Se regna in te pietà (Live) by Bernardo Pasquini, Rupert Charlesworth, Rocco Cavalluzzi, Innsbrucker Festwochenorchester, Alessandro De Marchi Song Details

Bernardo Pasquini, Rupert Charlesworth, Rocco Cavalluzzi, Innsbrucker Festwochenorchester, Alessandro De Marchi's ' "Se regna in te pietà (Live)" was released on its scheduled release date, October 28, 2022. This song is about six minutes long, preciously at 6:26, making this song fairly long compared to other songs. There are a total of 46 in the song's album "Pasquini: L'Idalma, ovvero chi la dura la vince (Live)". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Germany. Se regna in te pietà (Live) is unknown right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.

BPM and Tempo

With Se regna in te pietà (Live) by Bernardo Pasquini, Rupert Charlesworth, Rocco Cavalluzzi, Innsbrucker Festwochenorchester, Alessandro De Marchi having a BPM of 84 with a half-time of 42 BPM and a double-time of 168 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

Music Key

G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 0%
Loudness: -20.797 dB
Acousticness: 82%
Danceability: 19%
Energy: 80%
Instrumentalness: 20%
Liveness: 75%
Loudness: 65%
Speechiness: 18%
Valence: 61%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Harpsichord Suite No. 3 in A Minor: I. Prelude	Élisabeth Jacquet de La Guerre, Daniela Dolci	B♭ Minor	0	3A	109 BPM
Concerto a cinque No. 5, Op. 9: III. Allegro	Tomaso Albinoni, Paul Dombrecht, Il Fondamento	B Major	3	1B	109 BPM
Toccata in A Minor "Per Francia"	Bernardo Pasquini, Luca Guglielmi	C Major	1	8B	94 BPM
Overture For Viola D'amore & Orchestra in D Minor, GWV 426: VI. Menuets 1 Et 2 (Alternativement)	Christoph Graupner, Les idées heureuses, Hélène Plouffe, Geneviève Soly	D♭ Minor	1	12A	168 BPM
Se regna in te pietà (Live)	Bernardo Pasquini, Rupert Charlesworth, Rocco Cavalluzzi, Innsbrucker Festwochenorchester, Alessandro De Marchi	G Major	8	9B	84 BPM
Magnificat, Wq. 215: Magnificat, Wq. 215: 7. Arie. Suscepit Israel puerum suum (A)	Carl Philipp Emanuel Bach, Wiebke Lehmkuhl, Akademie für Alte Musik Berlin, Hans-Christoph Rademann	D♭ Minor	0	12A	74 BPM
Ode for St Cecilia's Day, Z. 339: "Here the Deities Approve"	Henry Purcell, Tim Mead, Les Musiciens De Saint-Julien, François Lazarevitch	B♭ Minor	2	3A	119 BPM
Sonata a 4 in A minor - Largo - Allegro	Giuseppe Torelli, Charivari Agréable, Kah-Ming Ng	A♭ Minor	2	1A	128 BPM
Concerto À 5 In E Minor: 3. Vivace	Pierre-Gabriel Buffardin, Musica Antiqua Köln, Reinhard Goebel	E♭ Minor	1	2A	114 BPM
Maddalena ai piedi di Cristo: No. 1 Sinfonia	Antonio Caldara, René Jacobs, Schola Cantorum Basiliensis, Chiara Banchini	A♭ Major	2	4B	170 BPM
Concerti grossi a quatro e sei strumenti, Op. 7, Libro secondo, Concerto No. 11 in A Minor: II. Allegro	Giuseppe Valentini, Ensemble 415, Chiara Banchini, Olivia Centurioni, Odile Edouard, David Plantier, David Courvoisier, Alain Gervreau	A♭ Minor	2	1A	131 BPM
La Susanna: Voi donzelle	Alessandro Stradella, Filippo Mineccia, Nereydas, Javier Ulises Illán	D Major	1	10B	111 BPM
Concerto in E minor for oboe, strings and basso continuo: IiI. Largo	Han De Vries, Bob van Asperen, Alma Musica Amsterdam	E♭ Minor	1	2A	86 BPM
Concerto grosso No. 3 in D Minor: IV. Allegro (After D. Scarlatti)	Charles Avison, Avison Ensemble, Pavlo Beznosiuk	F Major	1	7B	74 BPM
Pantan (Live)	Bernardo Pasquini, Arianna Vendittelli, Rocco Cavalluzzi, Innsbrucker Festwochenorchester, Alessandro De Marchi	G Major	8	9B	84 BPM
Leclair: Scylla et Glaucus, Op. 11, Prologue: Air gracieux	Jean-Marie Leclair, John Eliot Gardiner, English Baroque Soloists	A♭ Minor	0	1A	68 BPM
Ouverture No. 6 in G Minor: II. Largo	Francesco Maria Veracini, Ensemble Zefiro, Alfredo Bernardini	B Minor	1	10A	76 BPM
Ouverture in E Minor, TWV 55:e1: VII. Gigue	Georg Philipp Telemann, Musica Amphion, Pieter-Jan Belder	E Major	2	12B	125 BPM
Santa Agnese Oratorio, 1ère partie: ''Se ne l'arco d'un orrido ciglio'' (Madre di Santa Agnese)	Bernardo Pasquini, Consortium Carissimi, Vittorio Zanon, Anna Simboli, Paolo Costa, Elena Bartolozzi, Marco Scavazza, Garrick Commeaux	D Major	1	10B	86 BPM
Sonata a tromba in D Major, TWV 44:1: III. Vivace	Georg Philipp Telemann, Isabelle Faust, Akademie für Alte Musik Berlin, Bernhard Forck, Ute Hartwich	D♭ Major	3	3B	141 BPM
Violin Sonata in E Minor, Op. 6 No. 9: I. Preludio. Largo	Giovanni Mossi, Augusta McKay Lodge, Doug Balliett, Adam Cockerham, Elliot Figg	F♯ Major	1	2B	105 BPM
Concerto Grosso in A Minor, Op. 6 No. 4, HWV 322: III. Largo, e piano	George Frideric Handel, Academy of Ancient Music, Andrew Manze	D♭ Minor	0	12A	139 BPM
Hasse: Serpentes ignei in deserto: Aria. "Incerta vivendo" (Eliab)	Johann Adolf Hasse, Thibault Noally, Les Accents, David Hansen	B Minor	3	10A	120 BPM
Trio Sonatas, Op. 2, Trio Sonata No. 1 in E Minor: I. Adagio	Jean-Joseph Cassanéa De Mondonville, Ensemble Diderot, Johannes Pramsohler	C Major	1	8B	97 BPM
Concerto in D Major, Op. 6 No. 6: III. Adagio	Charles Avison, Café Zimmermann	F Major	5	7B	107 BPM