Judi Dench, Michael Hordern, Rod Edwards, Roger Hand's ' "Good-Night, Children" was released on its scheduled release date, December 31, 1975. The duration of This song is about two minutes long, specifically at 2:37. This song does not appear to have any foul language. Good-Night, Children's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 37 in the song's album "The Butterfly Ball And The Grasshopper's Feast". In this album, this song's track order is #12. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Good-Night, Children's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Good-Night, Children by Judi Dench, Michael Hordern, Rod Edwards, Roger Hand having a BPM of 135 with a half-time of 68 BPM and a double-time of 270 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Les Pêcheurs de perles, WD 13, Act I: Au fond du temple saint | Georges Bizet, Alexandre Bloch, Orchestre National de Lille, Cyrille Dubois, Florian Sempey, Les Cris De Paris | B♭ Major | 1 | 6B | 101 BPM | ||
| Sure on This Shining Night: Sure on This Shining Night | Felicity Lott, Graham Johnson | B♭ Major | 0 | 6B | 109 BPM | ||
| Stay, Frederic, Stay | The Pirates Of Penzance | G Major | 1 | 9B | 98 BPM | ||
| Requiem, Op. 48: V. Pie Jesu | Gabriel Fauré, Laurence Equilbey, Sandrine Piau, Orchestre National De France | B♭ Major | 1 | 6B | 85 BPM | ||
| H.M.S. Pinafore / Act 1: When I was a lad | Arthur Sullivan, The D'Oyly Carte Opera Company, John Reed, The D'Oyly Carte Opera Chorus, The New Symphony Orchestra Of London, Isidore Godfrey | B♭ Major | 2 | 6B | 97 BPM | ||
| Faust / Act 3: "Ah! Je ris de me voir" | Charles Gounod, Renée Fleming, English Chamber Orchestra, Jeffrey Tate | G Major | 3 | 9B | 76 BPM | ||
| A Midsummer Night's Dream, Incidental Music, Op.61, MWV M 13: No.7 Notturno | Felix Mendelssohn, Judi Dench, Boston Symphony Orchestra, Seiji Ozawa | E Major | 0 | 12B | 67 BPM | ||
| Sea Pictures, Op. 37: No. 4, Where Corals Lie | Edward Elgar, Alice Coote, Sir Mark Elder, Hallé | G Minor | 1 | 6A | 135 BPM | ||
| H.M.S. Pinafore / Act 1: We shall sail the ocean blue | Arthur Sullivan, The D'Oyly Carte Opera Company, The D'Oyly Carte Opera Chorus, The New Symphony Orchestra Of London, Isidore Godfrey | C Major | 3 | 8B | 100 BPM | ||
| H.M.S.Pinafore: Now give three cheers...When I was a lad | Arthur Sullivan, Joyce Wright, John Reed, Jeffrey Skitch, The D'Oyly Carte Opera Company, The New Symphony Orchestra Of London, Isidore Godfrey | F Major | 2 | 7B | 96 BPM | ||
| Will There Really Be a Morning? | Ricky Ian Gordon, Nadine Sierra, Royal Philharmonic Orchestra, Robert Spano | B♭ Major | 2 | 6B | 166 BPM | ||
| Firebird Suite: Finale | Igor Stravinsky, George Szell, Cleveland Orchestra | D♭ Minor | 0 | 12A | 129 BPM | ||
| Songs of Travel: The Vagabond | Ralph Vaughan Williams, Roderick Williams, Iain Burnside | B♭ Minor | 1 | 3A | 107 BPM | ||
| In the Steppes of Central Asia | Alexander Borodin, Royal Philharmonic Orchestra, Vladimir Ashkenazy | A Major | 0 | 11B | 69 BPM | ||
| Overture: The Wasps | Ralph Vaughan Williams, Hallé, Sir Mark Elder | B♭ Major | 1 | 6B | 137 BPM | ||
| Suite in A Major "American Suite", Op. 98b, B. 190: IV. Andante | Antonín Dvořák, Luzerner Sinfonieorchester, James Gaffigan | C Major | 0 | 8B | 63 BPM | ||
| Orfeo ed Euridice / Act 3: Aria: "Che farò senza Euridice?" | Christoph Willibald Gluck, Marilyn Horne, Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti | C Major | 2 | 8B | 106 BPM | ||
| Florida Suite - I. Daybreak, Dance - Remastered 2022 | Frederick Delius, Sir Thomas Beecham, Royal Philharmonic Orchestra | F Major | 1 | 7B | 79 BPM | ||
| Panis Angelicus: Panis Angelicus | César Franck, Cecilia Bartoli, Cinzia Maurizio, Luigi Piovano, Daniele Rossi | G Major | 1 | 9B | 171 BPM | ||
| Gretchen am Spinnrade, D.118 | Franz Schubert, Jessye Norman, Phillip Moll | B♭ Major | 0 | 6B | 108 BPM | ||
| Madama Butterfly, Act II: Coro a bocca chiusa "Humming Chorus" | Giacomo Puccini, Wiener Staatsopernchor, Wiener Philharmoniker, Herbert von Karajan | B♭ Major | 0 | 6B | 78 BPM | ||
| H.M.S. Pinafore, Act I: Overture | Gilbert & Sullivan Society of Houston | E♭ Major | 4 | 5B | 140 BPM | ||
| Les biches Suite, FP 36b: I. Rondeau | Francis Poulenc, RTÉ National Symphony Orchestra, Jean-Luc Tingaud | C Major | 1 | 8B | 79 BPM | ||
| A Shropshire Lad - Rhapsody | George Butterworth, Academy of St. Martin in the Fields, Sir Neville Marriner | A♭ Major | 1 | 4B | 95 BPM | ||
| Eugene Onegin, Op. 24, TH 5 / Act 3: Polonaise | Pyotr Ilyich Tchaikovsky, Staatskapelle Dresden, James Levine | G Major | 3 | 9B | 203 BPM |