- BPM
- 112
- Key
- G Major
- Camelot
- 9B
HMS Pinafore (or, The Lass that Loved a Sailor), Act II: Carefully on tiptoe stealing (Ralph, Josephine, Sailors, Captain Corcoran, Dick) by Arthur Sullivan, Richard Lewis/Elsie Morison/John Cameron/Owen Brannigan/Glyndebourne Chorus/Peter Gellhorn/Pro Arte Orchestra/Sir Malcolm Sargent, Sir Malcolm Sargent, Pro Arte Orchestra Song Details
Arthur Sullivan, Richard Lewis/Elsie Morison/John Cameron/Owen Brannigan/Glyndebourne Chorus/Peter Gellhorn/Pro Arte Orchestra/Sir Malcolm Sargent, Sir Malcolm Sargent, Pro Arte Orchestra's 'HMS Pinafore (or, The Lass that Loved a Sailor), Act II: Carefully on tiptoe stealing (Ralph, Josephine, Sailors, Captain Corcoran, Dick)' had a release date set for June 13, 2011. With This song being less than two minutes long, at 1:35, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Arthur Sullivan, Various Artists, Sir Malcolm Sargent's "Gilbert & Sullivan: HMS Pinafore" album is number 3 out of 49. In terms of popularity, HMS Pinafore (or, The Lass that Loved a Sailor), Act II: Carefully on tiptoe stealing (Ralph, Josephine, Sailors, Captain Corcoran, Dick) is currently not that popular. Although the overall vibe is very danceable, it does project more negative sounds.
BPM and Tempo
We consider the tempo marking of HMS Pinafore (or, The Lass that Loved a Sailor), Act II: Carefully on tiptoe stealing (Ralph, Josephine, Sailors, Captain Corcoran, Dick) by Arthur Sullivan, Richard Lewis/Elsie Morison/John Cameron/Owen Brannigan/Glyndebourne Chorus/Peter Gellhorn/Pro Arte Orchestra/Sir Malcolm Sargent, Sir Malcolm Sargent, Pro Arte Orchestra to be Moderato (at a moderate speed) because the track has a tempo of 112 BPM, a half-time of 56BPM, and a double-time of 224 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 3/4.
Music Key
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 5%
- Loudness
- -24.151 dB
- Acousticness
- 86%
- Danceability
- 63%
- Energy
- 5%
- Instrumentalness
- 0%
- Liveness
- 26%
- Loudness
- 60%
- Speechiness
- 7%
- Valence
- 34%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Teil 7 - Folge 32: Professor van Dusen und das Auge des Zyklopen | Professor van Dusen, Michael Koser, Friedrich W. Bauschulte, Klaus Herm, Herbert Stass, Arnold Marquis, Helmut Wildt, Eva Manhardt, Susanna Bonaséwicz, Ingrid Kaehler | F Minor | 1 | 4A | 63 BPM | |
 | Tannhäuser: Pilgrims' Chorus | Richard Wagner, Leopold Stokowski | A Minor | 1 | 8A | 79 BPM | |
 | Dail Yr Hydref | Cor Godre'r Aran | A Minor | 1 | 8A | 57 BPM | |
 | No. 7, When the Saints Go Marching In | John Rutter, The Cambridge Singers, BBC Concert Orchestra | B♭ Major | 2 | 6B | 104 BPM | |
 | Novello: King's Rhapsody, Act 1: "If This Were Love" - "Farewell, My Little Mountain Dove" (Serenader, Countess Vera) | Ivor Novello, Mike Sammes Singers, The New World Show Orchestra, Jan Cervenka, Andrew Gold, Pamela Woolmore | G Minor | 2 | 6A | 80 BPM | |
 | La Giaconda, Act 2, The Rosary: Sailors' Song "Ho! He! Ho! He!" (Sailors, Boys, Barnaba, Pilot) - "Recitative and Barcarolle "Pescator, affonda l'esca" [Barnaba, Pilot, Sailors, Boys] | Amilcare Ponchielli, Angelo Nardinocchi, Massimiliano Travagliati, Coro di Voci Bianche del Teatro “Giuseppe Verdi” di Salerno, Silvana Noschese, Coro del Teatro dell'Opera di Salerno, Luigi Petrozziello, Orchestra Filarmonica Salernitana “Giuseppe Verdi”, Yishai Steckler | F Major | 2 | 7B | 99 BPM | |
