"TZM Rework - Boxed Remix" by Andiamo had its release date on May 6, 2013. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 14 in the song's album "Reworked 2013". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Germany. Based on our statistics, TZM Rework - Boxed Remix's popularity is unknown right now. Although the overall vibe is very danceable, it does project more negative sounds.
With TZM Rework - Boxed Remix by Andiamo having a BPM of 126 with a half-time of 63 BPM and a double-time of 252 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
B♭ Minor is the music key of this track. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Lucia di Lammermoor, Act I: Cruda, funesta smania (Enrico) | Gaetano Donizetti, Orchestra Del Teatro Alla Scala, Milano, Nino Sanzogno, Ettore Bastianini | D Major | 1 | 10B | 70 BPM | ||
| Dale Fuego al Chaparral / Yo Tenía, Yo Tenía - Remastered | Jesús Gracia, Piedad Gil, Rondalla Santamaría, Florencio Santamaría | C Major | 4 | 8B | 85 BPM | ||
| Occhi blu | Fabrizio Cesare, Antonello Bille | A♭ Major | 5 | 4B | 132 BPM | ||
| La fille du régiment / Act 1: Rataplan, rataplan, rataplan | Gaetano Donizetti, Eric Garrett, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | E Major | 6 | 12B | 127 BPM | ||
| Brodszky / Arr Schifrin: Around the World Part 6: Be My Love | Nicholas Brodszky, The Three Tenors, Zubin Mehta, Los Angeles Philharmonic | D Minor | 3 | 7A | 84 BPM | ||
| Lehár: Der Zarewitsch, Act 1: No. 5, Wolgalied, "Allein, wieder … Es steht ein Soldat am Wolgastrand" (Zarewitsch) | Franz Lehár, Thomas Hampson, Franz Welser-Moest, Franz Welser-Möst, London Philharmonic Orchestra | G Major | 1 | 9B | 165 BPM | ||
| Bellini: I puritani: "Il rival salvar tu die" (Giorgio, Riccardo) | Vincenzo Bellini, Dresdner Philharmonie, Riccardo Frizza | D Major | 5 | 10B | 136 BPM | ||
| La figlia del reggimento (Atto 1) (1997 Digital Remaster): Convien partir | Maria Callas, Orchestre De La Société Des Concerts Du Conservatoire, Nicola Rescigno | D♭ Major | 1 | 3B | 87 BPM | ||
| Donizetti: Lucia di Lammermoor, Act I Scene 2: Regnava nel silenzio (Lucia, Alisa) | Gaetano Donizetti, Orchestra del Teatro Bellini di Catania, Fabrizio Maria Carminati, Lisette Oropesa, Irene Savignano | D Major | 2 | 10B | 141 BPM | ||
| Tosca: Recondita armonia | Carlo Bergonzi, Gianandrea Gavazzeni, Orchestra dell'Accademia Nazionale di Santa Cecilia | F Major | 2 | 7B | 93 BPM | ||
| Arrivederci Roma | Andiamo | G Major | 2 | 9B | 129 BPM | ||
| L´Amico Fritz: Son pochi fiori | Mirella Freni, Munchener Rundfunkorchester, Ino Savini | B♭ Major | 2 | 6B | 63 BPM | ||
| Schenkt man sich Rosen in Tirol | Wiener Operettenorchester, Chor | B♭ Major | 5 | 6B | 88 BPM | ||
| Bellini: I puritani: "Credeasi, misera, da me tradita" (Arturo, Elvira, Riccardo, Giorgio, Coro) | Vincenzo Bellini, Dresdner Philharmonie, Riccardo Frizza | D♭ Major | 3 | 3B | 181 BPM | ||
| Caballeria Rusticana: "Voi lo Sapete, o mamma" | Victoria de los Ángeles | E Minor | 2 | 9A | 87 BPM | ||
| Nel cor piu non mi sento | Giovanni Paisiello, Ramón Vargas | F Major | 1 | 7B | 129 BPM | ||
| Gounod: Faust, Act 5: Trio-finale. "Alerte, alerte, ou vous êtes perdus" - Apothéose. "Sauvée ! Christ est ressuscité" (Méphistophélès, Marguerite, Faust, Chœur) | Charles Gounod, Michel Plasson, Cheryl Studer, Chœur de l'Armée française, Choeur Du Capitole De Toulouse, José van Dam, Richard Leech, Orchestre Du Capitole De Toulouse | D Major | 0 | 10B | 84 BPM | ||
| Norma / Act 1: Introduzione: Ite sul colle, o Druidi | Vincenzo Bellini, Samuel Ramey, Chorus of the Welsh National Opera, Orchestra of the Welsh National Opera, Richard Bonynge | G Major | 2 | 9B | 94 BPM | ||
| El Barberillo de Lavapies (Canción de Paloma) | Teresa Berganza | A Major | 3 | 11B | 143 BPM | ||
| Sooner A | Andiamo | B Minor | 6 | 10A | 127 BPM | ||
| Los Gavilanes: "Amigos, siempre amigos" | Coro Cantores de Madrid, Teresa Berganza | A Major | 2 | 11B | 129 BPM | ||
| Ave María - Versión de Charles Gounod | Charles Gounod, Joaquín Pixán, Alejandro Zabala, David Hill, English Chamber Orchecstra | F Major | 1 | 7B | 172 BPM | ||
| Donizetti: Lucia di Lammermoor, Act I Scene 2: Quando rapito in estasi (Lucia, Alisa) | Gaetano Donizetti, Orchestra del Teatro Bellini di Catania, Fabrizio Maria Carminati, Lisette Oropesa, Irene Savignano | D Major | 2 | 10B | 141 BPM | ||
| Cavalleria rusticana: Brindisi. Viva il vino spumeggiante "Drinking Song" | Pietro Mascagni, Adriane Martino, Carlo Bergonzi, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan, Coro Del Teatro Alla Scala Di Milano | A♭ Major | 3 | 4B | 126 BPM | ||
| Doña Francisquita: Coro de Románticos | Amadeo Vives, Maria Bayo, Orquesta Sinfonica De Tenerife, Antonio Ros Marbà, Coro Polifonico De La Universidad De La Laguna | E♭ Major | 1 | 5B | 101 BPM |