On November 14, 1996, the song "Main To Cycle Pe" was released by Rekha Rao, Tej Karan Rao. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 3 out of 8 in Chhori Mastani by Tej Karan Rao. Going off of the ISRC code of this track, we detected that the origin of this track is from India. In terms of popularity, Main To Cycle Pe is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Main To Cycle Pe by Rekha Rao, Tej Karan Rao is Andante (at a walking pace), since this song has a tempo of 104 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Radha Ballabh Banke Bihari | Devi Neha Saraswat | B♭ Minor | 9 | 3A | 114 BPM | ||
| Nagari Ho Ayodhya Si | Roshani Pandey | D♭ Minor | 8 | 12A | 93 BPM | ||
| Thari Jay Ho Pawan Kumar Bajrang Balaji | Shyam Paliwal | F Minor | 9 | 4A | 100 BPM | ||
| Dukh Mein Sumiran Sab Kare | Satyendra Pathak | A♭ Minor | 7 | 1A | 97 BPM | ||
| Aa Gaya Lo Mela Mere Shyam Ka | Raj Pareek | D♭ Major | 9 | 3B | 101 BPM | ||
| Sawariya Hai Seth Mhari Radha Ji | Niranjan Sarda, Pushpa Banerjee | A Major | 7 | 11B | 141 BPM | ||
| Jhula Jhulna aayi Ho | Shahnaz Akhtar | D♭ Major | 9 | 3B | 150 BPM | ||
| Shri Radhe Shri Radhe Radhe Shri Radhe | Gaurav Krishna Goswami | A Major | 9 | 11B | 150 BPM | ||
| Jinki Pratima Itni Sundar Wo Kitna Sundar Hoga | Pandit Gaurangi Gauri Ji | D Minor | 7 | 7A | 80 BPM | ||
| Radhe Radhe Rato Chale Aayenge Bihari | Sonal Gadhvi | D♭ Major | 9 | 3B | 142 BPM | ||
| Sapne Mein Diya Dikhaee | Pt. Ram Avtar Sharma, Rekha Rao | G Minor | 6 | 6A | 100 BPM | ||
| Vrindawan Jaungi Sakhi | Meenakshi Panchal | F♯ Major | 9 | 2B | 75 BPM | ||
| Mere Sheesh Ke Dani Ka | Pt. Ram Avtar Sharma, Anupama, Rajneesh Sharma | D♭ Major | 8 | 3B | 107 BPM | ||
| Kalka Maa | Tarun Sagar | F♯ Major | 9 | 2B | 148 BPM | ||
| Parbhu Hum Bhi Sharnagat Hai | Devendra Pathak | B♭ Minor | 7 | 3A | 82 BPM | ||
| Sare Tirth Dham | Sadhvi Purnima | C Major | 7 | 8B | 120 BPM | ||
| Sabse Sundar Sapne Ram | Kumar Vishwas | A♭ Minor | 6 | 1A | 154 BPM | ||
| Durge Maiya We - Uttarakhandi | Khushi Joshi | B♭ Major | 10 | 6B | 144 BPM | ||
| Mara Sanvariya Ji Seth Jane Kaha Ho Gayo Let Kyu Ni Aayo Re | Gokul Sharma | B Major | 9 | 1B | 80 BPM | ||
| Chhailo Jhala Dair Bulave | Seema Mishra, Mukesh Bagda | D♭ Minor | 6 | 12A | 79 BPM | ||
| Janamashtami Mashup | Dhruv Sharma, Swarna Shri | D♭ Major | 4 | 3B | 105 BPM | ||
| Karni Maa Mehar Karjyo | Anchal Bhatt, Sandeep Dadhich | G Major | 3 | 9B | 150 BPM | ||
| Sharda Maiya Tero Jhulna | Pooja Golhani | G Major | 7 | 9B | 100 BPM | ||
| Hey Naam Re | Kishan Bhagat, Pankaj Budrani | F♯ Major | 8 | 2B | 150 BPM | ||
| Daya Thodi Si Kardo Na | Sonu Bishnoi | F♯ Major | 7 | 2B | 79 BPM |