 | H.M.S. Pinafore / Act 2: Farewell, my own | Arthur Sullivan, The D'Oyly Carte Opera Company, Thomas Round, Jean Hindmarsh, John Reed, Joyce Wright, Donald Adams, George Cook, Eric Wilson-Hyde, Gillian Knight, The D'Oyly Carte Opera Chorus, The New Symphony Orchestra Of London, Isidore Godfrey | C Major | 2 | 8B | 89 BPM | |
 | Strauss II, J: La chauve-souris, Act 2: Couplets. "Versez-nous le champagne" (Orlofsky, Arlette, Gaillardin, Chœur) | Johann Strauss II, Franck Pourcel, Choeurs Rene Duclos, Jacques Pruvost, Liliane Berton, Pierre Fleta, Orchestre De La Société Des Concerts Du Conservatoire | D Major | 2 | 10B | 127 BPM | |
 | 180 - Jesus é a Luz que veio ao mundo | Orquestra Sacra | G Minor | 2 | 6A | 80 BPM | |
 | The Soldiers’ Chorus | London Welsh Male Voice Choir | F Major | 4 | 7B | 120 BPM | |
 | Voi, che sapete (Le nozze di Figaro) | Rise Stevens | B♭ Major | 1 | 6B | 70 BPM | |
 | Cavalleria rusticana: "Regina coeli laetare" | Pietro Mascagni, Julia Varady, The London Opera Chorus, National Philharmonic Orchestra, Gianandrea Gavazzeni | G Major | 3 | 9B | 87 BPM | |
 | Boris Godunov | Modest Mussorgsky, Choir of the Bolshoi Theater, Yelena Obratsova, Yuri Mazurok, Alexandr Ognivcev, Orchestra of The Bolshoi Theater, Vladimir Atlantov, Mark Ermler, Yevgeny Nesterenko | G Major | 4 | 9B | 126 BPM | |
 | The Music Makers, Op. 69: III. With wonderful deathless ditties | Edward Elgar, Sarah Connolly, Greg Beardsell, Bournemouth Symphony Chorus, Bournemouth Symphony Orchestra, Simon Wright | G Major | 2 | 9B | 85 BPM | |
 | Bellini: I puritani: "A festa!" (Coro) | Vincenzo Bellini, Dresdner Philharmonie, Riccardo Frizza | D Major | 5 | 10B | 136 BPM | |
 | Weber: Der Freischütz, Op. 77, J. 277, Act 1 Scene 5: No. 4, Lied, "Hier im ird'schen Jammertal" (Kaspar, Max) | Carl Maria von Weber, Elisabeth Grümmer, Berliner Philharmoniker, Joseph Keilberth | E Minor | 0 | 9A | 89 BPM | |
 | L'elisir d'amore / Act I: "Bel conforto" | Gaetano Donizetti, Dawn Upshaw, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, James Levine | F Major | 2 | 7B | 119 BPM | |
 | Ariane et Barbe-bleue, Act I: Prenez-les! - Penchez-vous! (the Nurse, Ariane) | Paul Dukas, Marilyn Schmiege, Roderick Kennedy, Jocelyne Taillon, Cynthia Buchan, Monique Baudoin, Mitsuko Shirai, Francine Laurent, Josef Otten, Jörg Pavelec, Franz Gerihsen, WDR Rundfunkchor Köln, WDR Sinfonieorchester Köln, Gary Bertini | F♯ Major | 4 | 2B | 91 BPM | |
 | Acte III - Tableau IV : Salve Regina | Francis Poulenc, Jean-Pierre Marty | G Major | 2 | 9B | 69 BPM | |
 | La Bohème: Act II: Walzer der Musetta: Quando m'en vo soletta | Giacomo Puccini, Diana Damrau, Muenchner Rundfunkorchester, Munich Radio Orchestra | A Major | 2 | 11B | 165 BPM | |
 | Die verkaufte Braut (2007 Remaster), Akt 2: Wie schäumst du in den Gläsern (Chor: Hans - Kezal - Chor) | Bedřich Smetana, Pilar Lorengar/Fritz Wunderlich/Gottlob Frick/Bamberger Symphoniker/Rudolf Kempe, Rudolf Kempe, Bamberg Symphony | G Major | 5 | 9B | 112 BPM | |
 | My Eyes Are Fully Open | The Pirates Of Penzance | A♭ Major | 5 | 4B | 117 BPM | |
 | Gloria, FP 177: II. Laudamus te | Francis Poulenc, Britten Sinfonia, Polyphony, Stephen Layton, The Choir Of Trinity College, Cambridge | D Minor | 2 | 7A | 130 BPM | |
 | Make Our Garden Grow | Jason Danieley, Harolyn Blackwell, Candide Ensemble (1997) | E Major | 3 | 12B | 83 BPM | |
 | Mussorgsky: Boris Godunov, Act 1: Drinking Song. "Kak vo gorode bylo vo Kazani" (Varlaam, Grigoriy, Misail) | Modest Mussorgsky, Issay Dobrowen, André Bielecki, Boris Christoff, Nicolai Gedda, Orchestre National Radiodiffusion Française | E♭ Major | 1 | 5B | 88 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records