Les Contes d'Hoffmann: Schlémil! by Jacques Offenbach, Rise Stevens, Clifford Harvuot, Richard Tucker, Alessio De Paolis, Martial Singher, Mildred Miller, Pierre Monteux Song Details

"Les Contes d'Hoffmann: Schlémil!" by Jacques Offenbach, Rise Stevens, Clifford Harvuot, Richard Tucker, Alessio De Paolis, Martial Singher, Mildred Miller, Pierre Monteux had its release date on October 28, 2011. With This song being less than two minutes long, at 1:38, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 41 in the song's album "Offenbach: Les Contes d'Hoffmann (Metropolitan Opera)". In this album, this song's track order is #7. Furthermore, we believe that the track originated from United States. Based on our statistics, Les Contes d'Hoffmann: Schlémil!'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

With Les Contes d'Hoffmann: Schlémil! by Jacques Offenbach, Rise Stevens, Clifford Harvuot, Richard Tucker, Alessio De Paolis, Martial Singher, Mildred Miller, Pierre Monteux having a BPM of 130 with a half-time of 65 BPM and a double-time of 260 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.

Music Key

This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 0%
Loudness: -16.929 dB
Acousticness: 97%
Danceability: 34%
Energy: 25%
Instrumentalness: 0%
Liveness: 93%
Loudness: 72%
Speechiness: 8%
Valence: 7%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
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Peer Gynt Suite No. 1, Op. 46: I. Morning Mood	Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan	E Major	0	12B	141 BPM
Carmen Suite No. 1 (Arr. E. Guiraud): III. Intermezzo	Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González	E♭ Major	0	5B	81 BPM
Maskerade-Suite: I. Waltz	Aram Khachaturian, Veronika Dudarova, Moscow Symphony Orchestra	G Major	10	9B	107 BPM
Má vlast, JB 1:112: II. Vltava, "The Moldau"	Bedřich Smetana, Gustav Kuhn, Bamberg Symphony	C Major	4	8B	128 BPM
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Sarasate: Zigeunerweisen, Op. 20	Pablo de Sarasate, Itzhak Perlman, Abbey Road Ensemble	C Minor	1	5A	83 BPM
Orphée aux enfers, ACT 1, Deuxième tableau: l'Olympe: Eh hop! Eh hop! (Jupiter/Mercure/Junon)	Jacques Offenbach, Laurent Naouri/Etienne Lescroart/Orchestre de l'Opéra National de Lyon/Orchestre de Chambre de Grenoble/Marc Minkowski, Marc Minkowski, Sébastien Rouland, Choeur & Orchestre De L'Opéra National De Lyon, Orchestre de Chambre de Grenoble, Orchestre De L'Opéra National De Lyon	D Minor	2	7A	72 BPM
Waltzes, Op. 64, B. 164: No. 1 in D-Flat Major "Minute Waltz"	Frédéric Chopin, Vittorio Forte	G Minor	0	6A	77 BPM
Gaite Parisienne (after J. Offenbach): 23. Barcarolle	Manuel Rosenthal, Monte-Carlo Philharmonic Orchestra	D Major	0	10B	113 BPM
Flute and Harp Concerto in C Major, K. 299: II. Andantino	Wolfgang Amadeus Mozart, François Leleux, Emmanuel Pahud, Anneleen Lenaerts, Orchestre de chambre de Paris	F Major	1	7B	99 BPM
Le Quattro Stagioni: Violin Concerto No. 2 in G Minor, RV 315, "L'Estate": III. Presto	Antonio Vivaldi, Vladimir Spivakov, Moscow Virtuosi	C Minor	4	5A	158 BPM
Coppélia, Tableau 1: No. 1 Valse	Léo Delibes, Orchestra Victoria, Barry Wordsworth	E♭ Major	2	5B	142 BPM
Carmen, Opera Suite No. 1: I. Prelude, Act 1	London Festival Orchestra Alfred Scholz	G Minor	1	6A	47 BPM
Mendelssohn: Violin Concerto in E Minor, Op. 64, MWV O14: I. Allegro molto appassionato	Felix Mendelssohn, Bernard Haitink	E Minor	2	9A	96 BPM
La vie parisienne, Cancan	Jacques Offenbach, Budapest Strauss Ensemble, Istvan Bogar	G Major	6	9B	92 BPM
Swan Lake, Op. 20: No. 2 Valse	Pyotr Ilyich Tchaikovsky, Orchestra of the Royal Opera House, Covent Garden, Mark Ermler	A Major	1	11B	96 BPM
Klavierkonzert Nr. 21 C-Dur, K. 467, "Elvira Madigan": 2. Andante (Elvira Madigan): II. Andante	Wolfgang Amadeus Mozart, Jenő Jandó, Concentus Hungaricus, András Ligeti	F Major	0	7B	126 BPM
Hungarian Dance No. 5 in G Minor, WoO 1, No. 5	Johannes Brahms, Budapest Festival Orchestra, Iván Fischer	F♯ Minor	1	11A	107 BPM
Light Cavalry	Franz von Suppé, Stefan Rachon Orchestra, Stefan Rachon	A Major	3	11B	130 BPM
Sicilienne, Op. 78	Gabriel Fauré, Harriet Krijgh, Kamilla Isanbaeva	G Minor	1	6A	123 BPM
Hungarian Rhapsody No. 2 in C sharp minor, S.244	Franz Liszt, Michele Campanella	D♭ Major	1	3B	101 BPM
La Traviata / Act 1: Prelude	Giuseppe Verdi, Bavarian State Orchestra, Carlos Kleiber	B Major	0	1B	131 BPM
Peer Gynt Suite No. 1, Op. 46. Incidental music to Peer Gynt by Ibsen: I. Morning Mood	Edvard Grieg, WDR Sinfonieorchester Köln, Eivind Aadland	B♭ Major	0	6B	68 BPM
Coppelia: Act I - Valse	Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia	E♭ Major	0	5B	89 BPM