"Light Is Calling" by Michael Gordon had its release date on April 6, 2004. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Michael Gordon's "Light Is Calling" album is number 6 out of 8. On top of that, United States appears to be the country where this track was created. Light Is Calling is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Light Is Calling by Michael Gordon to be Andante (at a walking pace) because the track has a tempo of 84 BPM, a half-time of 42BPM, and a double-time of 168 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Timber (Oneohtrix Point Never Remix) | Michael Gordon, Mantra Percussion, Oneohtrix Point Never | D Major | 5 | 10B | 98 BPM | ||
| 8 (Side C) | Michael Gordon, Cello Octet Amsterdam | G Major | 2 | 9B | 157 BPM | ||
| Futō | Shida Shahabi | D♭ Minor | 2 | 12A | 174 BPM | ||
| Light Is Calling | Michael Gordon | A♭ Major | 3 | 4B | 84 BPM | ||
| Modul 5 | Nik Bärtsch | E♭ Major | 4 | 5B | 143 BPM | ||
| Akram Khan's Giselle (After A. Adam): Myrtha | Vincenzo Lamagna, English National Ballet Philharmonic, Gavin Sutherland | B♭ Major | 1 | 6B | 139 BPM | ||
| Road Movies: I. Relaxed Groove | John Adams | D Major | 2 | 10B | 112 BPM | ||
| Darkness Falls | Kronos Quartet, Laurie Anderson | D Minor | 3 | 7A | 156 BPM | ||
| Tecum | Shida Shahabi | F Major | 2 | 7B | 176 BPM | ||
| Wrong Turn | DreamWants | F Minor | 3 | 4A | 80 BPM | ||
| Hammers | Nils Frahm | B♭ Minor | 5 | 3A | 136 BPM | ||
| imreadywhenyouare | Michael Gordon | E♭ Major | 4 | 5B | 67 BPM | ||
| The Last Bird | Zoë Keating | A♭ Major | 1 | 4B | 120 BPM | ||
| In the Light of Air: III. Existence | Anna Thorvaldsdottir, International Contemporary Ensemble | A Major | 2 | 11B | 139 BPM | ||
| Depois de Todos Nos | ZylyP | F Major | 7 | 7B | 115 BPM | ||
| Jói & Karen - Ryuichi Sakamoto Rework | Jóhann Jóhannsson, Ryuichi Sakamoto | F Minor | 3 | 4A | 96 BPM | ||
| Lauda 3 | Gavin Bryars, Roger Heaton | G Minor | 0 | 6A | 76 BPM | ||
| Flight - Oltrepassare III | Pietro Roffi | A♭ Minor | 5 | 1A | 99 BPM | ||
| Breathe Easy | Rylandiaa | F Minor | 7 | 4A | 147 BPM | ||
| And Still They Move | Colin Stetson, Sarah Neufeld | B♭ Major | 1 | 6B | 133 BPM | ||
| Overcast | Hildur Guðnadóttir, Jóhann Jóhannsson | E Minor | 1 | 9A | 84 BPM | ||
| Moon Shadows | Aloen Viss | E Major | 3 | 12B | 172 BPM | ||
| Cold Front | Evgueni Galperine, Sergei Nakariakov | F♯ Major | 2 | 2B | 109 BPM | ||
| Partita for 8 Singers: 4. Passacaglia | Caroline Shaw, Roomful of Teeth, Brad Wells | C Minor | 5 | 5A | 120 BPM | ||
| String Quartet: II. Àigi | Bjorn Arntsen, Towha | C Minor | 1 | 5A | 169 BPM |