On November 1, 2020, the song "Parallel Universe" was released by Paul Elliott, Anthony Donje. The duration of This song is about 3 minutes long, at 3:29. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Various Artists's "Modern Psych" album is number 3 out of 13. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Parallel Universe's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Parallel Universe by Paul Elliott, Anthony Donje to be Allegro (fast, quick, and bright) because the track has a tempo of 122 BPM, a half-time of 61BPM, and a double-time of 244 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Requiem: I. Requiem | Anton Bruckner, Elke Janssens, Penelope Turner, Roel Willems, Arnout Malfliet, Laudantes Consort, Guy Janssens | C Minor | 0 | 5A | 69 BPM | ||
| Sonata in F, TWV 41 F3: I. Andante | Georg Philipp Telemann, Jared Hauser, Christopher Stenstrom, Francis Perry, Polly Brecht | F Minor | 0 | 4A | 125 BPM | ||
| Intermedes de Xerxes: Air pour les Paysans et Paysanes | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | D♭ Major | 0 | 3B | 67 BPM | ||
| De ma dame vient | Martyn Hill, Paul Elliott, Early Music Consort Of London, David Munrow | B Major | 1 | 1B | 99 BPM | ||
| Missa Tempore Quadragesimae, MH 553: Credo. Et resurrexit | Michael Haydn, Purcell Choir, Orfeo Orchestra, Gyorgy Vashegyi | B Major | 1 | 1B | 167 BPM | ||
| Laudate pueri Dominum, RV 600: Excelsus super omnes gentes | Antonio Vivaldi, Tracy Smith Bessette, Aradia Ensemble, Kevin Mallon | D♭ Minor | 0 | 12A | 99 BPM | ||
| Missa Corpis Domini, ZWV 3: Et resurrexit | Jan Dismas Zelenka, Collegium 1704, Collegium Vocale 1704, Václav Luks | B Major | 1 | 1B | 99 BPM | ||
| Shakespeare's Songbook, Vol. 1: Black Spirits | Ross W. Duffin, Aaron Sheehan, Judith Malafronte, William Hite, Custer LaRue, Paul Elliott, Ellen Hargis, Paul O'Dette | F Minor | 1 | 4A | 85 BPM | ||
| Missa Dolorosa: IV. Sanctus | Antonio Caldara, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | E♭ Minor | 1 | 2A | 71 BPM | ||
| Lachrimae Tristes | Jordi Savall, John Dowland | A Minor | 1 | 8A | 64 BPM | ||
| Officium Defunctorum: Lectio secunda ad matutinum. Taedet animam meam | Tomás Luis de Victoria, Collegium Vocale Gent, Philippe Herreweghe | B Minor | 1 | 10A | 76 BPM | ||
| Les Indes galantes, Troisième Entrée, Scène 7: "Tendre Amour" (Quatuor) | Jean-Philippe Rameau, Sandrine Piau, Jean-Paul Fouchécourt, Noemi Rime, Jérôme Corréas, Les Arts Florissants, William Christie | D♭ Major | 1 | 3B | 82 BPM | ||
| Missa sopra Ecco si beato giorno: Agnus Dei I | Alessandro Striggio, Le Concert Spirituel, Hervé Niquet | E Major | 0 | 12B | 57 BPM | ||
| The Tempest, Z. 631, "The Enchanted Island": Masque Of Spirits, Act II, No. 4 (Air) | Thomas Shadwell, Meredith Hall, Aradia Ensemble, Rosemarie van der Hooft, Paul Grindlay, Nils Brown, Brett Polegato, Gillian Keith, Michael Colvin, Henry Purcell, John Dryden | B Major | 2 | 1B | 99 BPM | ||
| Ohimè Ch'Io Cado (Libro Nono) | Jordi Savall, Claudio Monteverdi, Montserrat Figueras | F Major | 2 | 7B | 76 BPM | ||
| L'Orfeo, Atto terzo: VIII. Sinfonia a 7 | Claudio Monteverdi, Jordi Savall, La Capella Reial De Catalunya, Le Concert Des Nations | C Major | 2 | 8B | 78 BPM | ||
| Clap, clap, par un matin | Martyn Hill, Paul Elliott, Early Music Consort Of London, David Munrow | B Major | 1 | 1B | 99 BPM | ||
| Olympia (feat. David Lange, Paul Elliott, Mark Ivester, Cary Black & Janis Carper) | Linda Allen, Janis Carper, David Lange, Paul Elliott, Mark Ivester, Cary Black | A Major | 1 | 11B | 138 BPM | ||
| Dido and Aeneas / Act 1: "To the hills and the vales" | Henry Purcell, The Academy Of Ancient Music Chorus, Academy of Ancient Music, Christopher Hogwood | B Major | 1 | 1B | 67 BPM | ||
| Messe de requiem: III. Graduel | André Campra, Philippe Herreweghe, La Chapelle Royale, Orchestre de La Chapelle Royale | A♭ Major | 0 | 4B | 142 BPM | ||
| Couperin, F: Troisième leçon de ténèbres pour le Mercredi saint: II. Caph | François Couperin, William Christie, Patricia Petibon, Sophie Daneman, Les Arts Florissants | C Minor | 0 | 5A | 76 BPM | ||
| Quel Sguardo Sdegnosetto (Scherzi Musicali), 1632 | Jordi Savall, Montserrat Figueras, Claudio Monteverdi | G Major | 1 | 9B | 87 BPM | ||
| The Beggar's Opera: Air III: Cold and raw | Traditional, John Gay, Patrizia Kwella, Paul Elliott, The Broadside Band, Jeremy Barlow | D Minor | 1 | 7A | 138 BPM | ||
| All'imperio d'Amore: 10. Donne le celeste lume a 9 "Stravaganza d'Amore" | Luca Marenzio, Ensemble Pygmalion, Raphael Pichon | C Major | 2 | 8B | 79 BPM | ||
| Missa pro defunctis: VI. Agnus Dei | Johann Caspar Kerll, Vox Luminis, Lionel Meunier, L'Achéron | F Major | 1 | 7B | 169 BPM |