"Short Ride in a Fast Machine" by John Adams, Bournemouth Symphony Orchestra, Marin Alsop had its release date on October 17, 2004. With this song being around four minutes long, at 4:10, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 1 out of 7 in Adams: Shaker Loops / Wound Dresser / Short Ride in A Fast Machine by John Adams, Nathan Gunn, Bournemouth Symphony Orchestra, Marin Alsop. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Based on our statistics, Short Ride in a Fast Machine's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Short Ride in a Fast Machine by John Adams, Bournemouth Symphony Orchestra, Marin Alsop is Allegro (fast, quick, and bright), since this song has a tempo of 151 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with running. The time signature for this track is 3/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Clearing, Dawn, Dance | Judd Greenstein, yMusic | E♭ Major | 1 | 5B | 90 BPM | ||
| Music for Strings, Percussion & Celesta, Sz. 106: II. Allegro | Béla Bartók, Chicago Symphony Orchestra, Sir Georg Solti | D♭ Major | 2 | 3B | 142 BPM | ||
| Schoenberg: Verklärte Nacht, Op. 4: I. Grave (1943 Version) | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra | D Minor | 1 | 7A | 174 BPM | ||
| Variations On "America" | US Marine Band | F Major | 1 | 7B | 118 BPM | ||
| Shimmer | Elena Ruehr, Boston Modern Orchestra Project, Gil Rose | F♯ Major | 2 | 2B | 127 BPM | ||
| Music for 18 Musicians (modular version): Pulses | Steve Reich, Ensemble Signal | A Major | 4 | 11B | 107 BPM | ||
| Set of 5 Take-offs: Song Without (Good) Words | Charles Ives, Joel Sachs, Continuum | A Major | 0 | 11B | 81 BPM | ||
| Pictures at an Exhibition (Orch. Ravel): X. The Great Gate of Kiev | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | E♭ Major | 2 | 5B | 69 BPM | ||
| Road Movies: I. Relaxed Groove | John Adams | D Major | 2 | 10B | 112 BPM | ||
| Electric Counterpoint: III. Fast | Steve Reich, Mats Bergström | E Minor | 5 | 9A | 193 BPM | ||
| Symphony No. 1 in E Minor: IV. Finale | Florence Beatrice Price, Fort Smith Symphony, John Jeter | C Major | 1 | 8B | 76 BPM | ||
| Arcadiana, Op. 12: VI. O Albion | Thomas Adès, Signum Quartet | E♭ Major | 0 | 5B | 85 BPM | ||
| The Planets, Op. 32: III. Mercury, the Winged Messenger | Gustav Holst, Orchestre Symphonique de Montréal, Charles Dutoit | G Major | 0 | 9B | 76 BPM | ||
| Violin Concerto: III. - | Philip Glass, Adele Anthony, Ulster Orchestra, Takuo Yuasa | D Minor | 2 | 7A | 74 BPM | ||
| Suite for Viola & Small Orchestra: I. Prelude | Ralph Vaughan Williams, Helen Callus, New Zealand Symphony Orchestra, Marc Decio Taddei | B Major | 0 | 1B | 119 BPM | ||
| The Planets, Op. 32: IV. Jupiter, the Bringer of Jollity | Gustav Holst, Los Angeles Philharmonic, Zubin Mehta | G Minor | 3 | 6A | 135 BPM | ||
| Waltz Suite, Op. 110: VI. Happiness (From Cinderella, Op. 87) | Sergei Prokofiev, Orquestra Sinfônica do Estado de São Paulo, Marin Alsop | D Major | 1 | 10B | 141 BPM | ||
| Miroirs, M. 43: No. 3, Une barque sur l'ocean (Version for Orchestra) | Maurice Ravel, Orchestre Philharmonique Du Luxembourg, Gustavo Gimeno | A Major | 0 | 11B | 134 BPM | ||
| Mothership | Mason Bates, Boston Modern Orchestra Project, Jason Moran, Su Chang, Gil Rose | A♭ Minor | 3 | 1A | 124 BPM | ||
| Swedish Rhapsody No. 1, Op. 19 'Midsummer Vigil' | Hugo Alfvén, Bournemouth Symphony Orchestra, Paavo Berglund | D Major | 2 | 10B | 101 BPM | ||
| Pavane and Gigue (Arr. L. Stokowski for orchestra) | William Byrd, Bournemouth Symphony Orchestra, José Serebrier | A♭ Major | 1 | 4B | 95 BPM | ||
| Piano Concerto No. 1, Op. 45: I. Con grandezza | Einojuhani Rautavaara, Laura Mikkola, Royal Scottish National Orchestra, Hannu Lintu | G Major | 1 | 9B | 70 BPM | ||
| Cuban Overture | New Zealand Symphony Orchestra, George Gershwin | E Minor | 2 | 9A | 94 BPM | ||
| Shaker Loops: Shaking and Trembling (Version for string orchestra) | John Adams, Bournemouth Symphony Orchestra, Marin Alsop | E Minor | 0 | 9A | 71 BPM | ||
| Symphony No. 5 in D Major: III. Romanza: Lento | Ralph Vaughan Williams, Bournemouth Symphony Orchestra, Kees Bakels | D♭ Minor | 1 | 12A | 92 BPM |