- BPM
- 79
- Key
- D♭ Major
- Camelot
- 3B
Elgar: Lux Aeterna (After "Nimrod" from Enigma Variations, Op. 36) by Edward Elgar, Edward Higginbottom, Choir of New College, Oxford Song Details
"Elgar: Lux Aeterna (After "Nimrod" from Enigma Variations, Op. 36)" by Edward Elgar, Edward Higginbottom, Choir of New College, Oxford had its release date on 1996. With this song being around four minutes long, at 3:49, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 7 out of 26 in Agnus Dei Volumes 1 & 2 by Edward Higginbottom. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Elgar: Lux Aeterna (After "Nimrod" from Enigma Variations, Op. 36) is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
The tempo marking of Elgar: Lux Aeterna (After "Nimrod" from Enigma Variations, Op. 36) by Edward Elgar, Edward Higginbottom, Choir of New College, Oxford is Andante (at a walking pace), since this song has a tempo of 79 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
Music Key
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 23%
- Loudness
- -21.924 dB
- Acousticness
- 99%
- Danceability
- 10%
- Energy
- 18%
- Instrumentalness
- 20%
- Liveness
- 33%
- Loudness
- 63%
- Speechiness
- 4%
- Valence
- 4%
Recommendations
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|---|---|---|---|---|---|---|---|
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 | They are All Gone into the World of Light | John Tavener, Wells Cathedral Choir, Matthew Owens | C Major | 1 | 8B | 79 BPM | |
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 | Herr, auf dich traue ich (Psalm 31) | Otto Nicolai, Kammerchor Stuttgart, Frieder Bernius | E♭ Major | 1 | 5B | 81 BPM | |
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 | The Lamb | John Tavener, Vasari Singers, Jeremy Backhouse | E Minor | 0 | 9A | 183 BPM | |
 | Symphonia virginum "O dulcissime amator" | Hildegard von Bingen, Anonymous 4 | B♭ Minor | 1 | 3A | 131 BPM | |
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 | Cherubic Hymn No. 7 | Dmitry Bortniansky, Glinka State Choir of St.Petersburg, Vladislav Chernoushenko | D Major | 0 | 10B | 82 BPM | |
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 | O dive custos, Z. 504 | Henry Purcell, Vox Luminis, Lionel Meunier | B Minor | 0 | 10A | 132 BPM |
- ISRC
- FRZ209620107
- Label
- L-M Records/RCA Records