"Francesca da Rimini, Act I: Adonnella, Adonella, c'è il giullare (Live)" by Riccardo Zandonai, Orchestra del Teatro Lirico Giuseppe Verdi di Trieste, Claudio Giombi, Enzo Viaro, Franco Capuana had its release date on August 1, 2014. With this song being around four minutes long, at 3:41, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Zandonai: Francesca da Rimini (Live) by Riccardo Zandonai, Raimondo Botteghelli, Renato Cioni, Coro del Teatro Lirico Giuseppe Verdi di Trieste, Mario Ferrara, Anna Gasparini, Leyla Gencer, Claudio Giombi, Rosa Laghezza, Silvana Alessio Martinelli, Eno Mucchiutti, Orchestra del Teatro Lirico Giuseppe Verdi di Trieste, Enzo Viaro, Franco Capuana. The song's track number on the album is #1 out of 31 tracks. Based on our data, United States was the country where this track was produced or recorded. Francesca da Rimini, Act I: Adonnella, Adonella, c'è il giullare (Live) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Francesca da Rimini, Act I: Adonnella, Adonella, c'è il giullare (Live) by Riccardo Zandonai, Orchestra del Teatro Lirico Giuseppe Verdi di Trieste, Claudio Giombi, Enzo Viaro, Franco Capuana has a tempo of 70 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Francesca da Rimini, Act I: Adonnella, Adonella, c'è il giullare (Live) being at 70 BPM, the half-time would be 35 BPM with a double-time of 140 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Vocalizzo | Riccardo Zandonai, Margherita Guarino, Stefano Guarino | B♭ Major | 1 | 6B | 125 BPM | ||
| La traviata / Act 2: "Imponete" "Non amarlo ditegli" | Giuseppe Verdi, Cheryl Studer, Juan Pons, Metropolitan Opera Orchestra, James Levine | B♭ Major | 1 | 6B | 77 BPM | ||
| Strauss, Johann II : Der Zigeunerbaron : Act 1 "So elend und so treu" [Saffi, Barinkay] | Johann Strauss II, Nikolaus Harnoncourt, Wiener Symphoniker | A Major | 0 | 11B | 125 BPM | ||
| Carmen / Act 3: Trio: "Mêlons! Coupons!" | Georges Bizet, Christine Barbaux, Jane Berbié, Agnes Baltsa, Berliner Philharmoniker, Herbert von Karajan | F Major | 0 | 7B | 114 BPM | ||
| Tosca, Act I: Un tal baccano in chiesa! Bel rispetto! | Giacomo Puccini, Matteo Macchioni, Ludovic Tezier, Davide Giangregorio, Orchestra dell'Accademia Nazionale di Santa Cecilia, Daniel Harding | E♭ Minor | 3 | 2A | 135 BPM | ||
| Simon Boccanegra: Act I: Cielo di stelle orbato (Gabriele, Amelia) | Giuseppe Verdi, Francesco Meli, Marina Rebeka, Michele Spotti, Orchestra del Teatro San Carlo di Napoli | D♭ Minor | 1 | 12A | 138 BPM | ||
| Puccini: Tosca, Act 1: "Il cannon del castello!" (Cavaradossi, Angelotti, Sagrestano, Coro) | Giacomo Puccini, Victor de Sabata, Coro Del Teatro Alla Scala Di Milano, Franco Calabrese, Giuseppe Di Stefano, Melchiorre Luise, Orchestra Del Teatro Alla Scala, Milano | B♭ Major | 2 | 6B | 89 BPM | ||
| The Kingdom, Op. 51: Ia. In The Upper Room (Seek first the kingdom) | Edward Elgar, Francesca Chiejina, Sarah Connolly, Benjamin Hulett, Ashley Riches, Crouch End Festival Chorus, London Mozart Players, David Temple | D Minor | 2 | 7A | 62 BPM | ||
| Francesca da Rimini, Op. 4, Act IV: E se il fratello vede che taluno | Riccardo Zandonai, Adriano Graziani, Juan Orozco, Philharmonisches Orchester Freiburg, Fabrice Bollon | D♭ Major | 3 | 3B | 85 BPM | ||
