Rodolfo Mederos's 'Contraluz - Instrumental' had a release date set for January 1, 2006. The duration of This song is about two minutes long, specifically at 2:53. This song does not appear to have any foul language. Contraluz - Instrumental's duration is considered a little bit shorter than the average duration of a typical track. The song is number 10 out of 15 in Comunidad by Rodolfo Mederos. Going off of the ISRC code of this track, we detected that the origin of this track is from Argentina. In terms of popularity, Contraluz - Instrumental is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Contraluz - Instrumental by Rodolfo Mederos is Moderato (at a moderate speed), since this song has a tempo of 113 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song has a musical key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Landler in Ab | Maximilian Geller | A♭ Major | 5 | 4B | 96 BPM | ||
| Volverás | Osvaldo Fresedo | D Minor | 2 | 7A | 116 BPM | ||
| Malena | Trio Hugo Diaz | C Minor | 2 | 5A | 119 BPM | ||
| Mejor Asi | Carlos Libedinsky | D Minor | 4 | 7A | 146 BPM | ||
| Fugata | Quinteto Astor Piazzolla | C Major | 6 | 8B | 135 BPM | ||
| Taquito Militar | Mariano Mores | B♭ Minor | 3 | 3A | 132 BPM | ||
| Vuelvo al Sur | Juan Carlos Caceres | E Major | 2 | 12B | 81 BPM | ||
| Niebla Del Riachuelo | Tita Merello | F Major | 3 | 7B | 111 BPM | ||
| Por una cabeza | Quartango | A Minor | 3 | 8A | 124 BPM | ||
| Nada | Amores Tangos, Julia Zenko | F Major | 3 | 7B | 87 BPM | ||
| Vida mia | Osvaldo Fresedo | D♭ Major | 4 | 3B | 116 BPM | ||
| Oblivion | Orquesta Picante | C Minor | 2 | 5A | 78 BPM | ||
| Piazzolla & Troilo: Contrabajeando | Daniel Barenboim, Héctor Console | D Minor | 1 | 7A | 136 BPM | ||
| Último Tango En Buenos Aires | Rubén Juárez | E Minor | 4 | 9A | 101 BPM | ||
| Finale (Tango Apasionado) | 1721 Project, Telalit Charsky, Jean René Da Conceição, Nuphar Fey, Victor Hugo Villena | C Minor | 1 | 5A | 95 BPM | ||
| Zamba de usted | Carlos Aguirre, Fernando Silva, Silvina López | E♭ Major | 2 | 5B | 133 BPM | ||
| Milonga De Corralon | Rubén Juárez | D♭ Major | 3 | 3B | 97 BPM | ||
| Silbando | Aníbal Arias | A Minor | 2 | 8A | 121 BPM | ||
| Como Dos Extraños | Mercedes Sosa, Rodolfo Mederos, Hector Console | A Major | 2 | 11B | 101 BPM | ||
| Te Vas Milonga | Conjunto Berretin | E Minor | 4 | 9A | 87 BPM | ||
| Garufa | Tita Merello | B♭ Major | 3 | 6B | 138 BPM | ||
| De Todas Maneras | Rodolfo Mederos | A Major | 7 | 11B | 86 BPM | ||
| A un Semejante | Susana Rinaldi | F♯ Minor | 3 | 11A | 76 BPM | ||
| El dia que me quieras | Trio Hugo Diaz | C Major | 3 | 8B | 68 BPM | ||
| El Dia Que Me Quieras | Angelito Martinez | E♭ Major | 1 | 5B | 116 BPM |