On February 1, 1996, the song "Saath Go Swaad Ba" was released by Bijli Rani. This song is about six minutes long, preciously at 5:48, making this song fairly long compared to other songs. The track order of this song in Bijli Rani's "Gaadi No.11" album is number 3 out of 10. On top of that, India appears to be the country where this track was created. Based on our statistics, Saath Go Swaad Ba's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Saath Go Swaad Ba by Bijli Rani to be Allegro (fast, quick, and bright) because the track has a tempo of 131 BPM, a half-time of 66BPM, and a double-time of 262 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Chane Ke Khet Me | Bijli Rani | C Major | 10 | 8B | 64 BPM | ||
| Angna Main Kuiyaan Raja | Deshraj Patairiya, Urmila Pandey | F Minor | 7 | 4A | 76 BPM | ||
| Naihare Ke Chaar Go Yearwa | Vishnu Ojha | A♭ Major | 7 | 4B | 133 BPM | ||
| Hay Re Teri Payal Kare Hai Deewana | Mohd. Niyaz | A♭ Minor | 7 | 1A | 172 BPM | ||
| Aabe Ke Nahi Bata De | Kavita Vasnik, Mahadev Hirwani | F Minor | 7 | 4A | 83 BPM | ||
| Dwar Ke Chhikai | Sharda Sinha | E Major | 7 | 12B | 138 BPM | ||
| Is Sansar Ki Gatividhiyo Par | Swami Rajeshwaranand | A♭ Minor | 8 | 1A | 133 BPM | ||
| San Kera Aabe Wo | Gorelal Barman, Ratan Sabiha | F Major | 6 | 7B | 77 BPM | ||
| O Din Surta | Gorelal Barman, Ratan Sabiha | E♭ Major | 6 | 5B | 200 BPM | ||
| Patte Janam Befa ho geya, Dera Sacha Sauda | Rehmat Records | E Minor | 4 | 9A | 140 BPM | ||
| Mor Balam Laal Kabutar | Bijli Rani | E♭ Minor | 6 | 2A | 110 BPM | ||
| Pritam Aha Bina Nhi Chain Yai | Dilip Dharbhangiya | A♭ Minor | 7 | 1A | 142 BPM | ||
| Jo Ram Naam Gud Gayega | Parmod Kumar | B♭ Major | 6 | 6B | 90 BPM | ||
| Seeta Ke Sakal Dekhi | Poonam Mishra | E Major | 7 | 12B | 76 BPM | ||
| Sun Ae Suruj Mal | Bijli Rani | F♯ Minor | 5 | 11A | 121 BPM | ||
| Tore Baje Paijana Bake | Raju Patel | B Minor | 7 | 10A | 145 BPM | ||
| Ka Te Mola Mohani Dare | Mamta Chandarkar | A♭ Major | 9 | 4B | 79 BPM | ||
| Tumhare Husn Ke | Super Cassettes Industries Private Limited, Sameer Anjaan | F Major | 9 | 7B | 148 BPM | ||
| Jhariya Wala Jhulani | Bijli Rani | A♭ Major | 9 | 4B | 116 BPM | ||
| Saare Shikwe Gile Bhoola Ke | Dimple Bhumi | F Major | 9 | 7B | 143 BPM | ||
| Baba Lene Chaliyau Humro Apan Nagari | Sharda Sinha | E♭ Minor | 7 | 2A | 130 BPM | ||
| Duniya Me Datar Bado Mhara Praniya - Guru Jambheswar Bhagwan Ki Sakhi | Swami Sachchidanand Acharya | D♭ Major | 8 | 3B | 112 BPM | ||
| Gharware Kho Chod Chad Ke New Bundeli Rai | Dhaniram Sen, Raju Patel | D Minor | 8 | 7A | 129 BPM | ||
| Naina | Bhori Sakhi | Prem Ki Peer | Jamming Session 43 | Bhajan Marg Blog | E♭ Minor | 4 | 2A | 75 BPM | ||
| Yaari Chiniyo Vanjheen Muhnjo | Haider Rind | D Minor | 6 | 7A | 133 BPM |