On November 18, 2016, the song "Terry Riley: Keyboard Study #1" was released by Terry Riley, Gregor Schwellenbach, Lukas Vogel. This song appears to be safe for all ages as it is not explicit. There are a total of 2 in the song's album "Steve Reich: Six Pianos & Terry Riley: Keyboard Study #1". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Germany. Based on our statistics, Terry Riley: Keyboard Study #1's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Terry Riley: Keyboard Study #1 by Terry Riley, Gregor Schwellenbach, Lukas Vogel having a BPM of 124 with a half-time of 62 BPM and a double-time of 248 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Swallow Money | Kind Hearts | C Minor | 1 | 5A | 141 BPM | ||
| Manuel Antonio Yance Yagual | Redkattseven | D♭ Major | 0 | 3B | 67 BPM | ||
| Angels and Demons at Play | Bitchin Bajas | C Major | 2 | 8B | 82 BPM | ||
| Unterwegs (for Roman) | Fred Frith | A Major | 2 | 11B | 82 BPM | ||
| Buddha - version 2 | Julius Eastman, Emmanuel Jacob Lacopo, Amelya N.S.H. | E♭ Major | 0 | 5B | 60 BPM | ||
| The Harp of New Albion: VIII. The Magic Knot Waltz | Terry Riley | F Major | 2 | 7B | 87 BPM | ||
| No Rules | Astral | B♭ Minor | 4 | 3A | 196 BPM | ||
| In C | Terry Riley, Bang On A Can All-Stars | C Major | 4 | 8B | 122 BPM | ||
| Coffee Grains | Baby Cello | C Major | 1 | 8B | 78 BPM | ||
| A Una Rosa | Traditional, Ernst Reijseger, Mola Sylla, Tenore e Cuncordu de Orosei | G Major | 4 | 9B | 79 BPM | ||
| The Sinking of the Titanic: 6. Hymn IV | Gavin Bryars, Gavin Bryars Ensemble | A♭ Major | 0 | 4B | 60 BPM | ||
| Pulses | Steve Reich, Erik Hall | A Major | 7 | 11B | 108 BPM | ||
| One Inch Shrugs the Other Shoulder | Astrid Sonne | C Major | 0 | 8B | 93 BPM | ||
| Pithoprakta | Iannis Xenakis, Luxembourg Philharmonic Orchestra, Arturo Tamayo | D Minor | 4 | 7A | 101 BPM | ||
| In a Landscape | John Cage, Raffaele Grimaldi | D Minor | 3 | 7A | 78 BPM | ||
| Für Luise | Cluster, Brian Eno | B Major | 1 | 1B | 137 BPM | ||
| In Nomine (2001) for bass flute, english horn, clarinet, piano, vibraphone, violin, viola and Violoncello | Georg Friedrich Haas, Ensemble Recherche | G Minor | 0 | 6A | 127 BPM | ||
| In the Light of Air: III. Existence | Anna Thorvaldsdottir, International Contemporary Ensemble | A Major | 2 | 11B | 139 BPM | ||
| And the Darkest Hour is Just Before Dawn | Daniel Schmidt | D Minor | 0 | 7A | 130 BPM | ||
| Perceive Information - Third Eye Chakra | Amber Dawn Hilton | C Major | 2 | 8B | 108 BPM | ||
| Senape | BeastyBass | D Major | 0 | 10B | 38 BPM | ||
| shallow dive | JOUMSA | C Minor | 1 | 5A | 141 BPM | ||
| Sonatas and Interludes for Prepared Piano: Sonata No. 5 | John Cage, Boris Berman | A Major | 0 | 11B | 92 BPM | ||
| Ba-benzélé | Jon Hassell, Brian Eno | C Major | 1 | 8B | 89 BPM | ||
| Lower Deck | Daniel Blumberg | C Minor | 1 | 5A | 141 BPM |