John Rutter, The Cambridge Singers, BBC Concert Orchestra's 'No. 7, When the Saints Go Marching In' had a release date set for September 1, 2001. With this song being around four minutes long, at 4:11, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 22 in the song's album "Rutter & Others: Choral Works". In this album, this song's track order is #7. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, No. 7, When the Saints Go Marching In is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With No. 7, When the Saints Go Marching In by John Rutter, The Cambridge Singers, BBC Concert Orchestra having a BPM of 104 with a half-time of 52 BPM and a double-time of 208 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sicut cervus | Giovanni Pierluigi da Palestrina, Choir of St. Ignatius Loyola, Kent Tritle | A♭ Major | 1 | 4B | 79 BPM | ||
| J. G. Rheinberger: Abendlied | Josef Rheinberger, Karin Freist-Wissing, Vox Bona - Kammerchor der Kreuzkirche Bonn | F Major | 0 | 7B | 135 BPM | ||
| Evening Service in B Minor, Op. 6: II. Nunc dimittis | T. Tertius Noble, Bristol Cathedral Choir, Ian Ball, Christopher Brayne | A Major | 2 | 11B | 67 BPM | ||
| Three Madrigals: III. Sigh no more, ladies, sigh no more! | Emma Lou Diemer, Ames Chamber Artists | A♭ Minor | 0 | 1A | 85 BPM | ||
| Mass: VI. Agnus Dei | Steve Dobrogosz, St. Jacob's Chamber Choir, Stockholm Chamber Orchestra, Gary Graden | C Major | 1 | 8B | 85 BPM | ||
| Agnus Dei | Samuel Barber, The Cambridge Singers, John Rutter | B♭ Minor | 0 | 3A | 131 BPM | ||
| Brahms: How Lovely are Thy Dwellings | The Choir Of Waltham Abbey, Stuart Nicholson | E♭ Major | 1 | 5B | 125 BPM | ||
| Brewer: Nunc Dimittis in D | Blackburn Cathedral Choir, Blackburn Cathedral Girls' Choir, The Renaissance Singers of Blackburn Cathedral | D Major | 1 | 10B | 135 BPM | ||
| Willow Song | Traditional, The Cambridge Singers, John Rutter | B Major | 4 | 1B | 99 BPM | ||
| My Spirit Sang All Day | Gerald Finzi, Apollo5 | G Major | 1 | 9B | 76 BPM | ||
| Overlord | Sumphonia | G Major | 1 | 9B | 170 BPM | ||
| O Vos Omnes | Pablo Casals, The Cambridge Singers, John Rutter | F Minor | 0 | 4A | 135 BPM | ||
| Kodály: Mountain Nights: No. 1, Andantino | Zoltán Kodály, Ilona Andor, Kodaly Girls Choir | A Minor | 0 | 8A | 136 BPM | ||
| You Know That We Love You! | The International Staff Songsters of the Salvation Army | F Major | 1 | 7B | 59 BPM | ||
| Stanford: Magnificat In A | Manchester Cathedral Choir, Jeffrey Makinson | A Major | 1 | 11B | 48 BPM | ||
| St. Matthew Passion, BWV 244, Pt. 1 (Excerpts): No. 54, O Sacred Head Surrounded by Crown of Piercing Thorn! [Arr. for Choir] | Johann Sebastian Bach, The Bach Choir, David Hill | F Major | 1 | 7B | 176 BPM | ||
| The Lord Bless You and Keep You | Philip Stopford, The Ecclesium Choir | D♭ Major | 1 | 3B | 94 BPM | ||
| Mass in D Major, Op. 86 / Gloria: IIa. Gloria in excelsis Deo | Antonín Dvořák, Helga Hein-Guardian, Verena Keller, Arthur Janzen, Hartmut Hein, Jorg Zettler, Motettenchor Stuttgart, Günter Graulich | D♭ Minor | 0 | 12A | 108 BPM | ||
| Requiem, Op. 9: IX. In paradisum | Maurice Duruflé, Maîtrise de Saint-Christophe de Javel, Chœur de filles Cæcilia, Yves Castagnet, Henri Chalet, Alice Korovitch | D Major | 0 | 10B | 67 BPM | ||
| God Be in My Head | Henry Walford Davies, John Rutter, The Cambridge Singers | D Major | 2 | 10B | 108 BPM | ||
| I Have Never Loved Someone: I Have Never Loved Someone (Arr. for Choir by Nate Thacher) | Shara Nova, Conspirare, Craig Hella Johnson | E Major | 1 | 12B | 175 BPM | ||
| How Lovely is Thy Dwelling Place | Johannes Brahms, Robert Shaw | C Minor | 2 | 5A | 91 BPM | ||
| Requiem, Op. 9: II. Kyrie | Maurice Duruflé, Robert Shaw, Atlanta Symphony Orchestra | F Major | 2 | 7B | 70 BPM | ||
| We Will Cross The Valley | Irma Martha, Jessie Andrew | G Major | 1 | 9B | 136 BPM | ||
| Bridge over Troubled Water | Dallas Chamber Choir, Jon L. Culpepper, Jordan Peek, Donald Jones, Nicholas Chabot | D♭ Major | 4 | 3B | 87 BPM |