Ravindra Jain's ' "Shiv Bhole Bhandari" was released on its scheduled release date, November 10, 2021. This song is about six minutes long, preciously at 5:47, making this song fairly long compared to other songs. The track order of this song in Ravindra Jain's "Jai Jai Shiv Shankar" album is number 6 out of 9. On top of that, India appears to be the country where this track was created. In terms of popularity, Shiv Bhole Bhandari is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Shiv Bhole Bhandari by Ravindra Jain to be Andante (at a walking pace) because the track has a tempo of 102 BPM, a half-time of 51BPM, and a double-time of 204 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Mangal Bhawan Amangal Haari | chronically online | G Major | 5 | 9B | 79 BPM | ||
| Aao Phagun Mein | Jaspal Singh, Hemlata, Ravindra Jain | F Major | 4 | 7B | 90 BPM | ||
| Jalkamal Chandi Ja Ne | Damyanti Bardai, Dipali Somaiya, Chetan Gadhavi | F Major | 5 | 7B | 100 BPM | ||
| Badi Der Bhai Nandlala, Pt. 2 | Mohammed Rafi | F Major | 6 | 7B | 132 BPM | ||
| Geeta Gyan 14 - Gyani Vichlit Hote Nahin Koi Jag Mein Rahe Ya Jag Se Jaye | Ravindra Jain | C Minor | 3 | 5A | 125 BPM | ||
| Teri Galiyon Ka Hoon Aashiq | Baba Rasika Pagal | E♭ Major | 6 | 5B | 101 BPM | ||
| Nagari Ho Ayodhya Si | Roshani Pandey | D♭ Minor | 8 | 12A | 93 BPM | ||
| Ho Gai Bhor Haan Bhor | Rakesh Kala | D Major | 6 | 10B | 82 BPM | ||
| Aayi Re Baraat Janak Ji Dvare (From "Baal Kaand") | Hemlata, Ravindra Jain | F Minor | 2 | 4A | 106 BPM | ||
| Vindhyachal Mandir Mein | MANOJ TIWARI | C Minor | 5 | 5A | 89 BPM | ||
| Bhagwan Meri Naiya Uss Paar Laga Dena PrayerMeet Bhajan | Charan Ji | C Minor | 7 | 5A | 170 BPM | ||
| Muje Meri Masti | NARAYANSWAMI | F Minor | 7 | 4A | 131 BPM | ||
| Mere Ram | Babul Supriyo | D Major | 6 | 10B | 95 BPM | ||
| Jap Le Hari ka Naam | NARAYANSWAMI | A♭ Major | 7 | 4B | 142 BPM | ||
| Jab Tak Pure Na Ho Phere Saat | Hemlata | G Minor | 6 | 6A | 116 BPM | ||
| Main Balak Tu Mata Sheranwaliye | Babla Mehta | B♭ Major | 5 | 6B | 174 BPM | ||
| Radha Dhundh Rahi Kisi Ne Mera Shyam Dekha | Vandana Bhardwaj | C Major | 8 | 8B | 130 BPM | ||
| Raghukul Reet Sada Chali Aayi | Satyendra Pathak | F Major | 7 | 7B | 82 BPM | ||
| He Re Kanhaiya | Kishore Kumar, Kalyanji-Anandji | F Major | 7 | 7B | 101 BPM | ||
| Sitaram Sitaram | Morari Bapu | B♭ Major | 7 | 6B | 90 BPM | ||
| Namami Radhe Namami Krishnam | Ravindra Jain | F♯ Major | 4 | 2B | 91 BPM | ||
| Jin Par Kirpa Ram Kare Vo Paththar Bhi Tir Jate Hain | Ravindra Jain | F♯ Minor | 6 | 11A | 155 BPM | ||
| Dena Ho To Deejiye Janm Janm Ka Saath | Mukesh Bagda | D♭ Major | 8 | 3B | 76 BPM | ||
| Karein Bhagat hon aarti mai doi biriyan | Rakesh Tiwari | A♭ Major | 5 | 4B | 117 BPM | ||
| Sogandh Ram Ki Khate Hai | Prakash Mali | B♭ Major | 8 | 6B | 109 BPM |