- BPM
- 112
- Key
- F Major
- Camelot
- 7B
Escape by Elmer Bernstein Song Details
Elmer Bernstein's ' "Escape" was released on its scheduled release date, November 12, 2021. With This song being less than two minutes long, at 1:41, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 30 in the song's album "Stripes (Original Motion Picture Soundtrack)". In this album, this song's track order is #11. Furthermore, we believe that the track originated from United States. In terms of popularity, Escape is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
BPM and Tempo
With Escape by Elmer Bernstein having a BPM of 112 with a half-time of 56 BPM and a double-time of 224 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
Music Key
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 5%
- Loudness
- -10.196 dB
- Acousticness
- 66%
- Danceability
- 80%
- Energy
- 55%
- Instrumentalness
- 36%
- Liveness
- 9%
- Loudness
- 83%
- Speechiness
- 6%
- Valence
- 71%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Whicker's World | Graham De Wilde | D Minor | 4 | 7A | 126 BPM | |
 | You Like Boats But Not The Ocean | George Fenton | F Major | 1 | 7B | 144 BPM | |
 | 633 Squadron: Main Theme | Ron Goodwin, Rumon Gamba, BBC Philharmonic Orchestra | F Major | 7 | 7B | 118 BPM | |
 | Shane Theme - From "Shane" Original Soundtrack | Victor Young | F Major | 2 | 7B | 178 BPM | |
 | This Is A Tale... | Nigel Westlake | C Major | 3 | 8B | 103 BPM | |
 | Ride of the Valkyries | Royal Philharmonic Orchestra Vernon Handley | E Minor | 3 | 9A | 89 BPM | |
 | Waterloo: Andante alla marcia - Mosso, non troppo - | Nino Rota, Gianluigi Gelmetti, Monte-Carlo Philharmonic Orchestra | D Minor | 3 | 7A | 129 BPM | |
 | Prologue / Main Title | Stu Phillips | F Major | 0 | 7B | 71 BPM | |
| Waterloo: Andante eroico - Tempo di Valzer - | Nino Rota, Gianluigi Gelmetti, Monte-Carlo Philharmonic Orchestra | C Major | 2 | 8B | 67 BPM | |
 | Final Countdown Main Titles | John Scott | C Major | 3 | 8B | 106 BPM | |
 | Dinotopia Main Theme | Trevor Jones | D Major | 2 | 10B | 116 BPM | |
 | Days Of Heaven (Main Theme) | Orchestra de Verona | C Minor | 3 | 5A | 70 BPM | |
 | Flashback / Finale - Gone With the Wind | Max Steiner | F Major | 5 | 7B | 121 BPM | |
 | A Wishing Doll | Elmer Bernstein, Marc Johnson, Bill Frisell, John Scofield, Peter Erskine | B Minor | 1 | 10A | 126 BPM | |
 | Battle of Britain Suite: I. Spitfire Music – Battle in the Air | William Walton, Sir Neville Marriner, Academy of St. Martin in the Fields | F Major | 4 | 7B | 81 BPM | |
 | A New Carpet (From "The Godfather Part II") | Carmine Coppola | B♭ Major | 4 | 6B | 127 BPM | |
| The O'Hara Family | Max Steiner | F Major | 2 | 7B | 102 BPM | |
 | Rear Window Suite: I. Prelude | Franz Waxman, Danish National Symphony Orchestra, John Mauceri | F Minor | 3 | 4A | 112 BPM | |
| The Battle of Britain Suite: I. Luftwaffe March (Aces High) | Ron Goodwin, Rumon Gamba, BBC Philharmonic Orchestra | B♭ Major | 5 | 6B | 119 BPM | |
 | Prelude and Main Title March | John Williams | F Major | 4 | 7B | 59 BPM | |
 | End Title: An Affair To Remember (from "An Affair To Remember") | Gary Grant, Deborah Kerr | A♭ Major | 2 | 4B | 83 BPM | |
 | This is a Tale | Melbourne Symphony Orchestra, Nigel Westlake | D Minor | 2 | 7A | 92 BPM | |
 | Metropolis, Op. 29, Act I "Auftakt": Maschinen | Gottfried Huppertz, Deutsches Symphonie-Orchester Berlin, Frank Strobel | B Major | 1 | 1B | 132 BPM | |
 | Blythe | Elmer Bernstein | B♭ Major | 1 | 6B | 85 BPM | |
 | The Comeback | Franz Waxman | F Major | 2 | 7B | 168 BPM |
- ISRC
- US4DG2100390
- Label
- L-M Records/RCA Records