"Overture: The Wasps" by Ralph Vaughan Williams, Hallé, Sir Mark Elder had its release date on November 3, 2014. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Vaughan Williams: Pastoral Symphony by Ralph Vaughan Williams, Sir Mark Elder, Hallé. The song's track number on the album is #7 out of 7 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. Based on our statistics, Overture: The Wasps's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Overture: The Wasps by Ralph Vaughan Williams, Hallé, Sir Mark Elder has a tempo of 137 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Overture: The Wasps being at 137 BPM, the half-time would be 68 BPM with a double-time of 274 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Watermill | Binge, Ronald Binge, Ronald Binge Orchestra | F Major | 2 | 7B | 69 BPM | ||
| Crown Imperial: A Coronation March | William Walton, BBC Concert Orchestra, Barry Wordsworth | C Major | 4 | 8B | 121 BPM | ||
| String Quartet No. 2 in D Major: III. Notturno: Andante | Alexander Borodin, Budapest Haydn Quartet | A Major | 1 | 11B | 89 BPM | ||
| V. Pieds-en-l'air | Peter Warlock, Metamorphosen Berlin, Wolfgang Emanuel Schmidt | G Major | 0 | 9B | 85 BPM | ||
| Florida Suite: I. Daybreak - Dance | Frederick Delius, English Northern Philharmonia, David Lloyd-Jones | A Major | 0 | 11B | 100 BPM | ||
| A Shropshire Lad - Rhapsody | George Butterworth, Academy of St. Martin in the Fields, Sir Neville Marriner | A♭ Major | 1 | 4B | 95 BPM | ||
| An Irish Symphony: In the Antrim Hills | Hamilton Harty, RTÉ National Symphony Orchestra, Proinnsias O'Duinn | F Major | 0 | 7B | 79 BPM | ||
| Five Variants of "Dives and Lazarus" | Ralph Vaughan Williams, New Queen's Hall Orchestra, Barry Wordsworth | B Minor | 1 | 10A | 85 BPM | ||
| Concerto for Lute and 2 Violins in D Major, RV 93: II. Largo | Antonio Vivaldi, Katona Twins, Carducci String Quartet, Jeroen van Keulen | D Major | 0 | 10B | 62 BPM | ||
| Madrugado | Ronald Binge, Slovak Radio Symphony Orchestra, Ernest Tomlinson | E♭ Major | 2 | 5B | 138 BPM | ||
| Fantasia Gaelach No. 1 | Archibald James Potter, RTÉ National Symphony Orchestra, Robert Houlihan | A♭ Major | 0 | 4B | 89 BPM | ||
| Shostakovich: Suite for Jazz Orchestra No. 2, Op. 50b: No. 2, Waltz | Dmitri Shostakovich, Paavo Jarvi, Orchestre Philharmonique de Radio France | C Minor | 2 | 5A | 179 BPM | ||
| Prélude à l'après-midi d'un faune, CD 87a | Claude Debussy, The Cleveland Orchestra, Pierre Boulez | A♭ Minor | 0 | 1A | 75 BPM | ||
| Little Suite: March | Trevor Duncan, Slovak Radio Symphony Orchestra, Andrew Penny | G Major | 2 | 9B | 128 BPM | ||
| Fauré: Pavane, Op. 50 (Instrumental Version) | Gabriel Fauré, Sir David Willcocks, New Philharmonia Orchestra | F♯ Minor | 0 | 11A | 58 BPM | ||
| Suite bergamasque: Clair de lune | Andre Caplet, Claude Debussy, Gustave Cloez, Rheinland-Pfalz State Philharmonic Orchestra, Leif Segerstam | D♭ Major | 0 | 3B | 68 BPM | ||
| Air for Strings | Paul Carr, Bath Philharmonia, Gavin Carr | C Major | 0 | 8B | 84 BPM | ||
| Petite suite de concert, Op. 77: II. Demande et reponse | Samuel Coleridge-Taylor, Chicago Sinfonietta, Paul Freeman | G Major | 0 | 9B | 90 BPM | ||
| Sinding / Arr Sitt : Rustle of Spring | Christian Sinding, The Norwegian Radio Orchestra, Ari Rasilainen | F Minor | 2 | 4A | 90 BPM | ||
| Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Itzhak Perlman, Bernard Haitink, Royal Concertgebouw Orchestra | E♭ Major | 1 | 5B | 87 BPM | ||
| Romance for Strings, Piano and Harmonica | Ralph Vaughan Williams, Tommy Reilly, Academy of St. Martin in the Fields, Sir Neville Marriner | D♭ Major | 1 | 3B | 62 BPM | ||
| Andante Festivo | Jean Sibelius, Gothenburg Symphony Orchestra, Neeme Järvi | G Major | 1 | 9B | 86 BPM | ||
| Copland: Fanfare for the Common Man | Aaron Copland, Orquesta Filarmónica de la Ciudad de México, Enrique Bátiz | B♭ Major | 1 | 6B | 100 BPM | ||
| The Victorian Kitchen Garden - Suite: Prelude | Paul Reade, Emma Johnson, Skaila Kanga | B♭ Major | 0 | 6B | 67 BPM | ||
| Symphony No. 3 in C Minor, Op. 78, R. 176 "Organ": II. Maestoso - Allegro - Più allegro - Molto allegro - Pesante | Camille Saint-Saëns, Olivier Latry, Philadelphia Orchestra, Christoph Eschenbach | C Minor | 1 | 5A | 67 BPM |