Chagdud Tulku Rinpoche's ' "Knowing Is the Difference" was released on its scheduled release date, January 1, 2000. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 14 out of 52 in An Introduction to the Practice of Red Tara by Chagdud Tulku Rinpoche. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Knowing Is the Difference is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Knowing Is the Difference by Chagdud Tulku Rinpoche is Andante (at a walking pace), since this song has a tempo of 91 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 5/4.
F♯ Minor is the music key of this track. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Canta de Chod Auspicioso | Lama Dorje | A♭ Minor | 6 | 1A | 137 BPM | ||
| Traditional Tibetan Folk Song | Chagdud Tulku Rinpoche | F Major | 1 | 7B | 121 BPM | ||
| Laghunyāsa | Sheela Shankar | B♭ Minor | 3 | 3A | 107 BPM | ||
| Sunday | Golddengurl33 | G Major | 0 | 9B | 96 BPM | ||
| Amar Grameh | Sojha | D♭ Major | 4 | 3B | 106 BPM | ||
| Bhavani Jaya Jaya | Bhagavan Das | G Major | 5 | 9B | 91 BPM | ||
| Oh My God When | mezuntoli | F Minor | 0 | 4A | 102 BPM | ||
| Gapu Gapu | Raleigh Hills | A♭ Major | 1 | 4B | 103 BPM | ||
| The Praises to the 21 Forms of Tara | Jamyang Sakya | A Major | 2 | 11B | 106 BPM | ||
| Hari Om | Christian Bollmann, Dinesh Mishra, Oberton-Chor Düsseldorf | C Major | 2 | 8B | 83 BPM | ||
| Shiva Sankalpa Suktam | Play Devotional | A Minor | 0 | 8A | 136 BPM | ||
| Pattidana | Svaraveena | C Major | 0 | 8B | 141 BPM | ||
| Joy | Agbobu | A♭ Minor | 0 | 1A | 138 BPM | ||
| Dome | Nyekachi24 | A Minor | 0 | 8A | 136 BPM | ||
| Yumchen Tukar | Choying Drolma, Steve Tibbetts | A Minor | 1 | 8A | 76 BPM | ||
| Om Ram Ramaya Namaha 108 Times Chanting _ Lord Shri Rama Mantra | Powerofmantra | D♭ Major | 0 | 3B | 127 BPM | ||
| Yamuna - Mantra | Sangit Om | D♭ Major | 3 | 3B | 170 BPM | ||
| Elshedai | Vix man | F Major | 0 | 7B | 134 BPM | ||
| Gautama | Jun Miyake | A Minor | 0 | 8A | 136 BPM | ||
| Sarasvati Mantra | Shubhraji | E♭ Major | 1 | 5B | 90 BPM | ||
| White Tara: Om Tare Tu Tare Ture Mama Ah Yuh Pune Jana Putim Kuru Soha | Deva Premal, The Gyuto Monks Of Tibet | C Minor | 2 | 5A | 109 BPM | ||
| Three Deep Singing Monks | Buddhist Monks of Maitri Vihar Monastery | G Major | 2 | 9B | 107 BPM | ||
| Tashi Tsekpa: The Verses of the Eight Noble Auspicious Ones | Simdha Getul Rinpoche | B♭ Major | 1 | 6B | 94 BPM | ||
| Krishna mantra for love - Om shri krishnaya namaha mantra | Amratansh agrawal | D Major | 2 | 10B | 90 BPM | ||
| Chö Lineage Prayer | Margot Reisinger, Lama Tenzin Sangpo | C Major | 2 | 8B | 83 BPM |