Terry Riley, Bang On A Can All-Stars's 'In C' had a release date set for January 1, 2011. This song appears to be safe for all ages as it is not explicit. Because this song is the only song in In C and no other songs are present in the album, we classify this track as a single. On top of that, United States appears to be the country where this track was created. Based on our statistics, In C's popularity is unknown right now. Although the overall vibe is very danceable, it does project more negative sounds.
We consider the tempo marking of In C by Terry Riley, Bang On A Can All-Stars to be Allegro (fast, quick, and bright) because the track has a tempo of 122 BPM, a half-time of 61BPM, and a double-time of 244 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| String Quartet: III. Fàpmu | Bjorn Arntsen, Towha | C Minor | 0 | 5A | 173 BPM | ||
| Electric Counterpoint: II. Slow | Steve Reich, Pat Metheny | E Major | 2 | 12B | 96 BPM | ||
| In C: VII. Part 7 | Terry Riley, Jeroen van Veen | E Minor | 3 | 9A | 122 BPM | ||
| Hammers | Nils Frahm | B♭ Minor | 5 | 3A | 136 BPM | ||
| Origin | Yom | E♭ Major | 1 | 5B | 118 BPM | ||
| Sandalwood | Moondog | A Major | 3 | 11B | 99 BPM | ||
| Minipulsars, Pt. 2: Bing 4 | Tomasz Trzcinski | D Minor | 3 | 7A | 82 BPM | ||
| The Toil of Day is Ebbing | Laura Cannell | E♭ Major | 1 | 5B | 118 BPM | ||
| The Sinking of the Titanic | Gavin Bryars | A♭ Major | 1 | 4B | 77 BPM | ||
| Light Is Calling | Michael Gordon | A♭ Major | 3 | 4B | 84 BPM | ||
| China Gates | John Adams, Anthony Romaniuk | B Minor | 7 | 10A | 115 BPM | ||
| The Unquestioned Answer | Laurie Spiegel | A♭ Major | 0 | 4B | 71 BPM | ||
| Metastaseis | Iannis Xenakis, Luxembourg Philharmonic Orchestra, Arturo Tamayo | A Minor | 2 | 8A | 80 BPM | ||
| Short Ride in a Fast Machine | John Adams, Bournemouth Symphony Orchestra, Marin Alsop | E Minor | 6 | 9A | 151 BPM | ||
| Cells 17-21 | Terry Riley, Brooklyn Raga Massive | C Major | 7 | 8B | 111 BPM | ||
| Klavierstück VIII | Karlheinz Stockhausen, Miharu Ogura | B♭ Major | 2 | 6B | 92 BPM | ||
| No. 3, Create New Pattern | Julius Eastman, Wild Up, Christopher Rountree | E♭ Major | 4 | 5B | 124 BPM | ||
| Mio Jeone | Thelma | E♭ Major | 1 | 5B | 118 BPM | ||
| Being Time | Reganbogen | A Minor | 0 | 8A | 113 BPM | ||
| The Human Plague | Sufjan Stevens, yMusic | B Minor | 2 | 10A | 120 BPM | ||
| Slow Melody In Bhairavi | Terry Riley | D Major | 0 | 10B | 74 BPM | ||
| Lux aeterna: Lux aeterna | György Ligeti, Cappella Amsterdam, Daniel Reuss | C Major | 0 | 8B | 54 BPM | ||
| Plan & Elevation: II. The Cutting Garden | Caroline Shaw, Attacca Quartet | A Minor | 1 | 8A | 144 BPM | ||
| Celestial Valley | Terry Riley | A Major | 3 | 11B | 76 BPM | ||
| Fear And Loathing In Gotham: Gotham Lullaby | Meredith Monk, Collin Walcott | A Minor | 1 | 8A | 79 BPM |