Mahesh Ranjan Shome's ' "Shuk Bale Amar Krishna" was released on its scheduled release date, August 23, 1996. This song is about six minutes long, preciously at 6:07, making this song fairly long compared to other songs. The track order of this song in Traditional, Mahesh Ranjan Shome's "Kirtansudha" album is number 5 out of 8. On top of that, India appears to be the country where this track was created. Based on our statistics, Shuk Bale Amar Krishna's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Shuk Bale Amar Krishna by Mahesh Ranjan Shome to be Allegro (fast, quick, and bright) because the track has a tempo of 143 BPM, a half-time of 72BPM, and a double-time of 286 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Arihanto Ko Namaskar | Chandana Sen Gupt | E Major | 6 | 12B | 85 BPM | ||
| Janmamrutyuche Phere | Ajit Kadkade | A♭ Major | 6 | 4B | 92 BPM | ||
| Samba Sada Shiva (feat. Chorus) | Pandit Eshwer Persaud, Chorus | D♭ Major | 6 | 3B | 88 BPM | ||
| Ma Esheche Moder Ki Ar | Ramakrishna Math, Swami Narendrananda | F Minor | 6 | 4A | 110 BPM | ||
| Bad Sukh Saar | Rajni Pallavi | E♭ Major | 5 | 5B | 100 BPM | ||
| Modamodalu | Sri Ganapathy Sachchidananda Swamiji | C Major | 5 | 8B | 109 BPM | ||
| Chalo Man Ganga Jamuna Teer | Susmita Das | C Major | 6 | 8B | 148 BPM | ||
| Hamko hamare Baba se pyara mantra mila | Brahma Kumaris | B♭ Minor | 4 | 3A | 145 BPM | ||
| Baithas Has Tariya Ke Par O | Dukalu Yadav | A Major | 5 | 11B | 91 BPM | ||
| Shri Padmavati Chalisa | Hemant, Sangita, Chandrika, Nandita | F Major | 6 | 7B | 137 BPM | ||
| Soto Naame Koto Jone | Gurujeet Singh | D♭ Major | 8 | 3B | 92 BPM | ||
| Zale Shree Samarth Darshan | Mahendra Warekar, Ravindra Sathe | D Major | 7 | 10B | 175 BPM | ||
| Ghat Ma Giridhari Ne Man Ma Morari | Nidhi Dholakia | A Minor | 4 | 8A | 90 BPM | ||
| Pokhi Roya Ja Re | Rameshwar Pathak | G Major | 4 | 9B | 141 BPM | ||
| Karuna Pathar Janani Aamar - Durga Bhajan | Mahesh Ranjan Shome | F♯ Minor | 2 | 11A | 165 BPM | ||
| Raja Mukut Pore | Srikanta Acharya | G Major | 5 | 9B | 182 BPM | ||
| Brindabone Rai Samer | Amar Pal | D♭ Major | 4 | 3B | 125 BPM | ||
| Katobar Bhebechhinu Apona Bhuliya (1885) | Swagatalakshmi Dasgupta | E Major | 3 | 12B | 114 BPM | ||
| Khelaghar Bandhte Legechi | Indrani Sen | B♭ Major | 5 | 6B | 174 BPM | ||
| Surya Upanishath | D.V. Ramani, Ramu.N.Prakash | B♭ Major | 3 | 6B | 137 BPM | ||
| Kanak Bhudhar Shikhar Vasini - Durga Vandana | Sarda Sinha | C Major | 5 | 8B | 83 BPM | ||
| Ganga Nadir Tire Dakshinesware | Mahesh Ranjan Shome | D♭ Minor | 4 | 12A | 92 BPM | ||
| Surya Stuti | Prasath Sai, Prakash Kumar | C Minor | 6 | 5A | 97 BPM | ||
| Jaya Jaya Jagannath | Sachi kumar Das | D♭ Major | 6 | 3B | 90 BPM | ||
| Dhyanam - Sri Raja Rajeshi | Sri Ganapathy Sachchidananda Swamiji | F Major | 3 | 7B | 83 BPM |