Bijli Rani's ' "Mor Balam Laal Kabutar" was released on its scheduled release date, April 1, 1994. This song is about six minutes long, preciously at 6:17, making this song fairly long compared to other songs. The track order of this song in Bijli Rani's "Khaal Jilebi Rasdar Ba" album is number 11 out of 11. On top of that, India appears to be the country where this track was created. In terms of popularity, Mor Balam Laal Kabutar is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Mor Balam Laal Kabutar by Bijli Rani to be Moderato (at a moderate speed) because the track has a tempo of 110 BPM, a half-time of 55BPM, and a double-time of 220 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
E♭ Minor is the music key of this track. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Hamaro Man Moh Liyo | Shahnaz Akhtar | A♭ Major | 8 | 4B | 102 BPM | ||
| Hishab | Momtaz | F♯ Minor | 10 | 11A | 108 BPM | ||
| Maan Jayi Aayi Raja Ji Dil Main Samayi | Bijli Rani | C Major | 5 | 8B | 78 BPM | ||
| Jinagi Ha Anmol Ratan | Radhe Shyam Rasiya | C Major | 10 | 8B | 90 BPM | ||
| Jo Ram Naam Gud Gayega | Parmod Kumar | B♭ Major | 6 | 6B | 90 BPM | ||
| Jogan Kare Janiyro Minna | Fozia Soomro | B♭ Major | 6 | 6B | 81 BPM | ||
| Deh Dheela Kar | Bikki Bahar, Bijli Rani | B Minor | 9 | 10A | 83 BPM | ||
| Aag Chale dhaniyar Raja | Vaishali Sen, Sangeeta Gangrade | G Major | 7 | 9B | 128 BPM | ||
| Gahana Chada To Jiyara Jurada | Bijli Rani | A♭ Major | 10 | 4B | 104 BPM | ||
| Hum Kaise Bhulaai | Bijli Rani | A♭ Major | 9 | 4B | 116 BPM | ||
| Dabe Paon Aiha Nazariya Bachake | Bharat Sharma Vyas | B Minor | 6 | 10A | 170 BPM | ||
| Daihaan Title Music Tari Hari Nana Suwa Geet | Bhupendra Sahu | B♭ Minor | 8 | 3A | 128 BPM | ||
| Zikr-e-Nabi Karke | Jani Babu | A♭ Major | 4 | 4B | 101 BPM | ||
| Koi Na Pyar Kare | Devinder Kohinoor | A Major | 5 | 11B | 146 BPM | ||
| Laagal Jobanwa Ke Dhaka | Guddu Rangila | B♭ Minor | 7 | 3A | 74 BPM | ||
| Piya Pardesiya | Devinder Kohinoor | D Major | 5 | 10B | 119 BPM | ||
| Tohra Pe Waari Sanwriya Ae Raghubar | Madan Rai | G Major | 6 | 9B | 151 BPM | ||
| Maihar Wali Sharda Maiya | Kavita Paudwal | D♭ Major | 4 | 3B | 168 BPM | ||
| Holi Ka Tyohaar Hai Aaya | Gyanendra Sharma, Ravi Sharma | C Major | 9 | 8B | 135 BPM | ||
| Chane Ke Khet Me | Bijli Rani | C Major | 10 | 8B | 64 BPM | ||
| Lok Jee Marhan Mariyo | Fozia Soomro | F♯ Minor | 6 | 11A | 95 BPM | ||
| Mara Rudiye Rangana Tame Saajana | Parthiv Gohil | G Major | 6 | 9B | 85 BPM | ||
| Mil Kaho Garv Se Hindu | Prakash Mali | A Major | 7 | 11B | 145 BPM | ||
| Aawe - Aawe Gori Hamra Sang | Kumar Kiran, Bijli Rani, Sarwan Saaj, Mona, Tumpa Das | A Minor | 5 | 8A | 190 BPM | ||
| Saraswati Chalisa Maha Superfast | Manjeera Ganguly, Kuldeep Shukla | A Minor | 9 | 8A | 130 BPM |