Ghulam Ali's ' "Kabhi Aah Lab Pe Machal Gayi" was released on its scheduled release date, December 1, 1992. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 1 out of 16 in Chupke Chupke Raat Din and Other Hits by Ghulam Ali, Asha Bhosle. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Based on our statistics, Kabhi Aah Lab Pe Machal Gayi's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Kabhi Aah Lab Pe Machal Gayi by Ghulam Ali is Allegro (fast, quick, and bright), since this song has a tempo of 136 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 1/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ek Bangla Bane Nyara | K. L. Saigal | E♭ Major | 4 | 5B | 107 BPM | ||
| Kabhi Khud Pe Kabhi Halat Pe Rona | Mohammed Rafi | F Major | 2 | 7B | 83 BPM | ||
| Kyon Poochhte Ho Kya Tum Se Kahoon | Mehdi Hassan | F Minor | 5 | 4A | 203 BPM | ||
| Kabhi ham khubsoorat | Nayyara Noor | C Major | 4 | 8B | 146 BPM | ||
| Phir Chiddi Raat | Lata Mangeshkar, Talat Aziz | C Major | 4 | 8B | 143 BPM | ||
| Yaad Koi Aa Raha Hai | Salma Agha | G Major | 4 | 9B | 133 BPM | ||
| Ae jazba-e-dil | Nayyara Noor | F Major | 4 | 7B | 143 BPM | ||
| Phir Kahin Koi Phool Khila (From 'Phir Subah Hogi') | Manna Dey | E♭ Major | 7 | 5B | 71 BPM | ||
| Sham-e-Firaq Ab Na | Begum Akhtar | B♭ Major | 4 | 6B | 113 BPM | ||
| Mere Chann Pardesi | Reshma | B Major | 6 | 1B | 126 BPM | ||
| Is Tarah Mohabbat Ki Shuruaat Kijiye | Chandan Dass | A Major | 7 | 11B | 109 BPM | ||
| Main Teri Nazar Ka Suroor Hoon | Talat Mahmood | G Major | 4 | 9B | 142 BPM | ||
| Agar Bewafa Tujhko Pehchan Jate - Jhankar Beats | Hero And King Of Jhankar Studio, Mohammed Rafi | A♭ Major | 7 | 4B | 106 BPM | ||
| Mera Pyar Woh Hai | Mahendra Kapoor | F♯ Minor | 4 | 11A | 125 BPM | ||
| Ishq Mein Gairat - E - Jazbaat | Begum Akhtar | B♭ Major | 4 | 6B | 111 BPM | ||
| Aa Chandni Bhi | Hariharan | D Major | 4 | 10B | 112 BPM | ||
| Karun Kya Aas Nirash Bhai | K. L. Saigal | A Major | 1 | 11B | 81 BPM | ||
| Mujhse Pehli Si Mohabbat | Noor Jehan | A♭ Major | 3 | 4B | 166 BPM | ||
| Shair Bana Diya | Anwar Hussain, Laxmikant–Pyarelal | C Major | 3 | 8B | 63 BPM | ||
| Kab Yaad Mein Tera Saath Nahin - Duet | Khayyam, Jagjit Kaur | F Major | 3 | 7B | 75 BPM | ||
| Ham Ko Kiske Gham Ne Mara Yeh Kahani Phir Sahi (Live) | Ghulam Ali | A♭ Major | 6 | 4B | 170 BPM | ||
| Kya Khabar Thi | Hariharan | F Major | 6 | 7B | 120 BPM | ||
| Kabhi To Tumko Yaad | Ahmed Rushdi | A Major | 6 | 11B | 93 BPM | ||
| Chalo Ek Baar Phir Se | Mahendra Kapoor, Sahir Ludhianvi | F Minor | 2 | 4A | 92 BPM | ||
| Tum Apna Ranjhogham Apni | Jagjit Kaur | F Minor | 3 | 4A | 79 BPM |