| Gounod: Faust, Act 1: Récitatif. "Mais ce Dieu, que peut-il pour moi?" (Faust) | Charles Gounod, Michel Plasson, Richard Leech, Orchestre Du Capitole De Toulouse | A Minor | 1 | 8A | 94 BPM | ||
| Petite messe solennelle: Quoniam | Gioachino Rossini, Orchestre de chambre de Paris, Ottavio Dantone, Alexander Vinogradov | A Major | 2 | 11B | 124 BPM | ||
| Rigoletto, Act I: Partite? Crudele! | Giuseppe Verdi, Francesco Demuro, Eglė Šidlauskaitė, Tomas Pavilionis, Dmitri Hvorostovsky, Kaunas State Choir, Kaunas City Symphony Orchestra, Constantine Orbelian | A♭ Major | 1 | 4B | 106 BPM | ||
| Soy Dalí Excerpt | Hermanos Ferrando, Ignacio Ferrando, Jorge Ferrando | B♭ Major | 1 | 6B | 112 BPM | ||
| Humperdinck : Hänsel und Gretel : Act 3 "Mir ist so wohl, ich weiss nicht wie!" [Gretel, Hänsel] | Engelbert Humperdinck, Donald Runnicles, Bavarian Radio Symphony Orchestra | A♭ Major | 0 | 4B | 116 BPM | ||
| Bolivar, Op. 236: Berceuse | Darius Milhaud, Orchestre De La Société Des Concerts Du Conservatoire, Janine Micheau | B Minor | 2 | 10A | 84 BPM | ||
| Puccini: Tosca, Act 2 Scene 4: "Ed or fra noi parliam da buoni amici … Sciarrone, che dice il Cavalier?" (Scarpia, Tosca, Sciarrone, Voce di Cavaradossi) | Giacomo Puccini, Tito Gobbi, Maria Callas, Ugo Trama, Carlo Bergonzi, Orchestre de la Socit des Concerts du Conservatoire, Georges Prtre, Georges Prêtre, Orchestre De La Société Des Concerts Du Conservatoire | E♭ Minor | 5 | 2A | 82 BPM | ||
| Francesca da Rimini, Op. 4, Act IV, Scene Tableau I: E se il fratello vede che taluno tocca la donna del fratello (Malatestino, Gianciotto) | Riccardo Zandonai, Wiener Symphoniker, Fabio Luisi, Kenneth Riegel, Philippe Roillon | E♭ Major | 3 | 5B | 111 BPM | ||
| Caballeria Rusticana: "Voi lo Sapete, o mamma" | Victoria de los Ángeles | E Minor | 2 | 9A | 87 BPM | ||
| Lucia di Lammermoor / Act 3: "Ah! cessate quel contento" | Gaetano Donizetti, Nicolai Ghiaurov, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | G Major | 1 | 9B | 84 BPM | ||
| Spleen, RZ 228 | Riccardo Zandonai, Stefano Guarino, Orchestra da Camera di Trento, Giancarlo Guarino | A Minor | 2 | 8A | 102 BPM | ||
| La Sonnambula / Act 1: D'un pensiero e d'un accento | Vincenzo Bellini, Dame Joan Sutherland, Sylvia Stahlman, Margreta Elkins, Nicola Monti, Coro del Maggio Musicale Fiorentino, Orchestra del Maggio Musicale Fiorentino, Richard Bonynge | E♭ Major | 3 | 5B | 82 BPM | ||
| Humperdinck : Hänsel und Gretel : Act 1 "Ho, Ho! Wer spek-spektakelt" [Stepmother, Father] | Engelbert Humperdinck, Donald Runnicles, Bavarian Radio Symphony Orchestra | E Major | 1 | 12B | 163 BPM | ||
| I Puritani / Act 1: I rito augusto si compia senza me | Vincenzo Bellini, Gian Carlo Luccardi, Anita Caminada, Nicolai Ghiaurov, Luciano Pavarotti, London Symphony Orchestra, Richard Bonynge | C Major | 2 | 8B | 62 BPM | ||
| Bellini: I puritani: "All’erta!" (Bruno, Coro) | Vincenzo Bellini, Dresdner Philharmonie, Riccardo Frizza | D Major | 5 | 10B | 136 BPM | ||
| La Gioconda, Op. 9: "Enzo Grimaldo, Principe di Santafior, che pensi?" | Amilcare Ponchielli, Jonas Kaufmann, Ludovic Tezier, Antonio Pappano, Orchestra of the Accademia di Santa Cecilia, Rome | F Minor | 0 | 4A | 167 BPM |