Let us garlands bring, Op. 18: It was a lover and his lass by Gerald Finzi, Roderick Williams, Iain Burnside Song Details

Gerald Finzi, Roderick Williams, Iain Burnside's ' "Let us garlands bring, Op. 18: It was a lover and his lass" was released on its scheduled release date, May 1, 2005. The duration of This song is about two minutes long, specifically at 2:37. This song does not appear to have any foul language. Let us garlands bring, Op. 18: It was a lover and his lass's duration is considered a little bit shorter than the average duration of a typical track. The song is number 11 out of 21 in Finzi: I Said To Love / Let Us Garlands Bring / Before and After Summer (English Song, Vol. 12) by Gerald Finzi. Based on our statistics, Let us garlands bring, Op. 18: It was a lover and his lass's popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.

BPM and Tempo

The tempo marking of Let us garlands bring, Op. 18: It was a lover and his lass by Gerald Finzi, Roderick Williams, Iain Burnside is Allegro (fast, quick, and bright), since this song has a tempo of 138 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.

Music Key

This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 4%
Loudness: -20.63 dB
Acousticness: 99%
Danceability: 39%
Energy: 13%
Instrumentalness: 0%
Liveness: 11%
Loudness: 66%
Speechiness: 4%
Valence: 46%

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