Old King Cole - A Ballet for Orchestra: Bowl Dance by Ralph Vaughan Williams, Northern Sinfonia of England/Bradley Creswick/Sinfonia Chorus/Alan Fearon/Richard Hickox, Richard Hickox, Northern Sinfonia Of England Song Details

"Old King Cole - A Ballet for Orchestra: Bowl Dance" by Ralph Vaughan Williams, Northern Sinfonia of England/Bradley Creswick/Sinfonia Chorus/Alan Fearon/Richard Hickox, Richard Hickox, Northern Sinfonia Of England had its release date on June 5, 2000. With This song being less than two minutes long, at 1:40, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Ralph Vaughan Williams, Richard Hickox, Northern Sinfonia Of England's "Hickox conducts Vaughan Williams" album is number 5 out of 36. Based on our statistics, Old King Cole - A Ballet for Orchestra: Bowl Dance's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

We consider the tempo marking of Old King Cole - A Ballet for Orchestra: Bowl Dance by Ralph Vaughan Williams, Northern Sinfonia of England/Bradley Creswick/Sinfonia Chorus/Alan Fearon/Richard Hickox, Richard Hickox, Northern Sinfonia Of England to be Allegro (fast, quick, and bright) because the track has a tempo of 138 BPM, a half-time of 69BPM, and a double-time of 276 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.

Music Key

This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 1%
Loudness: -16.573 dB
Acousticness: 95%
Danceability: 38%
Energy: 23%
Instrumentalness: 95%
Liveness: 15%
Loudness: 72%
Speechiness: 3%
Valence: 10%

Recommendations

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Pelléas et Mélisande Suite, Op. 80: III. Sicilienne. Allegretto molto moderato	Gabriel Fauré, Berliner Philharmoniker, Daniel Barenboim	E♭ Major	0	5B	56 BPM
I. Allegro scherzando	George Butterworth, BBC National Orchestra Of Wales, Kriss Russman	F Major	1	7B	78 BPM
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The Holy Boy	John Ireland, Richard Hickox, London Symphony Orchestra	G Minor	0	6A	101 BPM
Má vlast, JB 1:112: II. Vltava "The Moldau"	Bedřich Smetana, Chicago Symphony Orchestra, Daniel Barenboim	G Major	1	9B	142 BPM
Scheherazade: The voice of Scheherazade	Nikolai Rimsky-Korsakov, Lars Hjalmar Joakim	G Major	1	9B	132 BPM
A Severn Rhapsody, Op. 3	Gerald Finzi, Robert Plane, Royal Northern Sinfonia, Howard Griffiths	C Minor	0	5A	62 BPM
Cançoneta for Violin and Orchestra	Joaquín Rodrigo, Agustín León Ara, Academy of St. Martin in the Fields, Sir Neville Marriner	A Major	0	11B	70 BPM
Fantasia on British Sea Songs (excerpts): II. Tom Bowling	Sir Henry Wood, Leeds Festival Chorus, English Northern Philharmonia, Paul Daniel	C Major	0	8B	93 BPM
Songs My Mother Taught Me (from "Gypsy Songs", Op. 55, No. 4)	Antonín Dvořák, Yo-Yo Ma, Kathryn Stott	B Minor	0	10A	92 BPM
Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile	Max Bruch, Joshua Bell, Academy of St. Martin in the Fields	E♭ Major	2	5B	60 BPM
Symphony No. 5 In C Sharp Minor: 4. Adagietto (Sehr langsam)	Gustav Mahler, Gyeonggi Philharmonic Orchestra, Shi-Yeon Sung	F Major	0	7B	82 BPM
The House of Life: No. 2, Silent Noon	Ralph Vaughan Williams, Anthony Rolfe Johnson, Graham Johnson, Simon Keenlyside, Duke Quartet	F Major	3	7B	150 BPM
V. Pieds-en-l'air	Peter Warlock, Metamorphosen Berlin, Wolfgang Emanuel Schmidt	G Major	0	9B	85 BPM
Masques et Bergamasques, suite, Op.112: 1. Ouverture	Gabriel Fauré, Academy of St. Martin in the Fields, Sir Neville Marriner	F Major	2	7B	69 BPM
Variations on an Original Theme, Op. 36 "Enigma": 9. Nimrod. Adagio (Arr. Parkin)	Edward Elgar, Sheku Kanneh-Mason, Ashok Klouda, Caroline Dearnley, Hannah Roberts, Josephine Knight, Ben Davies	B♭ Major	1	6B	90 BPM
Spartacus, Act III: Adagio of Spartacus and Phrygia (arr. Y. Grigorovich) [1968 Bolshoi Version]	Aram Khachaturian, RIAS Kammerchor, Deutsches Symphonie-Orchester Berlin, Michail Jurowski	E Major	2	12B	123 BPM
2 Aquarelles: Lento, ma non troppo	Frederick Delius, Royal Northern Sinfonia, David Lloyd-Jones	F Major	0	7B	71 BPM