Alessandro Melani, Auser Musici, Carlo Ipata, Lorenzo Barbieri, Federico Fiorio's 'L’empio punito, Act II Scene 2: Occhi miei, che miraste (Live)' had a release date set for September 18, 2020. With This song being less than two minutes long, at 1:05, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Alessandro Melani, raffaele pe, Roberta Invernizzi, Raffaela Milanesi, Giorgio Celenza, Alberto Allegrezza, Auser Musici, Carlo Ipata's "Melani: L'empio punito (Live)" album is number 3 out of 104. On top of that, Spain appears to be the country where this track was created. L’empio punito, Act II Scene 2: Occhi miei, che miraste (Live) is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of L’empio punito, Act II Scene 2: Occhi miei, che miraste (Live) by Alessandro Melani, Auser Musici, Carlo Ipata, Lorenzo Barbieri, Federico Fiorio to be Adagio (slowly with great expression) because the track has a tempo of 75 BPM, a half-time of 38BPM, and a double-time of 150 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
F♯ Minor is the music key of this track. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Missa Sanctae Crucis, MH 56: Kyrie | Michael Haydn, Purcell Choir, Orfeo Orchestra, Gyorgy Vashegyi | B Major | 1 | 1B | 167 BPM | ||
| III. Aria | Élisabeth Jacquet de La Guerre, Sophie de Bardonnèche, Lucile Boulanger | A♭ Minor | 1 | 1A | 113 BPM | ||
| Missa pro Quadragesima, MH 551: Kyrie | Michael Haydn, Purcell Choir, Orfeo Orchestra, Gyorgy Vashegyi | B Major | 1 | 1B | 167 BPM | ||
| Couperin, L: Carillons, G. 141 | Louis Couperin, Jean Rondeau, Anna Lachegyi, Lucile Boulanger, Myriam Rignol, Philippe Pierlot, Thibaut Roussel | F Minor | 3 | 4A | 87 BPM | ||
| Have Mercy Upon Me, O God, HWV 248: II. Have Mercy Upon Me, O God | George Frideric Handel, Arcangelo, Jonathan Cohen, Deborah Cachet, Hugo Hymas, Raoul Steffani | B Minor | 2 | 10A | 98 BPM | ||
| Diporte di Euterpe, Op. 7: No. 5, Lagrime mie - Lamento | Barbara Strozzi, Laura Catrani, Accademia dell'Annunciata, Riccardo Doni | A♭ Major | 2 | 4B | 89 BPM | ||
| Leçons de ténèbres: IIa. Vau. Et egressus est a filia Sion | François Couperin, Jonathan Cohen, Anna Dennis, Arcangelo | C Major | 1 | 8B | 74 BPM | ||
| Missa Paschalis, ZWV 7: Kyrie. Christe eleison | Jan Dismas Zelenka, Ensemble Inégal, Adam Viktora, Terry Wey | A♭ Major | 1 | 4B | 105 BPM | ||
| Missa Sancti Pauli: No. 5, Et in terra pax | Francesco Bartolomeo Conti, Purcell Choir, Orfeo Orchestra, Gyorgy Vashegyi | D Major | 2 | 10B | 105 BPM | ||
| Messe de minuit pour Noël, H. 9: I. Kyrie: No. 4, Christe II - Kyrie | Marc-Antoine Charpentier, Gaétan Jarry, Marguerite Louise | C Minor | 4 | 5A | 95 BPM | ||
| All'imperio d'Amore: 10. Donne le celeste lume a 9 "Stravaganza d'Amore" | Luca Marenzio, Ensemble Pygmalion, Raphael Pichon | C Major | 2 | 8B | 79 BPM | ||
| Atys, LWV 53, Prologue: Premier air pour la suite de Flore | Jean-Baptiste Lully, Les Ambassadeurs ~ La Grande Écurie, Alexis Kossenko | A♭ Major | 2 | 4B | 89 BPM | ||
| Suite in F Major: X. Sarabande | Monsieur de Sainte-Colombe, François Joubert-Caillet, L'Achéron | E Minor | 1 | 9A | 135 BPM | ||
| Vespro della Beata Vergine, SV 206: III. Concerto "Nigra sum" | Claudio Monteverdi, Philippe Herreweghe, Reinoud Van Mechelen, Collegium Vocale Gent | A Minor | 0 | 8A | 172 BPM | ||
| Messiah, Pt. 1: 14. Pifa (Pastoral Symphony) | George Frideric Handel, Dunedin Consort, John Butt | B Major | 0 | 1B | 136 BPM | ||
| Membra Jesu Nostri, BuxWV 75, Ad genua: Aria "Ut te quaeram mente pura" | Dietrich Buxtehude, Ricercar Consort, Philippe Pierlot, Maria Keohane, Hanna Bayodi, Matthias Vieweg | C Minor | 2 | 5A | 90 BPM | ||
| Psalm 126 "Nisi Dominus" | Alessandro Melani, Maria Skiba, Rheinische Kantorei, Hans-Jörg Mammel, Markus Flaig, Franz Vitzthum, Das Kleine Konzert, Hermann Max | F Major | 2 | 7B | 175 BPM | ||
| Stabat Mater pour dix voix et basse continue: VII. Juxta crucem | Domenico Scarlatti, Vox Luminis, Lionel Meunier | B Minor | 1 | 10A | 129 BPM | ||
| Offerte pour l'orgue et pour les violons, flûtes et hautbois, H. 514 | Marc-Antoine Charpentier, Musica Antiqua Köln, Reinhard Goebel | B Major | 2 | 1B | 55 BPM | ||
| Stabat mater: XIII. Fac me vere tecum flere | Alessandro Scarlatti, Paul Figuier, Les Accents, Thibault Noally | E Minor | 2 | 9A | 68 BPM | ||
| Let God Arise, HWV 256a: IV. Let the Righteous Be Glad | George Frideric Handel, Arcangelo, Jonathan Cohen, Hilary Cronin, Daniel Collins, Matthew Long | E Major | 2 | 12B | 96 BPM | ||
| Ave Regina Coelorum | Alessandro Melani, Rinaldo Alessandrini, Concerto Italiano | D♭ Major | 1 | 3B | 106 BPM | ||
| Orphée et Eurydice, Wq. 41 (Paris Version), Acte I Scène 1: Chœur. Ah! Dans ce bois tranquille et sombre [reprise] | Christoph Willibald Gluck, Les Arts Florissants, Paul Agnew | C Major | 3 | 8B | 71 BPM | ||
| L’empio punito, Act II Scene 21: Qual sovrumano volto (Live) | Alessandro Melani, Auser Musici, Carlo Ipata, Benedetta Gaggioli, Raffaele Pe | E♭ Minor | 1 | 2A | 156 BPM | ||
| Atys, LWV 53, Act III Scene 4: Prélude | Jean-Baptiste Lully, Leonardo García-Alarcón, Cappella Mediterranea | B♭ Major | 4 | 6B | 177 BPM |