The Lark Ascending by Ralph Vaughan Williams, Iona Brown, Academy of St. Martin in the Fields, Sir Neville Marriner Song Details

"The Lark Ascending" by Ralph Vaughan Williams, Iona Brown, Academy of St. Martin in the Fields, Sir Neville Marriner had its release date on October 1, 1972. This song appears to be safe for all ages as it is not explicit. This song is part of Vaughan Williams: Tallis Fantasia; Fantasia on Greensleeves; The Lark Ascending etc. by Ralph Vaughan Williams, Academy of St. Martin in the Fields, Sir Neville Marriner. The song's track number on the album is #3 out of 4 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. In terms of popularity, The Lark Ascending is currently average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

Since The Lark Ascending by Ralph Vaughan Williams, Iona Brown, Academy of St. Martin in the Fields, Sir Neville Marriner has a tempo of 106 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With The Lark Ascending being at 106 BPM, the half-time would be 53 BPM with a double-time of 212 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.

Music Key

This song has a musical key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 40%
Loudness: -26.743 dB
Acousticness: 83%
Danceability: 17%
Energy: 7%
Instrumentalness: 65%
Liveness: 10%
Loudness: 55%
Speechiness: 5%
Valence: 6%

Recommendations

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Daphnis et Chloé, M. 57 / Troisième partie: Lever du jour	Maurice Ravel, Berliner Philharmoniker, Pierre Boulez, Rundfunkchor Berlin	E Minor	0	9A	79 BPM
Suite No. 3 in D Major, BWV 1068: II. Air	Johann Sebastian Bach, Sir Neville Marriner, Academy of St. Martin in the Fields	D Major	1	10B	89 BPM
Two English Idylls	George Butterworth, Academy of St. Martin in the Fields, Sir Neville Marriner	C Major	1	8B	89 BPM
Pärt: Summa for String Orchestra	Arvo Pärt, Estonian National Symphony Orchestra, Paavo Järvi	G Minor	0	6A	107 BPM
Fauré: Pavane, Op. 50 (Instrumental Version)	Gabriel Fauré, Sir Neville Marriner, Academy of St. Martin in the Fields	F♯ Minor	1	11A	70 BPM
Concerto No. 2 for Piano and Orchestra, Op. 102: II. Andante - 2017 Remastered Version	Dmitri Shostakovich, Leonard Bernstein, New York Philharmonic	F Major	1	7B	172 BPM
Appalachian Spring: III. Moderato	Aaron Copland, Leonard Bernstein, New York Philharmonic	F♯ Major	0	2B	177 BPM
Serenade For Winds, K. 361, 3rd Movement	Wolfgang Amadeus Mozart, Sir Neville Marriner, Academy of St. Martin in the Fields	E♭ Major	0	5B	64 BPM
Cantus arcticus, Op. 61, "Concerto for Birds and Orchestra": II. Melankolia (Melancholy)	Einojuhani Rautavaara, Royal Scottish National Orchestra, Hannu Lintu	E Minor	0	9A	78 BPM
2nd Movement: Largo	London Philharmonic Orchestra	D♭ Major	0	3B	74 BPM
4 Short Pieces for Violin & Piano, H. 104: No. 2, Spring Song (Version for Cello & Piano)	Frank Bridge, Gerald Peregrine, Antony Ingham	G Major	0	9B	86 BPM
Violin Concerto in D Major, Op. 77: II. Adagio	Johannes Brahms, Hilary Hahn, Sir Neville Marriner, Academy of St. Martin in the Fields	C Major	1	8B	59 BPM
Piano Concerto in G Major, M. 83: II. Adagio assai	Maurice Ravel, Krystian Zimerman, Cleveland Orchestra, Pierre Boulez	E Major	0	12B	74 BPM
Dance: II. Second Movement	Oliver Davis, Kerenza Peacock, Huw Watkins, Paul Bateman	F♯ Minor	1	11A	85 BPM
Capriol Suite: 5. Pied-en- l'air	Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner	G Major	1	9B	113 BPM
Divertimento: II. Waltz. Allegretto, con grazia	Leonard Bernstein, Bournemouth Symphony Orchestra, Marin Alsop	D Minor	7	7A	148 BPM
Suite from The Victorian Kitchen Garden: I. Prelude	Paul Reade, Emma Johnson, Philip Ellis, BBC Concert Orchestra	B♭ Major	0	6B	93 BPM
Pavane Pour Une Infante Defunte, M.19 (Arr. for Oboe & Orchestra)	Maurice Ravel, Albrecht Mayer, Academy of St. Martin in the Fields, Mathias Mönius	F♯ Minor	1	11A	88 BPM
Ma mère l'oye, M. 60 (Version for Orchestra): V. Le jardin féerique	Maurice Ravel, The Prague Festival Orchestra, Pavel Urbanek	C Major	0	8B	89 BPM
Copland: Appalachian Spring: VII. Doppio movimento (Variations on a Shaker Hymn - Simple Gifts)	Aaron Copland, Aurora Orchestra, Nicholas Collon	D♭ Major	1	3B	82 BPM