"Hopkins On Skellig Michael: Leaving" by Ciarán Farrell, RTE Concert Orchestra had its release date on 2006. The duration of This song is about 3 minutes long, at 3:04. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 19 in the song's album "Perfect State". In this album, this song's track order is #18. In terms of popularity, Hopkins On Skellig Michael: Leaving is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Hopkins On Skellig Michael: Leaving by Ciarán Farrell, RTE Concert Orchestra having a BPM of 117 with a half-time of 58 BPM and a double-time of 234 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
E Minor is the music key of this track. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 3 Postludien: Postludium No. 3 | Valentin Silvestrov, Matt Haimovitz, Nadia Shpachenko | D Major | 0 | 10B | 127 BPM | ||
| She Moved Through the Fair - John Barleycorn (Arr. for Lute, Viola da gamba & Bodhrán) | Ronn McFarlane, Carolyn Surrick, Jackie Moran | A♭ Minor | 4 | 1A | 96 BPM | ||
| Mysterious Mountain | Alan Hovhaness, Filharmonie Brno | C Major | 2 | 8B | 61 BPM | ||
| Josquiniana: I. Helas madame | Charles Wuorinen, Brentano String Quartet | A Minor | 0 | 8A | 99 BPM | ||
| Toccata arpeggiata | Giovanni Girolamo Kapsberger, Constantinople | A Minor | 0 | 8A | 104 BPM | ||
| All In The Past (Remembering Oskar Strock) | Georgs Pelēcis, Johannes Fritzsch, Tasmanian Symphony Orchestra, Emma McGrath | D Minor | 0 | 7A | 109 BPM | ||
| Wild Swans Suite - Version For Violin And Piano: 2. Eliza Aria | Elena Kats-Chernin, Daniel Hope, Jacques Ammon | F Major | 1 | 7B | 164 BPM | ||
| Ave Maria, CG 89a (After Bach's BWV 846) [Arr. C. Surrick for Lute & Viola da gamba] | Charles Gounod, Ronn McFarlane, Carolyn Surrick | B Major | 1 | 1B | 110 BPM | ||
| Frontiers: III. Third Movement | Oliver Davis, Kerenza Peacock, Paul Bateman | G Major | 2 | 9B | 167 BPM | ||
| Quarter Chicken Dark | Stuart Duncan, Edgar Meyer, Chris Thile, Yo-Yo Ma | B Major | 2 | 1B | 144 BPM | ||
| Violin Concerto No.2 "The American Four Seasons" - Movement I | Philip Glass, Robert McDuffie, Marin Alsop, London Philharmonic Orchestra | G Minor | 3 | 6A | 120 BPM | ||
| Spiral, for Violin, Piano and Strings: I. First Movement | Oliver Davis, Kerenza Peacock, Huw Watkins, Paul Bateman, Royal Philharmonic Orchestra | A Major | 5 | 11B | 110 BPM | ||
| Desplat: The Shape of Water: II. Watching Ruth | Alexandre Desplat, Emmanuel Pahud, Myriam Lafargue, Orchestre National De France | D Minor | 1 | 7A | 89 BPM | ||
| 5 Bagatelles for clarinet and piano, Op.23: 4. Forlana - Allegretto grazioso | Gerald Finzi, Emma Johnson, Malcolm Martineau | F♯ Major | 0 | 2B | 185 BPM | ||
| St. Paul's Suite, Op. 29 No. 2, H 118: 2. Ostinato: Presto | Gustav Holst, Saint Paul Chamber Orchestra, Christopher Hogwood | D Major | 1 | 10B | 65 BPM | ||
| Austin Friars | Debbie Wiseman | G Major | 1 | 9B | 122 BPM | ||
| Strangers: A Chamber Ballet About Immigration - No. 12, Pt. II. The Contortion (Opening) | Brian Dean Morales, Devin Hinzo, Ian Morin, Kimberly Zaleski, Robert Davis, Torrel Moss, Van Parker | F Minor | 1 | 4A | 72 BPM | ||
| Five Variants of ‘Dives and Lazarus’ | Ralph Vaughan Williams, Hallé, Sir Mark Elder | B Minor | 1 | 10A | 71 BPM | ||
| The Pilgrim's Return: Journey's End | Gerard McCrystal, Ciarán Farrell, The Smith Quartet | B Minor | 2 | 10A | 66 BPM | ||
| Harmonielehre: Pt. III Meister Eckhardt and Quackie | John Adams | E Minor | 1 | 9A | 77 BPM | ||
| Much Ado about Nothing Suite, Op. 11: IV. Intermezzo (Garden Scene) | Erich Wolfgang Korngold, Mineria Symphony Orchestra, Carlos Miguel Prieto | C Major | 0 | 8B | 108 BPM | ||
| The Pilgrim's Return: Homeward Bound | Ciarán Farrell, Gerard McCrystal, RTE Concert Orchestra, The Smith Quartet, David Brophy | A Minor | 2 | 8A | 84 BPM | ||
| Víctimes inocents - Monument per la memòria històrica | Josep Roig Boada | E Minor | 2 | 9A | 108 BPM | ||
| Concerto Grosso Variations | Helena Semanov | A Minor | 0 | 8A | 116 BPM | ||
| Archibald McDonald Of Keppoch | John Mock | E Minor | 3 | 9A | 80 BPM |