Rajkot Gurukul's ' "Bhaktachintamani Prakaran 5" was released on its scheduled release date, June 1, 2006. This song appears to be safe for all ages as it is not explicit. The song is number 5 out of 10 in Bhaktachintamani Prakaran 1 to 10 by Rajkot Gurukul. Going off of the ISRC code of this track, we detected that the origin of this track is from India. In terms of popularity, Bhaktachintamani Prakaran 5 is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Bhaktachintamani Prakaran 5 by Rajkot Gurukul is Andante (at a walking pace), since this song has a tempo of 94 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Utaro Aarti Shree Krishna Gher Aavya | ઉતારો આરતી શ્રી કૃષ્ણ | Hari cassettes | E Major | 9 | 12B | 123 BPM | ||
| Chota Sa Mandir Banayenge | Manish Tiwari | A Minor | 2 | 8A | 88 BPM | ||
| Shiv ki yaad rahegi | Brahma Kumaris | E Major | 5 | 12B | 142 BPM | ||
| Moraliyo | Kanu Patel | B♭ Minor | 5 | 3A | 61 BPM | ||
| Mandap Ropan-Maro Mandavdo | Lalita Ghodadra | F Minor | 7 | 4A | 164 BPM | ||
| Ganesh Pat Besadiye | Pankaj Panchal | F Minor | 6 | 4A | 102 BPM | ||
| Arati | Swami Shree Chhapaiyaprakashdasji | F Major | 6 | 7B | 96 BPM | ||
| Mara Ghatma Birajata Hanumanji (Male Version) | Salangpur Hanumanji - Official | F Minor | 8 | 4A | 82 BPM | ||
| jaya jaya sav shankar | shradey shri mridul krishna shashtri ji maharaj | F♯ Major | 6 | 2B | 82 BPM | ||
| Sacho Sambandhi Maro Ram Che | Kiran Prajapati | G Major | 8 | 9B | 104 BPM | ||
| Meru To Daga Pan Jena Mann Na Dage | Poonam Barot | C Major | 7 | 8B | 105 BPM | ||
| Bhakton Ke Raja Shyam More | Kumar Vishu | D♭ Minor | 8 | 12A | 110 BPM | ||
| Ambey Tu Hai Jagdambe Kaali Jai Durge Khappar Wali | Shyam Saajan, Supriya | E♭ Major | 7 | 5B | 98 BPM | ||
| Aj Mane Samo Malyo Chhe Alabelo | Sadhu Vishwaswarupdas | F Major | 5 | 7B | 144 BPM | ||
| Shree Vishwambhari Stuti - Mataji Ni Stuti | Bipin Sathiya, Jayshree Bhojaviya | A Major | 5 | 11B | 117 BPM | ||
| Vithaai Saavale | Vasant Ajgaonkar | D♭ Minor | 5 | 12A | 127 BPM | ||
| HARI HARI BOL | NITIN DEVKA-NIDHO DHOLKIA | B♭ Minor | 7 | 3A | 51 BPM | ||
| Krishna Ratan Se Trishna Mite Re | Shridhay Shri Mridul krishna shastri ji maharaj | E Major | 6 | 12B | 124 BPM | ||
| Mane Tara Vina Mann Naa Laage | Rajdeep Barot, Vanita Barot | F Major | 7 | 7B | 126 BPM | ||
| Teri Baat Nihaare Radha | Bhaiya Krishan Das Ji | A Minor | 9 | 8A | 130 BPM | ||
| Sai ke naam anek | Hemant Kumar Kochar | D Major | 5 | 10B | 153 BPM | ||
| Tu Kali Ne Kaliyani Re Maa | Kanu Patel | D Major | 7 | 10B | 127 BPM | ||
| Raksha Praapti Mantra | Jitender Singh | E♭ Major | 6 | 5B | 91 BPM | ||
| Hanuman Ashtak | Manoj Mishra, Railhan Studios, Dinesh Railhan | F Major | 8 | 7B | 88 BPM | ||
| tu tarje | Vaibhav Bagmar | D♭ Minor | 5 | 12A | 90 BPM |