On January 1, 1972, the song "Bablu Miyan O Bablu Miyan" was released by Lata Mangeshkar, Rajendranath, Laxmikant–Pyarelal. With this song being around four minutes long, at 3:48, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Laxmikant–Pyarelal's "Jeet" album is number 4 out of 6. On top of that, India appears to be the country where this track was created. Bablu Miyan O Bablu Miyan is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of Bablu Miyan O Bablu Miyan by Lata Mangeshkar, Rajendranath, Laxmikant–Pyarelal to be Andante (at a walking pace) because the track has a tempo of 79 BPM, a half-time of 40BPM, and a double-time of 158 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Tum Agar Saath Dene Ka Vada Karo | Mahendra Kapoor | B Major | 3 | 1B | 149 BPM | ||
| Dil Ka Rishta - Sad Version | Babul Supriyo, Sarika Kapoor | F Major | 7 | 7B | 113 BPM | ||
| Hum Tere Shahar Me Aaye Hai | Ghulam Ali | B♭ Minor | 6 | 3A | 109 BPM | ||
| Aap Ke Aa Jane Se (From "Khudgarz") | Sadhana Sargam, Mohammed Aziz | D♭ Minor | 6 | 12A | 124 BPM | ||
| Jhuki Jhuki Si Nazar | Jagjit Singh | A Minor | 3 | 8A | 95 BPM | ||
| Chup Tum Raho | M. M. Kreem, K. S. Chithra | F Major | 4 | 7B | 87 BPM | ||
| In Ankhon Ki Masti | Asha Bhosle | F Major | 5 | 7B | 108 BPM | ||
| Gunja Re Chandan | Hemlata, Suresh Wadkar | D Major | 4 | 10B | 146 BPM | ||
| Aamaro To Sadh Chilo | Kanu Bhattacharya, Lata Mangeshkar | F♯ Minor | 6 | 11A | 117 BPM | ||
| Sandese Aate Hai (From "Border") | Roop Kumar Rathod, Sonu Nigam | A Major | 8 | 11B | 89 BPM | ||
| Dulhe Ka Sehra - Male Version | Nusrat Fateh Ali Khan | A♭ Major | 6 | 4B | 97 BPM | ||
| Yunhi Tum Mujhse - From "Sachaa Jhutha" | Mohammed Rafi, Lata Mangeshkar | A♭ Minor | 6 | 1A | 119 BPM | ||
| Kabhi Khushi Kabhie Gham - Sad Version, 2 | Jatin-Lalit, Lata Mangeshkar | D♭ Major | 5 | 3B | 83 BPM | ||
| Chalo Dildar Chalo | Mohammed Rafi, Lata Mangeshkar | E Major | 5 | 12B | 139 BPM | ||
| Ankhiyon Ke Jharokhon Se - Part 2 | Hemlata, Ravindra Jain | F Minor | 4 | 4A | 120 BPM | ||
| Mujhe Aisa Mila Moti | Kalyanji-Anandji, Lata Mangeshkar | E Major | 8 | 12B | 112 BPM | ||
| Neele Neele Ambar Par - Male Version | Kalyanji-Anandji, Kishore Kumar | C Major | 7 | 8B | 94 BPM | ||
| Aye Zindagi Gale Lagaa Le | Ilaiyaraaja, Suresh Wadkar | F♯ Minor | 4 | 11A | 159 BPM | ||
| Tumhin Meri Mandir | Lata Mangeshkar | E Minor | 4 | 9A | 124 BPM | ||
| Pyaar To Hona Hi Tha | Jatin-Lalit, Remo Fernandes, Jaspinder Narula | A Major | 7 | 11B | 117 BPM | ||
| Kisi Patthar Ki Murat Se | Mahendra Kapoor | F♯ Minor | 4 | 11A | 122 BPM | ||
| Dil Ke Arman Ansuon Men Bah Gaye | Salma Agha | A♭ Major | 4 | 4B | 108 BPM | ||
| Tirchi Topiwale - 1 | Amit Kumar, Sapna Mukherjee | F Minor | 8 | 4A | 124 BPM | ||
| Jata Kahan Hai Diwane | O. P. Nayyar, Majrooh Sultanpuri | C Major | 6 | 8B | 127 BPM | ||
| Rangeela Re | Lata Mangeshkar | F♯ Minor | 6 | 11A | 103 BPM |