- BPM
- 168
- Key
- E Minor
- Camelot
- 9A
A Shropshire Lad "Rhapsody for Full Orchestra" by George Butterworth, Royal Liverpool Philharmonic Orchestra, Andrew Manze Song Details
"A Shropshire Lad "Rhapsody for Full Orchestra"" by George Butterworth, Royal Liverpool Philharmonic Orchestra, Andrew Manze had its release date on September 26, 2025. This song appears to be safe for all ages as it is not explicit. The song is number 1 out of 14 in Butterworth · Holst by Royal Liverpool Philharmonic Orchestra, Andrew Manze. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. The popularity of A Shropshire Lad "Rhapsody for Full Orchestra" is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
The tempo marking of A Shropshire Lad "Rhapsody for Full Orchestra" by George Butterworth, Royal Liverpool Philharmonic Orchestra, Andrew Manze is Vivace (lively and fast), since this song has a tempo of 168 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
Music Key
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 18%
- Loudness
- -18.701 dB
- Acousticness
- 93%
- Danceability
- 28%
- Energy
- 10%
- Instrumentalness
- 57%
- Liveness
- 8%
- Loudness
- 69%
- Speechiness
- 4%
- Valence
- 15%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | A Moorside Suite, H. 173: Nocturne | Gustav Holst, Royal Northern Sinfonia, David Lloyd-Jones | B Minor | 0 | 10A | 80 BPM | |
 | Bugeilio'r Gwenith Gwyn - Arranged by John Rutter: Bugeilio'r Gwenith Gwyn | Traditional, Catrin Finch, Kia Bennett | D♭ Major | 0 | 3B | 113 BPM | |
 | A Shropshire Lad: Is my team ploughing? | George Butterworth, Benjamin Luxon, David Willison | G Minor | 0 | 6A | 74 BPM | |
 | Gloria, FP 144: 3. Domine Deus | Francis Poulenc, Kathleen Battle, Boston Symphony Orchestra, Seiji Ozawa, Tanglewood Festival Chorus, John Oliver | G Major | 1 | 9B | 130 BPM | |
 | Soirées musicales, Op. 9: IV. Bolero | Benjamin Britten, Helsingborg Symphony Orchestra, Okko Kamu | G Minor | 1 | 6A | 79 BPM | |
 | Abendlied, Op. 107 No. 6 | Robert Schumann, Neeme Järvi, Detroit Symphony Orchestra | D♭ Major | 0 | 3B | 78 BPM | |
 | Sibelius: Lemminkäinen Suite, Op. 22: II. The Swan of Tuonela | Jean Sibelius, Paavo Järvi, Jesper Harryson, Royal Stockholm Philharmonic Orchestra | E Minor | 1 | 9A | 88 BPM | |
 | Die tote Stadt, Act I: Mariettas Lied | Erich Wolfgang Korngold, Nicola Benedetti, Bournemouth Symphony Orchestra, Kirill Karabits | B♭ Major | 3 | 6B | 94 BPM | |
 | Crown Imperial: A Coronation March | William Walton, BBC Concert Orchestra, Barry Wordsworth | C Major | 4 | 8B | 121 BPM | |
 | Khovanshchina: Overture (Prelude) | Modest Mussorgsky, Mariinsky Orchestra, Valery Gergiev | D♭ Major | 0 | 3B | 90 BPM | |
 | A Fugal Concerto, Op. 40, No. 2: III. Allegro | Gustav Holst, Anna Pyne, Philip Harmer, English Sinfonia, Howard Griffiths | A♭ Minor | 2 | 1A | 95 BPM | |
 | Rhapsody Under A High Sky | Archibald James Potter, RTE Sinfonietta, Proinnsias O'Duinn | C Major | 1 | 8B | 106 BPM | |
 | The Hebrides, Op. 26 "Fingal's Cave" | Felix Mendelssohn, John Eliot Gardiner, London Symphony Orchestra | D Major | 1 | 10B | 137 BPM | |
 | Jig | Cecil Armstrong Gibbs, Royal Ballet Sinfonia, David Lloyd-Jones | G Major | 1 | 9B | 103 BPM | |
 | Carissima | Edward Elgar, New Zealand Symphony Orchestra, James Judd | D Major | 1 | 10B | 119 BPM | |
 | Appalachian Spring Suite: I. Very Slowly | Aaron Copland, Los Angeles Philharmonic, Zubin Mehta | A Major | 0 | 11B | 71 BPM | |
 | Romance, Op. 11 | Gerald Finzi, London Philharmonic Orchestra, Sir Adrian Boult | A♭ Major | 1 | 4B | 82 BPM | |
| English Suite: Jig | Paul Lewis, Royal Northern Sinfonia, David Lloyd-Jones | E Minor | 2 | 9A | 104 BPM | |
 | Elgar: Variations on an Original Theme, Op. 36 "Enigma": Variation IX. Nimrod | Edward Elgar, London Symphony Orchestra, Sir Adrian Boult | E♭ Major | 1 | 5B | 70 BPM | |
 | Ladies in Lavender | Nigel Hess, Sergeant Neslihan Jordan, Cpl Neslihan Jordan, Central Band Of The Royal Air Force | D Major | 1 | 10B | 62 BPM | |
 | Sally in Our Alley (Arr. For string orchestra) | Frank Bridge, English Northern Philharmonia, David Lloyd-Jones | G Major | 1 | 9B | 103 BPM | |
 | Variation 1: L'istesso tempo | Max Reger, New Zealand Symphony Orchestra, Franz-Paul Decker | A Major | 0 | 11B | 52 BPM | |
 | A Walk To The Paradise Garden | Frederick Delius, Barry Wordsworth, London Symphony Orchestra | E Major | 0 | 12B | 103 BPM | |
 | 3 Chorales, P. 167: No. 3, Andante (After J.S. Bach's BWV 645) | Ottorino Respighi, Seattle Symphony Orchestra, Gerard Schwarz | E♭ Major | 0 | 5B | 84 BPM | |
| London Suite: 3. Knightsbridge (March) | Eric Coates, BBC Concert Orchestra, Barry Wordsworth | C Major | 3 | 8B | 124 BPM |
- ISRC
- GBPCP2500538
- Label
- L-M Records/RCA Records