Der Sieg des Glaubens, Op. 157, Pt. 2: Höre die Frechen nicht by Ferdinand Ries, Rheinische Kantorei, Das Kleine Konzert, Hermann Max Song Details

"Der Sieg des Glaubens, Op. 157, Pt. 2: Höre die Frechen nicht" by Ferdinand Ries, Rheinische Kantorei, Das Kleine Konzert, Hermann Max had its release date on March 22, 2013. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 23 in the song's album "Ries: Der Sieg des Glaubens, Op. 157". In this album, this song's track order is #14. Furthermore, we believe that the track originated from Germany. Der Sieg des Glaubens, Op. 157, Pt. 2: Höre die Frechen nicht is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

With Der Sieg des Glaubens, Op. 157, Pt. 2: Höre die Frechen nicht by Ferdinand Ries, Rheinische Kantorei, Das Kleine Konzert, Hermann Max having a BPM of 75 with a half-time of 38 BPM and a double-time of 150 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

Music Key

A Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 0%
Loudness: -12.362 dB
Acousticness: 93%
Danceability: 26%
Energy: 36%
Instrumentalness: 1%
Liveness: 12%
Loudness: 79%
Speechiness: 5%
Valence: 10%

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