Rise Stevens's 'Non so più (Le nozze di Figaro)' had a release date set for August 24, 2006. The duration of This song is about two minutes long, specifically at 2:54. This song does not appear to have any foul language. Non so più (Le nozze di Figaro)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Rise Stevens's "Lebendige Vergangenheit - Risë Stevens" album is number 3 out of 15. On top of that, Austria appears to be the country where this track was created. Non so più (Le nozze di Figaro) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Non so più (Le nozze di Figaro) by Rise Stevens to be Adagio (slowly with great expression) because the track has a tempo of 74 BPM, a half-time of 37BPM, and a double-time of 148 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song has a musical key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Samson and Delilah (Highlights): Act III, Scene II, "Bacchanale" | Camille Saint-Saëns, Rise Stevens, Jan Peerce, Robert Merrill, Robert Shaw Chorale, NBC Symphony Orchestra, Leopold Stokowski | D Minor | 4 | 7A | 138 BPM | ||
| Samson et Dalila, Op. 47: Act I: Voici le printemps, (Chorus) | Camille Saint-Saëns, Rise Stevens, Mario del Monaco, Martial Singher, Norman Scott, Giorgio Tozzi, Robert Nagy, Gabor Carelli, Osie Hawkins, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, Anonymous , Fausto Cleva | A Major | 3 | 11B | 70 BPM | ||
| Bizet: Les pêcheurs de perles, Act 1: "Amis, interrompez vos danses et vos jeux" (Zurga, Chœur, Nadir) | Georges Bizet, Pierre Dervaux, Chœur du Théâtre National de l’Opéra-Comique, Ernest Blanc, Nicolai Gedda, Orchestre du Theatre National de IOpera-Comique | A♭ Major | 2 | 4B | 101 BPM | ||
| Porgy And Bess: A Woman Is a Sometime Thing | George Gershwin, Alexander B. Smalls, John DeMain, Houston Grand Opera Orchestra, Houston Grand Opera | E Minor | 1 | 9A | 109 BPM | ||
| La Cenerentola, Act I: Aria. Una volta c'era un re | Gioachino Rossini, Teresa Berganza, Margherita Guglielmi, Laura Zannini, Ugo Trama, London Symphony Orchestra, Claudio Abbado | C Major | 1 | 8B | 81 BPM | ||
| Cavalleria rusticana: Part II: A casa, a casa (Men, Women, Turiddu, Lola) | Pietro Mascagni, Maria Callas, Giuseppe Di Stefano, Rolando Panerai, Anna Maria Canali, Ebe Ticozzi, Vittore Veneziani, Milan La Scala Chorus, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin | E♭ Major | 2 | 5B | 108 BPM | ||
| Smilin' Through | Arthur A. Penn, Rise Stevens | D♭ Major | 1 | 3B | 81 BPM | ||
| La rosa y el sauce | Tamara Radjenovic, Makris Symphony Orchestra | F Major | 0 | 7B | 106 BPM | ||
| Introduction / Summertime: My man's gone now | George Gershwin, Robert Merrill, Rise Stevens, Robert Shaw Chorale, RCA Victor Orchestra, Robert Russell Bennett | G Minor | 2 | 6A | 89 BPM | ||
| Die Fledermaus, Act II: Couplet. Ich lade gern mir Gäste ein (Orlofsky) | Johann Strauss II, Friedrich Haider, Natascha Petrinsky, WDR Rundfunkorchester Köln | F Major | 4 | 7B | 117 BPM | ||
| La Gioconda / Act 1: Feste! Pane! Feste! | Amilcare Ponchielli, Sherrill Milnes, The London Opera Chorus, National Philharmonic Orchestra, Bruno Bartoletti | B♭ Major | 4 | 6B | 67 BPM | ||
| Die Csárdásfürstin / Act I: "Heia, heia, in den Bergen ist mein Heimatland" | Anna Netrebko, Prague Philharmonia, Emmanuel Villaume, Prague Philharmonic Choir | D♭ Major | 4 | 3B | 142 BPM | ||
| Cavalleria rusticana: Gli aranci olezzano sui verdi margini | Pietro Mascagni, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan, Coro Del Teatro Alla Scala Di Milano | A Major | 1 | 11B | 69 BPM | ||
| Les Contes d'Hoffmann: Schlémil! | Jacques Offenbach, Rise Stevens, Clifford Harvuot, Richard Tucker, Alessio De Paolis, Martial Singher, Mildred Miller, Pierre Monteux | B♭ Major | 3 | 6B | 130 BPM | ||
| La traviata: "Addio del passato" | Parma Brass Quintet | A Minor | 2 | 8A | 95 BPM | ||
| Le nozze di Figaro, K.492 / Act 4: "Deh vieni, non tardar" | Wolfgang Amadeus Mozart, Dawn Upshaw, Metropolitan Opera Orchestra, James Levine | F Major | 0 | 7B | 97 BPM | ||
| Carmen, WD 31 / Act I: Séguedille et Duo: "Près des remparts de Séville" | Georges Bizet, Elina Garanca, Roberto Alagna, Orchestra Sinfonica Nazionale Della RAI, Karel Mark Chichon | F♯ Major | 1 | 2B | 127 BPM | ||
| Carmen, WD 31, Act I: Dans l'air nous suivons des yeux la fumee | Georges Bizet, Alexandrina Milcheva, Nikola Nikolov, Liliana Vassileva, Nicola Ghiuselev, Stefka Popangelova, Tsvetanka Arshinkova, Milen Paounov, Verter Vrachovsky, Pavel Gerdjikov, Georgi Genov, Sofia National Opera Chorus, Sofia National Opera Orchestra, Ivan Marinov | E Major | 1 | 12B | 78 BPM | ||
| Don Giovanni K527 (1987 Digital Remaster): Mi tradì quell' alma ingrata | Maria Callas, Orchestre De La Société Des Concerts Du Conservatoire, Nicola Rescigno | E♭ Major | 1 | 5B | 90 BPM | ||
| Orfeo ed Euridice, Wq. 30: Act III: Duetto: "Vieni, appaga il tuo consorte" | Christoph Willibald Gluck, Pierre Monteux, Rome Opera Orchestra | G Major | 2 | 9B | 93 BPM | ||
| Adieu, forèsts (Jeanne d´Arc) | Rise Stevens | B♭ Major | 2 | 6B | 86 BPM | ||
| Andrea Chénier / Act 3: La mamma morta | Umberto Giordano, Montserrat Caballé, Leo Nucci, National Philharmonic Orchestra, Riccardo Chailly | B Minor | 1 | 10A | 79 BPM | ||
| Mignon: Vous disiez vrai | Ambroise Thomas, Mimi Benzell, James Melton, Donald Dame, Lucielle Browning, Rise Stevens, Wilfrid Pelletier | A Major | 4 | 11B | 92 BPM | ||
| Si tu m'aimes, Carmen (Carmen) | Robert Merrill, RCA Victor Orchestra, Rise Stevens | E Minor | 3 | 9A | 92 BPM | ||
| Das Lied von der Erde: VId. Der Abschied. Schwer | Gustav Mahler, Les Siècles, François-Xavier Roth, Marie-Nicole Lemieux | C Major | 1 | 8B | 81 BPM |