest State Opera, Josif Conta, Consortium Musicum Ljubjlana | A Major | 1 | 11B | 137 BPM | |
 | O Sole Mio | Andiamo | G Major | 2 | 9B | 88 BPM | |
| TZM Rework - Strck Remix | Andiamo, Strck | A♭ Major | 9 | 4B | 129 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records